T-Shirt Block: Burda 2012-09-123 part 3

Muslin No. 2

muslin2-planThis time I chose a fabric more like the muted gold one that I’m going to use eventually: The Cerise 4 way Stretch Soft Touch Lycra Jersey from Tissu Fabrics. The key ingredient is of course spandex / lycra. This one is slightly more light weight and more drapy though. So not so great for very fitted top which would show any lumps and bumps that we acquire along the way. Unless you’re wearing Spanx of course. Anyway, not great look for ladies of certain age. But as this is a color that I’m not too sure about, I don’t mind using some up for making muslins.

As for the pattern…


The green lines are original size 34. The red lines are my adjustments.

I made a few more changes:

  • Taken 3/4″ off front shoulder seam in the hope it’ll pull the upper back up and keep those sway-back wrinkles at bay. Let’s hope this won’t choke me in the front neck instead!
  • Raised the underarm part of the arm scythe back up, and adjusted the arm scythe curves slightly.
  • Narrowed the sleeve by removing 1/2″ from both sides. Actually, I compared the pattern to my most recent measurements for wrist, elbow, bicep, and high arm width (front crease to back crease). That’s how I determined I can comfortably remove 1″ from the sleeve along the whole length.
  • Shortened the sleeve by 1″ and reduced the cap height by 1/2″. Adjusted the arm scythe curves by slide & pivot method, joining up my new width and height reference points.

Here’s how it sewed up – or hand-basted together…

OK I cheated again. The less wrinkly underarm side had additional adjustment:

  • Lowered the underarm part of the arm scythe back down 1/2″.

It was too dark to take photos last night after my first basting. And I was too impatient to wait overnight before attacking that underarm wrinkle. As a compromise I only changed one side so you can see the before & after picture in one go. BTW it’s more visible in real life. Light condition is still not great for photo-taking, so it might not be so visible in the photo.

Final pattern for Burda 2012-09-123

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Again, green is original size 34, red is my final pattern, orange is Muslin No. 2 take 1. The few final adjustments are:

  • Shortened the sleeve a further 1″. Measurement-wise Muslin No. 2 should be correct. But maybe because this Cerise fabric is light-weight, drapy 4-way stretch, it succumbed to gravity and grew lengthwise.
  • Redrew the shoulder piece seam line so that it’s more slanted. I’ve removed quite a bit from the front shoulder, so I was a bit worried that a short almost horizontal piece might emphasize my relatively broad shoulder.
  • Widened bust area by 1″ total and sleeves underarm area by 1/2″ to match, so that I’d look less like a slightly over-stuffed and lumpy sausage. I also widened hip by 1/2″ total on the final copy of the pattern, but forgot to update this working copy.

And my Fitted T-shirt Block

pattern-Tshirt-Block

Although the final Burda 2012-09-123 is almost basic as you can get, it nonetheless has one design feature left: The slightly widened and lowered neckline. I want my T-Shirt Block to be like a second skin, with the minimum ease necessary, so that I can base a variety of designs on it, including turtlenecks. So the final changes added are:

  • Lengthen shoulder seam towards the neck by 3/8″.
  • Lengthen CF upward towards the neck by 1/4″.

So there you are, T-Shirt Block done. And Dolce & Gabbana inspired Burda 2012-09-123 in muted gold ready to roll. Once Saffy the sewing machine comes home of course.

Now what do you think I should do with the Cerise Muslin No. 2? Unfortunately I only added 3/8″ for seam allowance, so I can’t make it much looser. One possibility I’m considering is cutting a new front and make it into Burda 2013-02-113

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The back hip might be slightly too narrow. But maybe the extra fabric in the front will loosen the fit and hide the bulges. Lengthwise the Muslin is long enough to reach my hip – I tucked it up in the photo to see how a high-hip length fitted T-shirt would look like.

If you have any other suggestion for this Muslin No. 2 please share! Muchas gracias 🙂

T-Shirt Block: Burda 2012-09-123 part 2

OK, let’s get down and dirty. First off…

Size Selection & Pattern Alteration

pattern-alt-0I used my TNT cowl T pattern McCall 6078 to compare the Burda sizes with. 34 came closest, though according to sizing chart I’d be between 36 & 38 by bust measurement. I think Fit for Real People mentioned Burda 34 is equivalent of Vogue size 8, which is what I’m now using as my go to size with FBA.

Overlaying size 34 Burda 2012-09-123 (translucent tracing paper) on my adjusted M6078 (opaque paper), I decided for the back pattern to follow the M6078 shoulder line and side seam, trace the neck and arm scythe seam lines but cut on the Burda pattern cut lines.

