It started with such good intention…but I didn’t have the stamina – nor time – to test my hypothesis thoroughly. To recap, I thought that to secure low open neckline & increase sleeve mobility, I simply have to:
not have back neckline edge on shoulder blade peak; and
make the shoulder slope more square than my actual shoulder slope.
I was going to test this out in two ways…
1. Authentic choli pattern instruction found online
I used the Sari Blouse pattern instruction from Vani’s Blog. The pattern came out looking a bit large – especially the back (dotted line in the pattern photo above is my KK Top Block with wearing ease already added). This made me nervous about testing it out with one of my pre-embroidered Nakkashi choli fabrics. As I was in a rush to get one of my Nakkashi outfits sewn up for a trip, I didn’t bother making a muslin of this. Checking instructions on a few other blogs, this instruction seems fairly standard. Maybe this is the everyday fit rather than the Bollywood glam fit. And given that the instruction doesn’t call for a low open back, maybe it won’t work so well when you lower the back.
There is one YouTube video I found in English that offers a theory of what changes you need to make to lower the neckline. The narrower shoulder lines you see above is my attempt to apply that theory. But I was still too chicken to test on my pre-embroidered fabric.
2. Body warp with tilt-to-square shoulder alteration
Wrap rationalised – Front
Wrap rationalised – Back
Tilting & squaring the shoulder – Front
Tilting & squaring the shoulder – Back
Final pattern – Front
Final pattern – Back
Sleeve based on Indian instruction
I ended up retreating to my comfort zone of tinkering with my own moulage. This time I did use the body warp instead of the Kenneth King Moulage I drafted a while ago. I was hoping the more precise body wrap would yield a better fit. Well, more isn’t always better. It was a nightmare trying to figure out what to do with my lopsidedness. You can see in first two photos above how my left & right sides differ. I wouldn’t have minded the extra work if the result was better. It wasn’t. Once you add ease back in, much of the minor lopsidedness wasn’t visible anyway. I guess if your lopsidedness was more extreme, then the precision may help. So the conclusion? Either Moulage Drafting or Body Wrap will work. Pick whichever method is easier for you: Moulage Drafting requires lots of measurements & calculations, Body Wrapping may be uncomfortable while you’re being wrapped & you’ll need to decide how much lopsidedness you’ll bother to incorporate into your Blocks. If you go with Body Wrap, you’re probably fine to gloss over minor differences between your left & right sides if you’ll mostly make stuff with wearing ease. Don’t drive yourself crazy like I did!
Now back to my choli pattern & drafting for arms up position, you can see in photos 3 & 4 how I tilted the shoulder seam by adding a wedge radiating from the princess seam / back waist dart to the side seams. This lengthen the side seams, make the shoulder more square and the neckline more U-shaped. The difference in side seam & shoulder seam lengths with arms up vs arms down was about 1.5″ for me. I ended up adding at the side seam about half that difference – because it seems like a sensible compromise & also it makes the necklines conform better to the pre-embroidered necklines. I positioned the pivot points of the tilt / wedge at the base of the necklines where they start angling up because I think this is where the tension will be and body movement will make the neck opening spread out, causing the sleeves to fall off the shoulder.
Hurrah I can raise my arms. Boohoo no luck on stay-put low / open neckline. I ended up having to add the dori back ties to prevent wardrobe malfunction.
So what went wrong?
I now think stay-put low / open neckline is impossible once you add wearing ease to the bodice. What I noticed is that when I move, the ease at the waistline allow the whole bodice & neckline to shift up, and this make the neckline too big for the new higher position. So the sleeves fall off the shoulder.
I checked the House of Blouse top with the stay-put neckline again, and indeed the bodice was quite tight. Too tight for my new spreading middle in fact! As soon as I let out the side seams, et voilà – same off the shoulder problem as my own make!
