Knit Block experiment 1: BS 2010-02-112

So way before my holiday(s?), I was testing out my knit block. First batch of experiments were on using the block to alter commercial patterns.

To 2-birds-1-stone it, I picked a couple of raglan-T patterns rather than yet another normal sleeved patterns. Actually make that 3-birds-1-stone. A long long time ago, I had made a couple of Burdastyle marinière tops, which despite fitting failings I still wear to death. So this will be the chance to try to rectify those fitting failings & multiply my supply of ever versatile (& flattering) marinière tops. First up, a plain Jane raglan T.

The Pattern

Style Shots & Mug Shots

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(Mug shots further down for very good reasons!)

Fabric & Notions Used

The fabric was from my stash. And I have loads of it. It was on sale for 5-meters lengths. The color doesn’t really match the online store photo. And the feel is a bit scratchy. So I wasn’t mad about it and happy to use it up for a wearable muslin.

Size Used

Size 34 instead of the recommended 36 since it’s closest to my knit block.

Pattern Changes Made

Fitting change

OK, this time I’m not going to itemize all the alteration measurements. I’ll just show you the process, since that’s the whole point of this experiment – altering with minimum measurements!

The key steps I went through in this test are…

  1. Align Bodice Patterns with Bodice Blocks at underarm. In this case I wanted a little bit more ease underarm, so I lowered the pattern slightly.
  2. Align Sleeve Pattern’s shoulder mark with Bodice Block’s shoulder seam, then Sleeve Pattern’s neckline with Bodice Pattern’s neckline. In this case you can see there’s a bit of overlap between the sleeve & bodice.
  3. Remove the overlap at the neckline – I choose to remove it from the bodice. This makes the neckline smaller, so less likely to fall off my shoulder or expose my bra straps. If I had gap instead of overlap, then I would have patch the gap instead to make the neckline just right.
  4. Check the Bodice widths & lengths. The front just needed length adjustment, and narrowing the waist tiny bit. The back also needed width adjustment along the entire length.
  5. Align Sleeve Pattern with Sleeve Block at underarm. Again, pattern lowered slightly for a bit more underarm ease.
  6. Check the Sleeve widths & lengths. The Sleeve is a bit too long for me. Widthwise it’s wider than my Block, but I felt I could do with a bit more ease at the underarm. So I only narrow the sleeve further down.

Design changes

  • Lower & widen the necklines for a less conservative look.
  • Shorten the Bodice & Sleeve for a hipper retro look.

Here’s how the final pattern looks compared to the original size 34…

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And how it compares to my previous make of the same pattern…

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Previously I had just made the design changes without doing any fitting changes first. The result was quite wearable, but the neckline was a bit wide, resulting in one too many exposed bra straps. Here are the mug shot comparisons…

Previous Make

This Make

OK, apart from the less risqué neckline, this make looks worse than the previous with all that draglines pointing to the bust in the profile, and the dreaded sway-back type draglines at lower back.

The back draglines are actually better than the previous make – the photos don’t show this that well. But obviously I haven’t crack this nut yet.

The bust draglines…I wonder if it’s to do with the fabric since the pattern widths are pretty much the same. In fact, in the new pattern I move a bit of width from the back to the front – the previous make’s back was a bit loose. The previous make was in what I presumed to be cotton lycra. But now I’m inclined to think it has some rayon in it. All the rayon fabrics I’ve used so far has that really lovely soft feel that just seem to mold to your shape in a knit, or drape flatteringly in a woven. I might have to make this again in a rayon lycra to test this theory.

Verdict on the Instruction

To be honest, it’s so long since I made the top, so I don’t really remember much about the process. I probably streamlined it by batching up seams to be sewn. (I was in production mode with this top & another 2 knit block tests.)

The main deviation I made was in omitting the armscye interfacing.

On normal sleeve knit tops I’ve been stablizing the shoulder seam but not armscye. Reason being I read that shoulder seams will stretch with weight of long sleeves if not stablized. But for close-fitting armscye like these I thought the armhole would be more comfortable if it retain its stretchability. The lycra in the fabric should theoretically help the armscye return to shape should it temporarily stretch out of shape.