The front was harder to compare since M6078 is cowl neck. So bust up is probably wider than a standard T-shirt block would require. So the only change I made initially is to graded out to size 36 at the underarm to match M6078.

Muslin no. 1

OK, these aren’t the initial results. I forgot to take pictures. These are after I made some further tweaks:

  • Lower CB neck slightly.
  • 1/2″ sloping shoulder adjustment on front.
  • Truing the side seams by adjusting the front side seam curve to match back side seam curve – making sure that CF and CB are parallel (front pattern is now about 1/2″ wider).
  • Lowered underarm part of arm scythe by about 3/4″.

I thought I’d fit the bodice first.

All in all I thought it fitted relatively well. I think I’m giving up on the sway-back adjustment for knit. I just can’t seem to completely get rid of those wrinkles in the lower back.

Then sleeves on. And what’s this?

They weren’t kidding about sleeves stretching things out were they? And I thought I was being clever fitting the bodice first to avoid any problem there throwing off the sleeves. Maybe that theory would work better with woven.

Part of problem might have been the wrong choice of fabric. This mid to hefty weight 100% cotton interlock jersey from Tissu Fabrics / Tia Knight stretches and stay stretched…Until the next time you wash it maybe. Then it’ll probably shrink on you. It is however quite lovely to touch and to sew with. The color range is also fabulously vibrant. Bright enough to need sunglasses.

But I don’t know. It’s not really me. I just can’t think of what to do with a fabric like this with little drape, a bit of heft, yet not stable enough for a light jacket or something.

m6612-style1-1I had used up some of the Turquoise for an earlier T-shirt Block attempt based on McCall 6612. I don’t feel chic in the result. So it’s only worn at home as a slob out top. Hence I’m not feeling motivated to use up what’s left of the Turquoise. I’m not even motivated to finish this first muslin.

And I still haven’t touched the 3 meters of the Bright Orange! This might be the rare occasion when I give away the fabric, send it to a better parent who know how to cultivate it to get the best out of it.

BTW the colors in the shop photos aren’t quite accurate. Even my Turquoise photos here look different from real life. It’s a bit duller and less blue. But the Bright Orange is brighter and not so yellowish and warm. That’s the peril of internet shopping. But I did read somewhere that Tissu Fabrics do send out swatches. Trouble is I’ve just never been patient enough to wait for swatches through the post!

Anyway, the pattern is now further adjusted and ready for Muslin no. 2. Stayed tuned.

T-shirt Block. Again. (aka Burda 2012-09-123 part 1)

So while Saffy’s at the sewing machine hospital, I decided to tackle fitting for my upcoming projects…By way of a detour of course!

I needed to get to grip with Burda sizing. So I’m using Burda 2012-09-123 as a basic T-shirt block.

bs-2012-09-123_tech   fabric-gold-lycra-wrongfabric-gold-lycra-right

The plan was originally to use the muted gold lycra from Tissu Fabrics / Tia Knight as muslin. But I’ve since fallen in love with it. Especially after seeing Dolce & Gabbana’s Fall / Winter 2013 collection


Photo credit: Style.com

I loved Byzantine art when I took art history in college. All that old muted gold. Yum.

So the new plan is to make a proper version of Burda 2012-09-123. After much deliberation, I’ve decided to use the shinier side for the shoulder detail pieces and the darker, more muted side for rest of the body. I want to avoid my trunk from appearing thicker than it is.

Then play with the different tones of gold fabric paint to create mosaic design or Byzantine icon of some sort on the front. Hopefully one of the gold fabric paint will match the shade of the fabric’s shinier side. I might also add a line painting of something like this on the back!

(Machine embroidery design from Urban Threads.)

If I only had an embroidery machine…Though it still wouldn’t help on a stretch fabric like this!

Next up fitting alteration & muslining…

Psychedelic Leopard 3: Modified M6078c cowl neck top

So this was suppose to be a shortened Burdastyle Magazine Blumarine 2011-06-139 wrap dress. But after I traced out and altered that pattern, I just couldn’t squeeze the wrap top out of the leopard print fabric. And I laid out pieces for all 3 projects at the same time to conserve fabric too. No luck. So another sleeveless cowl top it is then.

As V1282 has all the drape from bust down, I decided this one should have all the drape from bust up. Just for variety you know. So people don’t think I’m wearing the same stinking top day in and day out! (Not that my DOH could tell the difference.)