So there you have it (I think, for now anyway), if you want open neckline to stay on the shoulders, go with stretch Choli Blouse with 0 or even negative ease. If you insist on lovely pre-embroidered woven choli fabric with low open necklines, then stop being stubborn & keep that dori back neck-tie. That’s me told off then! 🙂
I began to wonder if my requirements are even possible. But surely billions of women from the Indian subcontinent over the centuries wouldn’t have put up with immobile sleeves that keep falling off the shoulder & bodice that offers no bust support! Time to go back to the sources & try to discern the underlying principles even if the surface instructions make little sense to me.
Looking at RTW & designer choli photos, some seem to show a bit of looseness / excess fabric near the underarm area.
Most of the Indian drafting instruction I found online has shoulder slope of 1/2″ to 1″ at most. According to Fit For Real People standard western patterns (Big 4 presumably) assume a slope of 1-5/8″ – 2″. And the Indian illustrations seem to indicate a more T-shape finished garment shape than sloping sleeves.
I decided to try a couple of custom-made choli blouses from House of Blouse to see how an “authentic” fit may look like on me. Because it’s made to measure, you can actually pick & mix your design details. I pushed the envelope and went for very low back neckline with no dori back ties. One big caveat before we talk about fit: the measurements instruction was rather imprecise, so that may have affected the fit…
House of Blouse Choli 1
Regular length princess cut with Wide U Neck front & Classic U Neck back (no dori ties), back opening, bust pads, & elbow length sleeves.
Secure neckline: check!
Forward mobility: check!
Upward mobility: check!
I was surprised that the bust pads actually created a more lifted look. I’m now tempted to try this in my own makes now.
Interestingly even with the princess seam, they added a centre front fisheye bust dart. It creates a nice shaping & probably holds the bust pads in place for better bust support.
Yeah! It stays on despite the wide open back, even when I tug at the sleeves.
Cross-front feels a bit too narrow while cross-back a bit too wide. Can feel the back armscyes cutting into the arm joints. This may be a problem with incorrect measurement or my posture / posterior arm joint “feature”.
Total mobility. No problem with arms forward or up.
You can definite see the fold of excess fabric underarm & armholes feel quite high up against the armpits. In the soft fabrics that I choose this probably won’t be a problem. But I wonder if this would feel a bit uncomfortable in more heavily embroidered fabric like my Muslin 2 above.
House of Blouse Choli 2
Regular length 3-dart cut with Armband Sweetheart Neck front & Armband Sweetheart Neck back (no dori ties), front opening, bust pads, & 3/4 length sleeves.
Secure neckline: fail!
Forward mobility: check!
Upward mobility: check!
Bust & sleeve: same as above
Problem here. It easily slips off the shoulders
I would assume they drafted this with the same measurements.
Not sure if they derive additional styles from a block like western pattern maker or each design is drafted from scratch using a different formula.
Not sure if the problem here is the Sweetheart neckline or the Armband design.
This problem + the excess fabric foldat underarm for sleeve mobility rather defeat the armband design.
As there’s not much excess seam allowance in shoulder & armscye seams the only fx I can do is to add dori ties to the back neckline to keep the sleeves on.
My current hypothesis
To secure low open neckline + increase sleeve mobility:
Don’t have back neckline on shoulder blade peak.
Pattern’s shoulder slope need to be more square than actual slope of the body. A bit of fold under arm is the price to pay for sleeve mobility without excess width. Try pivoting on princess line to shorten neckline & lengthen side seam at the same time. Draft for arms up (shorter shoulder length, longer side length).
To test this hypothesis I plan on trying 2 more pattern drafting approaches:
Custom draft based on authentic choli pattern instruction found online
Custom draft base on my moulage with the above shoulder slope modification
Flattened plastic wrap bodice front
Speaking of moulage… This time I will be basing my pattern on flattened plastic wrap. I’m not sure if my K. King moulage is 100% accurate as it’s drafted to a formula. Even though the muslin fitted like a second skin maybe it glosses over subtle concave areas like a slight hollow chest. This becomes more of a problem when you lower necklines or move the garment edges into these gentle valleys, thus exposing gaps. I’m hoping the plastic wrap would be more accurate. I have flattened & traced it, but haven’t rationalised the block yet. So you’ll have to wait a while for part 3!
