Close but no cigar (aka Heavenly Burda 2012-09-123 part 4)

I could have shown you my finished Burda 2012-09-123 T-shirt. Except I couldn’t finish it. Because I had to send Saffy the sewing machine back to the hospital.

She came back last Saturday. Her unbalanced tension seemed to have been fixed. But oh no, what’s this, Needle Down setting no longer works! And I can’t live without the Needle Down setting. I don’t know about you, but whatever I sew, the feed doesn’t stay straight. I constantly have to readjust the seam allowance to keep the sewing on the stitching line. Stopping with the needle down and presser foot slightly up has saved many a sewing project here. Plus there are all those corner turning where it comes in handy too. So back to the sewing machine repair shop Saffy went today.

I’ve actually sewn up most of the T-shirt already. I just need to finish the stretch hemming on Saffy’s return. In the meanwhile I can show you the embellishment step.

You may recall from Part 1 that my take on this T-shirt is inspired by Dolce & Gabbana’s Fall / Winter 2013 Byzantine Princess collection


Photo credit: Style.com

2-embellish-f-1smallSo for the front, I went back to my art history lesson and pulled up this mosaic image of Byzantine Empress Theodora (who turned out to be pretty cool, an early feminist you might say).

  • First I turned the image into grayscale and fiddled with the contrast in a photo editing software.
  • Then I printed it out, scaling to the size I need, and traced the key outlines onto tracing paper.
  • Next using dressmaking carbon and a blunt plastic needle (used for sewing up hand knitting) I transferred the design onto the fabric which had the pattern pieces already marked out.
  • Finally I used 3 different metallic paints to fill in the outlines: Jacquard Lumiere 561 Metallic Gold for white areas, Jacquard Lumiere 552 Bright Gold for mid-tone areas, and Jacquard Lumiere 565 Metallic Bronze for dark areas. Then heat set with iron set at temperature for my fabric.
2-embellish-f-32-embellish-f-4

For the back I used the Urban Threads wings embroidery design as planned. I was good though. Rather than ripping the artist off, I paid for easily affordable $1 hand embroidery design.

  • I printed this out directly on tracing paper with the design scaled down to 90%.
  • Then this was again transferred to the back fabric piece with dressmaking carbon and an old dried out ball-point pen.
  • The lines were then traced with the Jacquard Lumiere 561 Metallic Gold and Jacquard Lumiere 552 Bright Gold fabric paint, and again heat set with iron.
2-embellish-b-32-embellish-b-4

Those of you with eagle eyes (and mind) would have noticed I committed a big sin in the process: Marking the fabric with carbon paper like there’s no tomorrow. And worse, pressing over the said markings without washing them out first. Yeah, I’m a rebel. So sue me! đŸ˜‰ Bred in NYC I like my Edginess. So I don’t mind if the carbon marking won’t wash out. If you’re of posher or more conservative taste, then do find some other way of transferring your markings and designs.

Anyway, I’m off to find some other project I can work on with just Bernie the overlocker and handsewing.

Stayed tune for the conclusion to this Heavenly T-shirt project coming in a week or two!

T-Shirt Block: Burda 2012-09-123 part 3

Muslin No. 2

muslin2-planThis time I chose a fabric more like the muted gold one that I’m going to use eventually: The Cerise 4 way Stretch Soft Touch Lycra Jersey from Tissu Fabrics. The key ingredient is of course spandex / lycra. This one is slightly more light weight and more drapy though. So not so great for very fitted top which would show any lumps and bumps that we acquire along the way. Unless you’re wearing Spanx of course. Anyway, not great look for ladies of certain age. But as this is a color that I’m not too sure about, I don’t mind using some up for making muslins.

As for the pattern…


The green lines are original size 34. The red lines are my adjustments.

I made a few more changes:

  • Taken 3/4″ off front shoulder seam in the hope it’ll pull the upper back up and keep those sway-back wrinkles at bay. Let’s hope this won’t choke me in the front neck instead!
  • Raised the underarm part of the arm scythe back up, and adjusted the arm scythe curves slightly.
  • Narrowed the sleeve by removing 1/2″ from both sides. Actually, I compared the pattern to my most recent measurements for wrist, elbow, bicep, and high arm width (front crease to back crease). That’s how I determined I can comfortably remove 1″ from the sleeve along the whole length.
  • Shortened the sleeve by 1″ and reduced the cap height by 1/2″. Adjusted the arm scythe curves by slide & pivot method, joining up my new width and height reference points.