For raglan sleeves I can’t figure out what would be the equivalent of the shoulder seam. So I just left out the stablizer altogether.

Now the embellishment…

bs201002112-v2-3design-be-presentThis being a plain T in an almost-not-there color – albeit with a subtle sparkle – I decided to add a bit of interest with fabric painting. Yes, again.

I thought it could be my commitment-phobe version of tattoos. However, standard tattoo black looks too harsh against the peach. So I picked Jacquard Lumiere 561 Metallic Gold which matches the metallic thread in the fabric perfectly.

The designs mimic the tattos that my favorite Japanese singer has.

217925I thought hers look cool not trashy. Her tattoos were also meaningful. So I adapted the designs to make them meaningful to me too.

Mine stands for “Be Present” with a playful twist. “Be” is in the Queen Bee design. “Present” is in the barcode. Read whatever you want into it!

I tried making a stencil for these like Savory Stitches did with her stenciled bees. But the lines were too fine, the fabric too textured, so I couldn’t get clean lines stenciled. In the end it was tracing paper transfer & free-hand again.

Would I sew it again / Would I recommend it to others

A raglan T knit block? What do you think?

Me Made Holiday Report Card

In the suitcase…

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Tops

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  1. McCall 6078 Cowl Neck Sleeveless T-shirt
  2. Franken McCall 6078c Cowl Neck Leopard Print Sleeveless T-shirt
  3. Burda 2012-09-123 Painted (Byzantine) T-shirt

Bottoms

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  1. Burdastyle 2012-05-113 Draped Leopard Print Skirt
  2. Refashioned RTW Leopard Print Skirt
  3. This is the only non-Me-Made item in my suitcase. Or is it? I did shorten then turn up the hem to wear it as a capri. So can I be cheeky and count this as Me-Made as well? 😉
  4. Refashioned RTW Heidi Skirt. Not blogged. But it’s pretty much the same make as my Improv Embroidered Taffeta Pleated Skirt

Dresses

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  1. OK, another borderline cased. RTW Victoria Secret Dress altered to fit me better. Does it still count?
  2. Improv Tent Dress. Not blogged yet. This has got to be the Happiest Oops & my favorite make. Ever. It has gone on almost every holiday with me since I made it – I think that was back in 2003.
  3. V1159 Donna Karan Twist Front Dress

Keeping Warm…

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  1. Wrap Cardigan based on Burda 2011-06-139 Bluemarine Wrap Dress, planned a while back, but only finished during this trip. So not blogged yet. I was actually finishing the hemming just before checking my luggage in for the flight to Ohio! But boy was I glad I finished it. I wore it so many times during this trip.
  2. Franken Burda 013-02-121 Sweater
  3. Improv Faux Shearling Stole

Accessories

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suitcase-bottom

Actually worn….

I got to hand it to you Me-Made-May girls. I don’t know how you manage a whopping 31 days. Even with just 14 days I couldn’t keep up with the photo-documentation.

No, worse, Mother Nature intervened (too hot AND too cold). So despite packing enough for 15 outfits ((3 tops x 4 bottoms) + 3 dresses) I keep sorting to the same few comfortable outfits. Here are the few photos I did manage to take…

What I’ve learnt…

I need to stop making tight fitting summer clothing! Skin. Wants. To. Breathe…And. Feel. The. Breeze.

And watch out for grainline, stretch, & gravity! The two sleeveless cowl neck tops were based on the same pattern. But the yellow one was cut on the crossgrain while the turquoise leopard one was cut on the regular lengthwise grain.  As stretch is greatest in the crossgrain on most knits, the yellow one’s armholes have obviously stretched thanks to gravity and feels comfortably loose. The turquoise one didn’t. So was a bit too binding for hot NY summers.

The Final Score

I think that will have to be a B at best.

I did force myself to wear everything at least once. But some days I just had to change midway through the day. There is only so much I’m willing to suffer for fashion!

Ever the Wearable Muslin: aka Burdastyle 2013-02-113

OK, last one in my current batch of 3 to write up.