Back in July 2017 before I gave in to the middle age slump…
With so many beautiful choli blouse fabric in the Stash I really need to get some pattern block for choli blouse sorted. And I have in fact been working on it for ages. So much so that I now have way too many pattern pieces, muslins (wearable & not), & mug shots to confuse me never mind you…argh! Long story short, no cigar yet. But I have a hypothesis with 2 more pattern drafting approaches to test. On to the nitty gritty…
My 3 requirements for Choli Block:
Bust support lift & shaping: Depending on the back neckline design, I may not be able to wear a regular bra with my choli. So built-in bust shaping / support would be nice. But it needs to work for woven fabric & not constrict breathing.
Stay-put neckline: Allow low / open front & back neckline without the top falling off the shoulders
Fitted sleeve mobility: Allow arms up & forward without excessive sleeve width & winged effect on short sleeves
Since I already had a top block that seems to fit alright I thought I’d get better results using that as the basis for my draft rather than follow the relatively less personalised authentic Indian instructions. (Typical Westerner!)
I tried to raise my ageing bustline unsuccessfully. It was only like 1/2″ higher on my pattern. But I think my custom embroidery shrunk the pieces despite being stretch taut on a frame frame. And because I was worried about metallic embroidery thread being scratchy I didn’t extend the embroidery far enough into the seam allowance to allow me to let out at the shoulder seams. I ended up with some draglines in the upper bust area for my big day. (Did let out what I could afterwards. But there wasn’t much seam allowance to fix it entirely.)
Lowered neckline (aka unintentional off-the-shoulder look) wasn’t an issue in this version as I used the cross-back ties that one finds in many authentic Indian choli.
But limited sleeve mobility was an issue despite a moderately shallow cap. The bit that feels most restrictive was mid arm joint height, as if the cap area wasn’t wide enough.
I had to tweak my personalised pattern to fit the ready-made embroidery, which is presumably shaped to work with standard Indian pattern-drafting. Eg the allowance for back waist dart is smaller than my back waist dart, so some of mine had to be pivoted to the back cut-out area. In other areas I had to twist the fabric slightly to fit my pattern, or even patch a bald area with embroidered scraps.
Bust & neckline not an issue here as I didn’t attempt to lift the bust & this design has a back cut-out rather than lowered neckline.
Sleeve mobility wasn’t too bad, but comfort was my main issue here. I made the cap even more shallow & wider to increase mobility & tapered the sleeve width more sharply to minimise the winged look. The result was the heavily embroidered underarm areas getting too close for comfort. I felt like I was holding something with my armpits! Again had to suffer through it for a friend’s wedding, but redid the sleeve increasing the cap height (by shortening the sleeve seam length) & removed as much embroidery from the area as I could. Wearable. But now the sleeve’s more restrictive. So I wouldn’t reach for it naturally.
After armscye alteration…
After – can’t raise arms as much
More muslins & research…
Stay-put lowered neckline:
Tried the instruction for lowered F&B neckline from K King’s Moulage book. It was a method devised by his Indian teacher. Didn’t work for me. Actually made the shoulders slip off even more easily. Maybe I didn’t follow the instruction correctly?
My patterns had the back neckline at shoulder blade width, but the muslin necklines all spread out more widely. Perhaps it was too much to ask the neckline to stay put at the shoulder blade peaks?
Tried cutting sleeve on the bias. Sleeve looked marginally less wrinkly, but made no noticeable difference to mobility nor decrease the winged look.