The Pattern

I made M6078 view B before and was quite pleased with the result. So I’m sort of using this as a TNT pattern / design block for cowl neck tops in moderate stretch knit fabrics.

Style Shots & Mug Shots

Fabric & Notions Used

Size Used

XS (4-6) like my last make of M6078 view B. Recommended size for me would be M (12-14).

Changes Made

Fitting changes = Adjusted M6078 view C pattern
m6078cMod-2

M6078 view C pattern (minus SA) on top of my final pattern (with SA)

  • Wide Shoulder Adjustment: 1/4″
  • Rounded Upper Back Adjustment: additional 1/2″ on back shoulder, eased during sewing
  • Misc shoulder / upper-back adjustments (based on fitting assessment of my last make):
    • Raised front shoulder/neck point by 1/4″
    • Lower back shoulder/arm point by 3/4″
    • Raised CB Neck by 7/8″
  • Narrow Lower Back Adjustment: 1/4″ at under-arm to 1/2″ at waist
  • Sway Back Adjustment: Slashed across waistline & overlapped 3/4″ lengthwise at CB. Redrew CB below waist and removed 7/8″ width from back hip as a result. Added back 3/4″ lengthwise at CB hem.
  • Narrowed bodice for a more fitted look: 1/2″ at under-arm to 1″ at waist
  • Shorten hem 2″
  • Raised armhole by 1/4″. In retrospect I think I should have left it alone. The result was slightly tight. I raised it because the armhole of my previous make seemed a bit low. But that could have been because I laid the patterns on the crosswise grain which is stretchier, so gravity might have pulled down the armhole.

Now before you say “Woah! That’s a hell of a lot of changes” I just want to say “not this time”. I’ve already made most of these changes when I made view B. There were only a couple of tweaks this time. But I listed all the deviations from the original pattern so it’s clear I’m not using the unmodified pattern. As you can see in the photo above, once I got a good fitting version of the pattern, making design changes is Play not Work! 🙂

Design changes
m6078cMod-1

Final pattern with design changes

  • Added a pleat in the front shoulder – like view B
  • Added a rectangular tube-like cowl collar by extending the facing outward from shoulder-neck point half the amount of back neck width
  • Raised CB neck / straighten back neck so the collar / facing wouldn’t sit too low in the back
  • Pleated the back collar vertically so more drape is on the collar outside than collar inside
  • Omitted the shoulder area loops
  • Used self-fabric binding tapes for armhole finishing

Verdict on the Instruction

OK, I didn’t follow the instruction this time as I was too clever for my own good. I thought I’d streamline the process and make 3 projects simultaneously production line style. I probably ended up spending more time on each than if I had followed instructions and done one at a time. But with my design changes I would have had to figure some steps out on my own anyway. The original pattern instruction is pretty easy to follow though.

Here’s how I constructed this one:

  1. m6078cMod-3Stabilized back neck line and armholes with Vilene Bias Tape.
  2. Sewed & overlocked side seams and collar / facing CB seam.
  3. Sewed & overlocked shoulder – back neck / collar – shoulder seam, applying clear elastic in the process to stabilize the shoulder seams.
  4. m6078cMod-4m6078cMod-5m6078cMod-6

    Turned CB collar / facing edge inside and slip-stitched to CB neck seam (like I did for my Golden Cowl Neck Tunic – are you getting the same sense that I LUV COWL??? :-D)

  5. Pleated the back collar / facing vertically, leaving only the desired collar height on the inside (in my case about 1-1/2″ on the insTextide). Secured the outside pleats to the inside collar / facing portion with a vertical stitch along the collar CB seam.
  6. Oops. Tried on the top and discovered the armhole was a bit tight. Ripped out the Vilene Bias Tape to allow the fabric to stretch naturally.
  7. Sewed binding tape to armhole (in the same method as instructed by V1282 I was making at the same time).
  8. Overlocked hem edge then turn and sew hem in place.

The usual Walking Foot and stretch stitch advice applies. I didn’t bothered with twin needles for hems because I always get a ridge between the two stitching lines and it drives me crazy! One day I’ll treat myself to a cover stitch machine. But I haven’t earned it yet.

This time I also omitted the interfacing for the hem and hoped for the best when overlocking. Unfortunately my fabric was too stretchy / difficult to control. I ended up spray starching the hem to temporarily stabilize fabric for overlocking and heming.