Here’s how it sewed up – or hand-basted together…

OK I cheated again. The less wrinkly underarm side had additional adjustment:

  • Lowered the underarm part of the arm scythe back down 1/2″.

It was too dark to take photos last night after my first basting. And I was too impatient to wait overnight before attacking that underarm wrinkle. As a compromise I only changed one side so you can see the before & after picture in one go. BTW it’s more visible in real life. Light condition is still not great for photo-taking, so it might not be so visible in the photo.

Final pattern for Burda 2012-09-123

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Again, green is original size 34, red is my final pattern, orange is Muslin No. 2 take 1. The few final adjustments are:

  • Shortened the sleeve a further 1″. Measurement-wise Muslin No. 2 should be correct. But maybe because this Cerise fabric is light-weight, drapy 4-way stretch, it succumbed to gravity and grew lengthwise.
  • Redrew the shoulder piece seam line so that it’s more slanted. I’ve removed quite a bit from the front shoulder, so I was a bit worried that a short almost horizontal piece might emphasize my relatively broad shoulder.
  • Widened bust area by 1″ total and sleeves underarm area by 1/2″ to match, so that I’d look less like a slightly over-stuffed and lumpy sausage. I also widened hip by 1/2″ total on the final copy of the pattern, but forgot to update this working copy.

And my Fitted T-shirt Block

pattern-Tshirt-Block

Although the final Burda 2012-09-123 is almost basic as you can get, it nonetheless has one design feature left: The slightly widened and lowered neckline. I want my T-Shirt Block to be like a second skin, with the minimum ease necessary, so that I can base a variety of designs on it, including turtlenecks. So the final changes added are:

  • Lengthen shoulder seam towards the neck by 3/8″.
  • Lengthen CF upward towards the neck by 1/4″.

So there you are, T-Shirt Block done. And Dolce & Gabbana inspired Burda 2012-09-123 in muted gold ready to roll. Once Saffy the sewing machine comes home of course.

Now what do you think I should do with the Cerise Muslin No. 2? Unfortunately I only added 3/8″ for seam allowance, so I can’t make it much looser. One possibility I’m considering is cutting a new front and make it into Burda 2013-02-113

bs-2013-02-113_techbs-2013-02-113

The back hip might be slightly too narrow. But maybe the extra fabric in the front will loosen the fit and hide the bulges. Lengthwise the Muslin is long enough to reach my hip – I tucked it up in the photo to see how a high-hip length fitted T-shirt would look like.

If you have any other suggestion for this Muslin No. 2 please share! Muchas gracias đŸ™‚

T-Shirt Block: Burda 2012-09-123 part 2

OK, let’s get down and dirty. First off…

Size Selection & Pattern Alteration

pattern-alt-0I used my TNT cowl T pattern McCall 6078 to compare the Burda sizes with. 34 came closest, though according to sizing chart I’d be between 36 & 38 by bust measurement. I think Fit for Real People mentioned Burda 34 is equivalent of Vogue size 8, which is what I’m now using as my go to size with FBA.

Overlaying size 34 Burda 2012-09-123 (translucent tracing paper) on my adjusted M6078 (opaque paper), I decided for the back pattern to follow the M6078 shoulder line and side seam, trace the neck and arm scythe seam lines but cut on the Burda pattern cut lines.

The front was harder to compare since M6078 is cowl neck. So bust up is probably wider than a standard T-shirt block would require. So the only change I made initially is to graded out to size 36 at the underarm to match M6078.

Muslin no. 1

OK, these aren’t the initial results. I forgot to take pictures. These are after I made some further tweaks:

  • Lower CB neck slightly.
  • 1/2″ sloping shoulder adjustment on front.
  • Truing the side seams by adjusting the front side seam curve to match back side seam curve – making sure that CF and CB are parallel (front pattern is now about 1/2″ wider).
  • Lowered underarm part of arm scythe by about 3/4″.

I thought I’d fit the bodice first.

All in all I thought it fitted relatively well. I think I’m giving up on the sway-back adjustment for knit. I just can’t seem to completely get rid of those wrinkles in the lower back.

Then sleeves on. And what’s this?

They weren’t kidding about sleeves stretching things out were they? And I thought I was being clever fitting the bodice first to avoid any problem there throwing off the sleeves. Maybe that theory would work better with woven.

Part of problem might have been the wrong choice of fabric. This mid to hefty weight 100% cotton interlock jersey from Tissu Fabrics / Tia Knight stretches and stay stretched…Until the next time you wash it maybe. Then it’ll probably shrink on you. It is however quite lovely to touch and to sew with. The color range is also fabulously vibrant. Bright enough to need sunglasses.