This one started out as Muslin no. 2 for my Burda 2012-09-123, aka T-Shirt Block. It was a wearable muslin, but with a not very flattering over-stuffed sausage look. So as planned, I cut a new front with more drape, and reused the back and sleeves. Plus old front became the facings.

The Pattern

Cool photo. I was seduced. And the back & sleeve again look basic enough to re-purpose my wearable muslin. The front drape I thought would work much better for this thin and drapy fabric.

Style Shots & Mug Shots

5-style-14-mug-1F 4-mug-4SR 4-mug-3B   5-style-5 5-style-4

Fabric & Notions Used

Size Used

Another one graded down to a size 34, ignoring standard instruction for a 38.

Changes Made

Fitting changes

I’m still experimenting with pattern-to-Block comparison as a quicker way to make fitting changes. So don’t quote me on what I’m doing – I’m fumbling. So far it hasn’t worked out too badly for me yet. But it’s early days. And there are probably better, more logical ways to do this that I have yet to discover.

OK, let’s start with the back since it’s much more straight forward. Sort of.

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  1. I took the easiest way out, the least change option by aligning the pattern & Block at the underarm level. The above waist side seam then almost match exactly. So all I had to do was to trace the new shoulder seam and lower part of the armscye.
  2. I then moved the pattern up until the below waist side seam almost match exactly & make a note of how much I had to move up.
  3. That amount is then overlapped at the waist line.

Next the front. Not so easy. In fact it’s all a blur. I’d call it Black Magic, except the result wasn’t exactly magical. This is what I can piece together afterward.

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  1. I start with the easy part – the front facing. Again aligning at underarm level and CF. In this case size 36 came closer in width. So I use that as guide & marked out new shoulder seam & side seam.
  2. I think for the actual front I just overlapped the same length at the waist level as on the back.Smoothed the side seam at the waist. Then matched the front & back side seam from the hem up & marked the waist level on the front.
  3. Next compared the front side seam from waist level up against the Block, grading out to size 36 at the underarm level so the CF would align & the front wide enough at bust.
  4. Finally, pivot & slide on the underarm point so the armscye align again with the original pattern & CF is still aligned (wide enough). Marked the new shoulder seam and called it done!
Design changes
  • 2-alt-13I extended the CF drape’s cut on facing a bit because the short stub I see on other people’s versions looks a bit untidy to me.
  • I extended the facing length as well, originally intending to try adding a built-in shelf-bra that I see in a few of my Victoria’s Secret t-shirts / dresses.
    3-sew-exp2-6The shelf-bra didn’t work out because my fabric was too thin, so every bump shows. In retrospect I should have extended the facing all the way down to the waist where the extra drape in the front means a looser fit, so bumps less likely to show through.

Verdict on the Instruction

Appalling. I did read the instruction because of the more complicated design details. And I did eventually made sense of it. But I’d highly recommend you check out these blogs for photo-illustrated instruction: netcheria.over-blog.com (in French), The Couture Academic, SMF Designs & Friends.

Again, I deviated in places to suit my experiments. So here’s what I did:

  1. Front details prepared per instruction.
  2. I chose not to interface the entire facing. In stead, I stabilized only the shoulder & neckline with Vilene Bias Tape. Sewed shoulder seam. Overlocked hems.
  3. Sewed facing to bodice at neckline per instruction. Almost. See Oops & Improvement A below…
  4. Finish off the front drape per instruction. Almost. See Oops & Improvement B & C below.
  5. Sewed sleeves to bodice with facing handled like underlining.
  6. Sewed sleeves & side seams with facing handled like underlining. See Oops & Improvement D below.
  7. Finished sleeve & bodice hem with stretch seam.
Oops & Improvements
  1. 3-sew-exp2-5I made a boo-boo during cutting and end up with a gash right by the neckline in the shoulder area. As the front takes up a bit of fabric, and I’m still not 100% sold on this color, I decided not to recut a new front. Instead I tried patching the gash with a bit of iron-on interfacing on the wrong side, and top-stitching along the neckline for reinforcement. It’s good enough for yet another “Wearable Muslin”!
  2. 3-sew-exp1 Some of the Pattern Reviewers mentioned that the heavy drape has a tendency to pull the facing to the outside. So I  top-stitch the front bust seam to the facing to prevent the facing from shifting – see photo showing the stitching from the facing side. I think the extended facing and drape fold-over bit also help. I don’t have the same facing flopping out problem in my finished top.
  3. What didn’t work out so well is my attempt to control the hang of the drape.  I wanted the drape to be more dramatic. So I tried stitched down pleats instead of gathering at the fold-line.
    3-sew-exp2-1 3-sew-exp2-2 3-sew-exp2-3
    But the stitching was too visible in the finished result. Plus the way I overlocked the end and folded over the neckline meant the drape wasn’t hanging smoothly. So I had to unpick the pleat stitching. But I did learn from the process that irregular pleats – just bunching things up – gives me a nicer, more natural looking drape than regular pleating or gathering. In fact, I wish I had done the same with the bust gathering. Standard gathering just produce an unflattering big puffy mono-boob look.
  4. 3-sew-exp2-4The shelf-bra Oops. Well, this might not have been an Oops if I had used a more substantial fabric. The shelf bra idea is basically facing that goes down to your underbust with elastic sewn to the bottom edge so it forms a nice extra support for your girls. I had to take the elastic out. But the longer facing that’s sewn into the armscye and side seam does help support or counter-act the weight of the front drape nicely.

Would I sew it again / Would I recommend it to others

After all that I have to say I’m a bit Meh with the result. It’s partly the color. That one styling shown above was about the only combination that I could come up with. Nothing else in my wardrobe want to play nicely with this color and shape.

The mono-boob look also is a bit disturbing. Fine on younger, flatter busts. No so fine on my short-waisted torso with “maturing” girls. Maybe irregular pleats instead of gathering would help. Maybe a lower, deeper V-neckline might also deflate the melons a bit.

So learn from my mistakes. And if you are a perennial jean wearer by all means go for this. There are definitely other makes of this pattern out there that look really flattering on their owners.

In the meanwhile I’ll be wearing this around the house as one of my growing pile of slob-out wearable muslins!

Now back into the rabbit hole for my next batch. I think I should give myself a break from complicated pattern fitting puzzles and whip up a batch of easy T-shirts now that I have a TNT T-shirt Block. What do you think?

Franken-patterned Burda 013-02-121

inspiration-jigsaw-sweaterNext on my write up list is this attempt to recreate a beloved but shrunken sweater with a 60ish vibe. It  always reminded me of this scene from Breakfast at Tiffany’s. And who can resist anything from that film right?

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Knitting would have taken too long and require skills that I don’t have. So sewing with a sweater knit fabric it is then.

The Pattern

I went through my growing collection of patterns and of course nothing match exactly. So I had to resort to Franken-patterning. This one from Burda comes closest to what I want…

 Style Shots & Mug Shots

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Fabric & Notions Used

Size Used

I graded down to a size 34, ignoring standard instruction for a 38.

Changes Made

Fitting changes

You’d thought a loose-fitting garment would be easy to fit. But I actually find it harder. All my reference points – the darts, the bust point, etc – all gone. Where do you begin? (And anyone who thinks a sack is a good idea should read fit for a queen‘s recent “Let’s Be Honest” blog post.)

So I tried a variety of things. And of course the project end up taking longer than it should.

First was comparing it to my WIP woven sloper. No idea how to align the sloper against the pattern. It doesn’t help that Burda never has bust point indicated on the pattern. In the end I tried aligning the underarm levels and roughly check the widths to ensure they’re at least as wide as my almost easeless sloper.

As insurance, I tried tissue fitting too and ended up with this:

2-pattern-alt-1a 2-pattern-alt-1b
…which seemed alright. It has some ease, but it wasn’t like a tent or anything.

2-fit3So I started sewing it up. But when I tried it on after basting the sleeve & side seam, I decided it was a bit too loose for the design I wanted, and the shoulder point was neither here nor there, so over all a bit frumpy.

I decided to take it in from shoulder point through the armscye and down the side seam. And also shorten it a bit in both bodice and sleeves.

But oops, I forgot that with the shoulder seam shortened, the sleeves will be shorter too. So in the end I had to sew back in a fake cuff to make up for my over-zealous shortening.