Tried on a me-made choli based on older bodice block for comparison & was surprised to find that it actually had better sleeve mobility without excess sleeve width & winged effect. I had thought the shoulder slope & sleeve cap fit was off on that version, causing excess fabric folds pointing to armpits & draglines from centres of neckline as if the sleeves were pulling the neckline outward. Comparing the latest sleeve draft to that choli (don’t have the pattern anymore) that earlier sleeve shape was actually closer to my immobile fitted sleeve – cap taller & narrower than my latest drafts…WTF!?!?!
Not much interesting sewing happening here lately. I still feel exhausted & low from last two years’ craziness. To keep Meaning-Of-Life questions at bay, I tried to keep myself distracted by replacing boring basics in the wardrobe & made a bunch of easy-ish T-shirts that refine my stretch blocks.
This is a straight replacement for a couple of RTW Ts that I wore to death. The pattern is essentially my Camden Town Kids Wannabe top minus the puff over-sleeves & the funky hem. I also tighten up a bit at the side seams since the cotton (+lycra?) knit I used for this version moulds to the body better, so can take on a body-con shape without draglines – unlike the totally artificial fibre fabric I used for the previous top.
For the shawl collar I used V2980 as a guide to shaping the pattern using my own Blocks. I cut the collar as an extension to the back piece rather than a separate piece – my fabric stinginess won the day again! But I ended up having to stabilise (with bias tape) & stitch down the facing side of the collar extension along what would have been the shoulder-neckline seam. 6 vs half-dozen blah blah [roll eyes].
As for the shawl pleating at the side seams, I tried to minimise bulk by pleating only the top layer (ie not the facing layer).
Like my take on V2980 I again added a shelf bra (this time with double layer of stretch net), with elastics at both the bottom of the shelf bra & its seam with the front neckline.
The initial result was a bit disappointing. The main problem was a gapping front neckline: I didn’t account for hollow at the chest that affects the fit of a lowered neckline. I also ended the shawl pleating too high up at the side seams. This resulted in the pleating being barely visible & the shawl not overlapping the front neckline enough, thus exacerbating the wide gapping neckline problem. To fix this I tried redoing the armscye – side seam: I narrowed the front neckline (cross-front width) slightly at the armhole, and reduced the depths of the pleats a bit so the shawl can end lower at the side seams (bustline now). It’s a bit better now. But I’m still not 100% sure I’ve cracked this silhouette.
3. Strappy T
Self-drafted Strappy T
This – along with a matching skirt – was actually an afterthought tagged on while making T #6 below. But as it’s based on the set-in sleeve block let’s talk about it first. It started with liking the fabric swatch combination. Unfortunately the result didn’t turn out like my doodle promised. The contrast band end up more wrinkly than planned. And my short straight figure just doesn’t do my doodle any justice. Last but not least, my attempt at built-in bust support with a darted shelf bra (as suggested by defunct Pattern School instruction for a Tankini) left an unsightly visible seaming bump. So a bit meh.
This 2-bird 1-stone T attempted to use up the last scrap of cotton (+lycra?) knit from 1 above & retest my tweaked Raglan Dartless Knit Block at the same time (Test 3 in my previous Raglan Knit Block post). I had problem with the armholes feeling too tight – riding up against the armpit – despite the Block being derived from a set-in sleeve version which fitted fine. So I tried simply lowering the armpit a little bit. It’s been a while since I made the tweak, so I wanted to test the fit again in this forgiving cotton knit. No luck. Wearable, but the armpit is still a tad too close for comfort & the bodice still rides up slightly. The neckline is also a bit smaller – sit higher than I thought it would.
It’s good enough to wear, but not successful enough to make again.
5. Tweaked again Raglan T muslin 1
Self-drafted Gothic Raglan T
This time I tried adding length to both the raglan bodice & sleeve about mid-way up the armscye. This does seem to work better comfort-wise. But as the fabric I’ve used for this one – thin cotton jersey & lightweight power mesh – are both quite stretchy anyway, I won’t call this tweak a success just yet.