But I don’t know. It’s not really me. I just can’t think of what to do with a fabric like this with little drape, a bit of heft, yet not stable enough for a light jacket or something.

m6612-style1-1I had used up some of the Turquoise for an earlier T-shirt Block attempt based on McCall 6612. I don’t feel chic in the result. So it’s only worn at home as a slob out top. Hence I’m not feeling motivated to use up what’s left of the Turquoise. I’m not even motivated to finish this first muslin.

And I still haven’t touched the 3 meters of the Bright Orange! This might be the rare occasion when I give away the fabric, send it to a better parent who know how to cultivate it to get the best out of it.

BTW the colors in the shop photos aren’t quite accurate. Even my Turquoise photos here look different from real life. It’s a bit duller and less blue. But the Bright Orange is brighter and not so yellowish and warm. That’s the peril of internet shopping. But I did read somewhere that Tissu Fabrics do send out swatches. Trouble is I’ve just never been patient enough to wait for swatches through the post!

Anyway, the pattern is now further adjusted and ready for Muslin no. 2. Stayed tuned.

T-shirt Block. Again. (aka Burda 2012-09-123 part 1)

So while Saffy’s at the sewing machine hospital, I decided to tackle fitting for my upcoming projects…By way of a detour of course!

I needed to get to grip with Burda sizing. So I’m using Burda 2012-09-123 as a basic T-shirt block.

bs-2012-09-123_tech   fabric-gold-lycra-wrongfabric-gold-lycra-right

The plan was originally to use the muted gold lycra from Tissu Fabrics / Tia Knight as muslin. But I’ve since fallen in love with it. Especially after seeing Dolce & Gabbana’s Fall / Winter 2013 collection


Photo credit: Style.com

I loved Byzantine art when I took art history in college. All that old muted gold. Yum.

So the new plan is to make a proper version of Burda 2012-09-123. After much deliberation, I’ve decided to use the shinier side for the shoulder detail pieces and the darker, more muted side for rest of the body. I want to avoid my trunk from appearing thicker than it is.

Then play with the different tones of gold fabric paint to create mosaic design or Byzantine icon of some sort on the front. Hopefully one of the gold fabric paint will match the shade of the fabric’s shinier side. I might also add a line painting of something like this on the back!

(Machine embroidery design from Urban Threads.)

If I only had an embroidery machine…Though it still wouldn’t help on a stretch fabric like this!

Next up fitting alteration & muslining…

Franken-patterning

So, winter has returned to London again after a week’s break. And despite my recent ‘achievements’ I still feel like I have nothing to wear when I dress for work in the morning.

With that in mind I decided my next projects need to be practical winter tops that I’ll be able to wear immediately. I have a light weight wool jersey and a sweater knit I want to use up.

fabric-lt-wool-jersey-001I’ve been eying Burdastyle 2011-11-114 for the light-weight wool jersey ever since the pattern came out. But I’m not convinced by the weird upper back, the dropped shoulder with skinny sleeves (is that a weird bump I see at the shoulder tip seam?), nor the length (seems like it’d only be good with skinny pants and pencil skirts). But I love the wrap front drape. So I’m thinking of a Franken-pattern with shortened Burdastyle Blumarine 2011-06-139 bodice and sleeves (what I originally planned for the turquoise leopard print fabric – I might still make it yet) + the front neckline of Burdastyle 2011-11-114.

bs-2011-06-139_tech-mod + bs-2011-11-114_tech-mod = goal-lt-wool-jersey ?

fabric-sweater-knit-001And for the sweater knit, I’m thinking of a silhouette like this Jigsaw sweater I got from a friend during a cloth swap.

inspiration-jigsaw-sweaterI loved that sweater. I didn’t think I would. But its 60ish vibe worked really well with both skinny pants and this A-line skirt I also got during the cloth swap. Oh how I cried when I accidentally shrunk the sweater. I was considering knitting a replacement, but knitting takes too long and my knitting skill is unreliable.

So, I’m thinking of using Burdastyle 013-02-121 Flared Tunic as the base, drop the front collar slit, tame the sleeve flare a bit, shorten the tunic, and add a wide tube collar.

bs-2013-02-121_tech-mod  =>    goal-sweater-knit   ?

What do you think? Would either of these mashups work? Or am I mad like Frankenstein? đŸ™‚

And you, do you do much pattern mashing / Franken-patterning?