Here’s the final pattern with the final seam lines in light blue.

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I won’t go into the usual tedious details of all my changes. The only one really worth pointing out is how massively wide the original sleeve was. I must have taken in at least 2″ with the vertical tucks.

Design changes

Apart from shortening and making it slightly more fitted at the bust, the key design changes are obviously…

  • Changed sleeves to standard narrowed sleeves.
  • Adding the cowl / giant turtle-neck collar. This is simply a rectangle the width of my head circumference and about 9″ in height + seam allowances. The finished height is 4-1/2″ double-layered.

Verdict on the Instruction

Again instruction ignored because of my design changes. If I didn’t have to make fitting changes half-way through this would have been sewn up in no time. I was terrified of the fabric because I’ve never sewn a sweater knit. But it was in fact a dream to sew with. For this one I used only Bernie the serger and finished the hemming by hand.

Here’s how I constructed this one:

  1. Overlocked shoulder seams with clear elastic stabilizer, collar CB seam, sleeves and bodice hem edges. Shoulder SA finger-press towards the back.
  2. Overlocked collar to neckline in the round, collar CB seam matching bodice CB. SA finger-pressed downward & hand back-stitched in place. (Could have machine top-stitched in place instead.)
  3. Overlocked sleeves to bodice armscye. Finger-pressed SA towards bodice.
  4. Overlocked sleeve and side seams. Finger-pressed SA towards back.
  5. Catch-stitch sleeve & bodice hems.

And there you go!

Except for my cuff extension of course. As it was a fix for a boo-boo, there’s no point going into how I did it. The result isn’t bad, but given the choice I’d left it as regular hem.

Would I sew it again / Would I recommend it to others

Hell Yeah. Especially if I find another lovely sweater knit in that weird shade of grayish white like the original sweater I shrunken. This one is a keeper.

And I think I will also try the pattern as originally designed – a tunic with front slit and hem slits and border and all!

Heavenly Burda 2012-09-123 wrap up!

Finally! The write up about my Dolce & Gabbana inspired embellished Burdastyle 2012-09-123 T-shirt. I was debating whether to hold off until I make a matching gold A-line skirt to do style shots with. But that’ll take too long and I’ll have forgotten all my construction details. So here goes…

The Pattern

I chose this because I wanted a T-Shirt sloper from Burda to gauge the fit of Burda knit tops. This one is perfect because if you join the front yoke to the front bodice, it’s a very basic T-shirt. The neckline is high enough to be jewel neckline that you’d expect of a sloper. The style is fitted enough. The fitted long sleeve again makes it a good baseline to gauge design variation.

The only thing I’m not sure about is the ease in the sleeve cap. Is that really necessary in a T-shirt made from stretchy material?

The Embellishment Inspiration

Style Shots & Mug Shots

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Worn here with my Bird & Blossom Taffeta Skirt.
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This last one is with fabric for the matching gold A-line skirt
that I hope to make some day soon!

Fabric & Notions Used

Size Used

Size 34. Going by sizing chart instruction I would be a 38. Going by FFRP‘s instruction (chest/high-bust used as bust & choosing smaller size when in between) I’d be a 34.