Exact same pattern as T #5 above. Wanted to test the pattern on a different knit. This time a less malleable artificial fibre knit. The very same fabric I’ve made a raglan T in before – Burda 2010-02-112. I got way too much of this fabric that was on sale, & that older raglan T is getting a bit tatty. Just the chance to replace & test my tweaked Raglan Block at the same time. Gosh I love my 2-4-1s!!!
To jazz this up I again turned to gold stamping/painting Queen B on the back, swarm of worker bees on the front, & barcodes at the wrists. Unfortunately my initial attempt resulted in a poorly positioned worker bee on the front bodice. For a moment I thought I’d just own it like a proper feminist should. But I chickened out & invited more bees to disguised the mistake. I don’t like the resulting mess of a print as much, but hopefully it’ll make the T more wearable.
Now on to the me-made bit in the outfit – the Choli Blouse… This is actually quite a simple top. Many choli blouses are. The most labour-intensive bit is in the embellishment. So after finishing the custom embroidery, I kind of lost interest, which made the simple blouse construction excruciatingly slow.
To recap, the outfit I bought was a copy. So while the blouse fabrics & trim supplied do match the skirt, they don’t look like the original design I wanted. I decided to make a blouse from scratch so I can incorporate as much of the original embellishment design as possible.
Original Gajiwala 7384 design
What I bought – details
I kept the front pretty simple & scale back the amount of embroidery because I wasn’t sure I can manage even just the hem & neckline borders.
There wasn’t any photo of the back, so I took inspiration from other designs I liked & went for a basic U-neck that’s as open & deep as the bra I was going to wear would allow, with tasselled cord ties at upper back.
I debated whether to keep the sleeves see-through like in the original design or use the same opaque fabric as the bodice. I went with opaque because I thought I might want to wear the top as a vest over something like La Chemise, in keeping with the cooler London climate. It sort of half worked: On the plus side, it hid the messy underbelly of my embroidery. On the down side, my top turned out a bit on the tight side, so I’m not sure how practical – or visually pleasing – it would be to wear this as a vest over something else.
Pivoted front darts to create Front Armhole Princess Seams. (I really should sort out my Princess Seam Blocks.)
Picked a fight with gravity by moving the Bust Points up a bit & closer together for a fuller look.
Pivoted back darts to create smaller Back Waist Darts that won’t disrupt the embroidery design much.
Shortened bodice & sleeves for a cropped top with short sleeve.
Lowered neckline per design & pivoted out about 3/16″ per side (3/4″ total) from the neckline to pre-empt any gaps opening up on drastic lowering of the neckline.
Made the sleeve cap more shallow & wider at the top for better arm movement.
Added 3-sets of bra strap/band retainers – at the shoulder, further down the back straps, & near the CB opening.
Added placket beneath the butted CB opening which fasten with bra hooks & eyes.
Added detachable underarm sweat guard to help prevent sweat stains on the diva silk fashion fabric.
Well, it wasn’t a great success, despite a fitting muslin being made for a change.
The raised bust line didn’t fit very well. Gravity won this round. My bra was no match for it. It also didn’t help that I had to wash the fabric after I finished the embroidery (I had some hay fever sneezing fits while doing the embroidery). The washing or the pressing afterwards shrunk the embroidered neckline, which then pull the whole top up a bit further. Slight draglines above the bust was the result. Thankfully the blingy necklaces & shawl hid these draglines on The Day!
The whole thing is a bit tighter than planned. I always forget the extra ease needed to accommodate the innards – eg lining, interfacing, bumpy underbelly of couched embroidery. A fitting muslin is no help in this case – unless you include the extra layers in your muslin as well. The shrunken embroidery mentioned above no doubt made it worse. So I’m glad I didn’t aim for Bridezilla Second Skin Look in the first place!