Would I sew it again / Would I recommend it to others

Probably not this particular pattern modification. It didn’t turn out exactly as I envisioned. Then again my visions tend to be a bit hazy! }:-)

I do like the concept, so I’ll probably play with this type of cowl neck again. I just need to figure out where exactly I want my drapes and where I want it snug.

I would most definitely recommend the original pattern, and for the more adventurous amongst you, playing with this type of modified cowl neck.

Psychedelic Leopard 2: Burdastyle 2012-05-113 draped skirt

It was love at first sight for this pattern, though I didn’t have the leopard print fabric in mind.  In fact, the print might not be the best choice as it obscures the lovely drapes a bit. But when I was planning a wrap top for the fabric, I thought this skirt worn with the wrap top might give me a faux wrap dress look I originally wanted. Never mind that the wrap top never materialized due to fabric shortage. The skirt pattern stuck. Especially after I saw Merche of Aventuras de Costuras showing off her version worn with the very same V1282 top I also made from this fabric.

The Pattern

One piece pattern, très chic result. How brilliant is that? Photo here is actually for the longer view C in a thicker knit. I went for the mid-length view B.

Style Shots & Mug Shots

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bs201205113-style1_1

Fabric & Notions Used

Size Used

For bottoms I’m between size 34 & 36. I chose 34 because I assumed a knit pattern would be more forgiving and I wanted a snug fit. I did check the pattern measurements against my fabric’s stretchability to ensure the negative ease won’t be too much for the fabric to handle.

Changes Made

bs201205113-1

  • Narrowed hip 3/16″ on both side seams (3/4″ total) to get 0 ease at hip level.
  • Short Waist Adjustment – lowered the raised waist by 1″ (from 3″ to 2″) so the top edge isn’t right at my underbust.
  • Ignored the hem length and measured on the unpleated side seam the length I need for a skirt length that’s just below my knee.
  • Added zipper and hook to the pleated side seam. I wanted a snug fit at the waist and didn’t want my fabric to stretch out of shape with wear. So zipper was the only way to go. Noting the problem Merche of Aventuras de Costuras had with wavy zipper on the unpleated side I went for the pleated side, thinking that the pleats might hide any waviness.

Verdict on the Instruction

It’s typical Burda instruction: terse, unillustrated. So put on your thinking hat, I usually do anyway. In this case, it didn’t help me with step 1: I was totally confused about which direction to press the pleats.

bs201205113-3In the end I pressed it in a way to minimize the bulk noted by several Pattern Reviewers: Bottom 3 pleats downward, top 2 pleats upward, and the remaining pleat half-up-half-down. Even so, the pleat still puffed up like a blow fish. And my fabric isn’t that thick. Even with the underlining I’d say it’s mid-weight at best. Imagine this in a thicker ponte knit! I feel your pain, fellow Pattern Reviewers.

bs201205113-4See how the zipper is buried in the Valley of the Pleats!

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Distributed pleats. And tightly trimmed seam allowance. Imagine the thickness of those pleats multiplied by two if I didn’t. It looks rather precarious though, doesn’t it? As insurance against fabric fraying and pleats falling apart I then fused 3/4″ wide So Sheer tricot interfacing to the seam allowance, overlapping stitching and the inner pleats. Sorry I forgot to take photo showing this.

bs201205113-6Zipper catch-stitched to the underlining to further tame the bulk.

The resulting pleated side is bulky, but not uncomfortable. And I think the bulk enhances the draped design. So no complaints from me.

bs201205113-2Heeding the warning of  Melissa of Fehr Trade about potentially saggy waist and facing flipping out, I went down the separate facing route (views A & B) and as extra insurance (a) interfaced the double-layer facing with So Sheer tricot interfacing  which has stretch in one direction; (b) added clear elastic to the skirt-facing seam; and (c) catch-stitched the bottom edge of the facing to the underlining rather than just tacking it down at the two side seams.

Dawn of Two on Two off  wondered on Pattern Review about why views A & B have separate facings and view C has cut-on facing. My theory is that the “Ponte Jersey” recommended for view C is stable enough not to need the double-layer facing or the extra seam for added stability. The “Fine Stretch Jersey” recommended for views A & B would be too flimsy without stabilization. So I’d recommend choosing the appropriate facing option depending on the fabric you choose, regardless of the length you go for.

Other than these two finer points, it’s a fairly easy and quick skirt to sew up. So don’t let my long-winded review put you off!

Would I sew it again / Would I recommend it to others

You betcha! One in a heavier-weight knit like the view C photo. And maybe even a woven! I would have to go up a size or two width-wise of course.