Changes Made

1-pattern-alt
Fitting changes = T-Shirt Block
  • Removed 3/4″ from front & back shoulder seam. (1/4″ of the front amount was done at the front yoke seam to preserve neckline curve. The armscye curve no longer match the original, but matches the curve adjustment below quite well.)
  • Sloping Shoulder Adjustment: removed additional 3/8″ from front & 3/4″ from back shoulders at armscye end. Lowered armscye 1/2″.
  • Wide Shoulder Adjustment: extended shoulder by 1/8″
  • Protruding Shoulder Blade /Rounded Upper Back Adjustments: extended back shoulder additional 1/4″. But in retrospect I think I’ve overdone these. The difference between front & back was a whopping 3/4″. Even with the stretchiness of the fabric, I got a little bit of puckering in the back shoulder. Oops.
  • Narrow Back Adjustment: removed 3/8″-1/2″ from back side seam.
  • Wide Arm Joint Adjustment: scooped out a bit from lower part of armscyes – 3/8″ front, 1/2″ back. Extended side seams at underarm out by 1/4″. (So back underarm end up with a net change of -1/8″.)
  • Adjusted side seam curve for shorter torso – curve back out to hip higher up than in original pattern. (This was basically copied from my previous Cowl-Neck T-Shirt Block based on McCall 6078.)
  • Lowered neckline at center back 3/8″.
  • Thin Arm Adjustment: removing 5/8″ from both sides, but tapered to 3/8″ at underarm to match Wide Arm Joint Adjustment on bodice.
  • Reduced the cap height by 1/2″ & adjusted the armscye curve. This pretty much removed all of the extra ease in the sleeve cap that I was complaining about further up.
  • Shortened the sleeve by 1″.
Design changes
  • Redrew the front yoke seam line so that it’s more slanted. I’ve removed quite a bit from the front shoulder, so I was a bit worried that a short almost horizontal yoke might emphasize my relatively broad shoulder.
  • Lowered the neckline 1/2″ all around.
  • Shorten hem 2-1/8″ in the back &  2-5/8 in the front for a more flattering & versatile length between high hip and full hip.
  • Replaced original facing & back neck opening with stretchy self-fabric tape facing – I want to say bias tape, but for most knit the stretchiest grain would be crossgrain rather than bias.
  • I used the two sides of the same fabric for the contrasting pieces, and matched the sleeves to the front yokes for a pseudo-raglan look on the front.

Verdict on the Instruction

I didn’t really follow the instruction as I’ve made a few changes. Plus I wanted to work out a more efficient way to sew up a T-shirt and try out some of the techniques mentioned in my Singer Sewing with Knits book.

Here’s how I constructed this one:

  • Before I start, I spray starched and ironed the fabric edges because this one LOOOOOOOOVEs to curl. I also spray starched the edges of the pieces after tracing out the patterns.
  • Next I embellished with fabric paint on the uncut pieces. Embellishment details in my earlier post.
  1. Sewing-wise, I started with the front yoke like in the pattern instruction, but pressed the seam allowance down (to de-emphasize a broad shoulder). I also sewed one shoulder seam at the same time (stablized with clear elastic & pressed towards the back), and overlocked the bodice and sleeves hem edges.
  2. Next is attaching neck tape facing to the neckline. Because the neckline hasn’t been sewn closed at the other shoulder seam, this is essentially a straight line rather than a circle.  So the short ends of the facing are lined up with either ends of the straight line – ie at front and back neck edges of the other shoulder seam. Facing is then understitched – seam allowance pressed towards facing, edge stitching on the facing close to neckline seam.
  3. The other shoulder seam is then stitched along with the short edges of the facing – effectively an extension of the shoulder seam on the neck side. The facing is then turned under twice – like typical hems – and stitched in place from the right side of the bodice.
  4. Sleeves are attached to the bodice next.
  5. Then sleeve and side seams as one continuous seam line.
  6. Finally sleeve and bodice hemming.

The usual Walking Foot and stretch stitch on sewing machine advice applies. This time I tried to do as much on Bernie the serger as possible as Saffy the sewing machine was still unwell at the time.

My serger skill is still a bit dodgy. I tried step 1 without pins or basting and the ends didn’t line up. Urgh. Thankfully I discovered how easy it is to unpick the 3-thread overlock seam. Hmmm, should I be worried about the strength of these seams? Anyway, I ended up hand-basting most seams. It was still quicker than unpicking seams multiple times. Hopefully with more practice my serging skill will pass Great British Sewing Bee judging standards! LOL

Would I sew it again / Would I recommend it to others

You bet! Or at least the T-Shirt block I derived from it. Every girl needs a TNT  T-Shirt pattern. This will be mine.

And I’m just drooling over the possible design variations this opens up!

I love how this T-shirt turned out. The neutral color goes well with so many other garments. And the shinier pseudo raglan sleeves reminds me of a suit of armor. Together with the Byzantine icon on the front and wings on the back it makes me feel like a foot soldier angel in God’s Army!

If you missed the previous posts, here’s the full thread of on my Burda 2012-09-123 adventure.