And finally & most importantly, my draft failed the only test that matters when it comes to a Choli Blouse: I can’t bust out any ‘Screw In The Lightbulb’ Bollywood dance moves in this! The sleeves are still veering towards restrictive tailored fit. Me bad for not checking this in the fitting muslin – I only checked for standing still fit & lounging around comfort. Good thing no dance off was planned for the post-ceremony luncheon!
So the hunt for a TNT Choli Blouse pattern continues.
Fabric & Notions Used
There were a lot more bought than used. It was impossible to find supplies that come close to the inspiration photo & match the skirt. I never knew there were so many different shades of gold & types of metallic threads! So the Stash got a feast in the process…
And here’s the list of what I ended up using…
Fabric: 2-tone shot silk dupion from A-Z Fabrics (Goldhawk Rd, West London)
Stabilise the neckline & hemline edges with fusible interfacing. This also supports the embroidery & minimise puckering.
Traced the embroidery design from the Skirt scrap. As the material couldn’t be the same as the coordinating Skirt, I tried to at least match the embroidery design as much as possible.
Worked out the embroidery design on a copy of the Blouse pattern, tracing from the Skirt embroidery design wherever possible. Because my left & right sides are not symmetrical, the differences are worked into the spacing between the flowers and vines to keep the design itself more symmetrical.
The embroidery design is traced onto the right sides of the fabric with a pen & a white waxy dressmaking carbon paper. Using a different colour pen allowed me to easily see which bit of the design has already been traced. The pen is easier to control & the ball-point tip produced clear fine lines without shredding the pattern paper. My waxy carbon paper lines don’t wash out, but I think it’s acceptable as they will mostly be hidden by the embroidery. Plus the sheen of the Silk Dupion masks the white line in certain light. In fact it can be damn hard to see the design when I needed to! I had to experiment with the positioning of the lighting a fair bit.
I chose the mix-n-match Siesta No-Sew Embroidery Roller Frames because of its flexibility & availability of sizes large enough to accommodate my sewing pattern pieces (they’re available in 6″-30″ widths & 7″-15″ lengths). Most frames are designed for dainty picture embroidery, so it can be hard to find ones big enough to keep the whole embroidery area flat. I didn’t want the embroidered areas to be crushed by the frame (as would happen with a hoop frame). Even rolling them up didn’t appeal. So I went for 30” roller bars (width) & 15” side bars (length) – just about large enough to keep the embroidery areas flat. I did still have to split the pattern pieces into 3 groups to make this work.
The other reason for choosing this frame was the Siesta No-Sew Table/Lap Stand Legs add-on that turn the frame into a table top / lap frame. This makes it possible to work comfortably at the table or on the sofa with the embroidery frame at the right height & with easy access to the front & back of the fabric. I did buy the optional cross-support bar, but ended up not using it.
Although the frame is designed to be “no-sew” – ie you can tape or staple your fabric to the soft wood roller bars – I prefer the sturdier looking sew-on method of traditional roller frames. So I stapled & taped strips of sturdy cotton ticking to the roller bars. (Twill tapes would have been the traditional choice, but I didn’t have any in the Stash.)
When it came to mounting the fabric onto the frame, I checked out this great YouTube tutorial…
…then did my variation of course! 🙂
Reinforced the fabric on the sides with ticking strips.
Baste the top & bottom to the roller bar ticking strips & rolled outward to keep the fabric taut lengthwise.
To keep the fabric taut crosswise, sew the buttonhole twist threads through the reinforced sides & looped around the side bars. Keep top end of the thread in place by looping it around the top end of the side bar & sandwich between the bar & the wing nut. Pull the thread tighter around the side bar, working the slack loop by loop towards the bottom end of the side bar. Tighten the thread through multiple passes & alternate between the right & left side bars to keep the fabric centred. Once the loops are tight, keep the bottom end of the thread in place by looping around the bottom end of the side bar & sandwich between the side bar & the wing nut.
The Embroidery Sweat Shop
Embroidery that may have shrunken the patterns
Flower centres & leaves at the neckline are satin stitches done in two passes: First with Krenik #8 Braid in 5005 Gold Coin, then with Krenik Blending Filament in 202HL Aztec Gold for extra sparkle. The Blending Filament worked better when wetted & used in single strand. The white strengthening filaments did still fray a bit. When this happens I just remove them before using the Blending Filament.
As the Braids are not cheap, I tried to keep it continuous to minimize amount wasted by knotting the ends. I pulled the Braid to the right side at the end point, then back to the wrong side at the starting point & knot this starting end. This way I can pull just the amount of Braid I need to the right side, & at the end any extra can be pulled back to the wrong side, knotted & cut with very little waste.
The two Back pieces were done while I was away visiting relatives. So I stitched the Metallic Mesh Ribbon border by machine first. The fabric & the frame were transported disassembled & the framing up done on location.
The Back Darts end in the neckline design area. To avoid bulk in the dart allowance, I stitched the dart points first before framing up. It does make the fabric less tautly stretched, but it’s not too bad as I only stitch as much of the dart points as needed for the flowers that span across them.
I reckon the embroidery stitching process took me about 18 long days. I was at best managing 12 flowers a day & there were 111 of those, plus vines & leaves! I barely made it what with all the travelling. And it can be rather back-braking. I had to take regular breaks. So hats off to all the Embroidery Masters all over the world!
I didn’t do much research on how Choli Blouse are typically constructed beforehand. But I did notice a few blouses were sewn with wide side seams that are sewn last so that they can easily be let out when the Middle Age Spread hits! In other words, armscye seams & hems are done before the side seams, and if there’s any lining, they seem to be treated more like underlining – ie sewn as one with the fabric pieces.
Of course I went ahead & did this my bog standard Western way. For one thing, practical as they may be I still feel funny about those wide side seam allowance possibly peeking out at the hems.
Back darts, front princess seams, shoulder seams, armscye seams, side seams. Repeat with lining.
Join fabric & lining at neckline – sandwiching the back neck tasselled cords between the layers, understitch, then join fabric & lining at CB opening.
Hem fabric & lining. I did a jacket-style jump hem in case the two fabric shrink at different rate when cleaned. (I had a previous silk choli blouse develop an unsightly pull at the hem because the cotton lining shrank more. Not keen to repeat the mistake!)
Make the placket (fabric & lining), bra bits retainers (lining), sweat guards (lining) – all sewn right sides together with a gap for turning right side out.
Sew hooks to CB opening, then placket. Sew bra bits retainers to lining. Sew snaps to these retainers, sweat guards, & corresponding lining areas. Tack fabric & lining at shoulder-armscye points & underarm to help keep lining from peeking out.
I’m still feeling exhausted from my stint in the embroidery sweat shop. But I’m proud that I managed it. I don’t think I would have had the patience if it were for home decor projects like cushions or wall decorations. But once in a blue moon for a garment I can just about manage. There’s certainly a lot of leftover supplies for many more. And I’m impressed by how the simple embroidery design elements like these straight borders & nothing-special flowers can add up to something that looks fancier.
It’s a shame that the fit was off. Got to respect the Bod innit! And must, MUST remember to add extra allowance for each layer of innards added. I hope I’ll get a few more wear out of this top before I get too plump or it gets shrunken in the wash!
BTW all that effort with the bra bits retainers was a bit wasted. On the day I was too hot & flustered to do up all three sets, especially as the neckline was too snug to get one’s hand in. I only managed the bra band retainers near the CB. I ruled out attaching the bra first before putting the whole thing on because the too snug neckline wouldn’t have allowed me to cajole the girls into position. I kind of wished I had gone traditional bridal dress shopping so I can study how bridal wear designers manage to make so many women look so fabulous on their big day.
A couple of things for sure, I’m definitely up for making more of these embellished choli blouses, and the search for TNT choli blouse pattern continues. Now I just need some proper Summer days in London to make these worthwhile making!