Fix It July: the Mustard lot

This lot was a bit of a bother. They required lots of unpicking. And lots of PITA unpicking at that (because of the stretch stitch used). Hence the continuation of my Fix it marathon into July. Let’s start with the least troublesome of the lot…

1. New & Improved!
McCall 6078 Cowl Neck T

This one just needed taking in at the side seams and shortening. It was a case of:

  • Picking the wrong pattern for my short-waisted torso. A loose but not flowy silhouette does nothing for my squarish upper-half. And I did have to wear this tucked in at the waist most of the time because of this second problem…
  • Thinking that I can fight gravity. I had to use the stretchiest grainline for the length of the top because I ran out of fabric. It was suppose to be hip length. But it grew & grew, but not enough to pass as a dress.

2. Emami / Bradbury Endless Dress
Many-Faced Skirt

This one needed the Shar-Pei waistband/tube-bodice circu… shortened because…

  • The yoga-style Shar-Pei waistband look better on a pooch than on me.
  • The Mighty Weighty Skirt threatened the Tube Bodice with wardrobe malfunctioning.

I may have shortened it a bit too much. Originally I was still hoping for a Shar-Pei-less yoga-waistband wearing option, as well as a decent cowl/turleneck poncho wearing option. Needless to say that didn’t work.

In the end I had to end the Endlessness of this dress & commit to a proper waistband with elastic inside. I had a hard look at my lifestyle and decided that I’m never going to wear it as a Caped Crusading Poncho, nor as a more impractical version of Hammer Pants – imagine going to the loo in that! It’s still has some shape-shifting ability, but all are variations of skirts & apron skirts.

3. Self-drafted Bandeau Tube
Ruched Bust Top + convertible straps


the Original bandeau

This one is the diva of the batch. It demanded a piece of flesh from both 1 & 2 above. Even then, parts of it still had to be laid out on the wrong grain.

The Inspiration & Design


the Inspiration


the Design

Yes, I seem to have a thing for ruched bust. Maybe it’s because despite my psuedo-D-cup, I still manage to look rather flat chested from the front. No push-up bra has ever managed to give me a cleavage. While the bandeau band reinforces my lack of curves, I do like this Victoria Secret ruched bust bandeau bikini top. The cinching at CF adds the illusion of a much needed curve. So I modeled my remake on this, but added a panel below to turn it into a more practical tummy covering top.

  • I also added a shelf-bra with clear elastic at top (neckline) & bottom (underbust) as insurance against wardrobe malfunction. I wanted a pull over top, but I don’t trust this fabric to recover from putting on/taking off the top.
  • To further prevent sagging I copied the VS inspiration & adding boning to the shelf-bra’s side seams.
  • The shelf-bra has vertical bust darts which are suppose to be more supportive, but unfortunately they’re kinda visible through the top layer.
  • I wanted to add bust padding for more modesty. But I couldn’t figure out figure out a way to do so without restricting the stretchability.
  • I also copied the VS inspiration’s option for detachable strap. But as usual I couldn’t decide and end up with two adjustable length straps to give me more options.

The Mug & Style Shots

The Pattern

  1. BLOCK: Stretch Pattern School Tankini Block for Stretchy Knits (-12%/0% ease). Since I want this wearable strapless, I thought the -12% ease block based on Stretch Pattern School instruction would be safer. BTW, I just managed to tracked down the author of Stretch Pattern School ( He’s writing a book that will contain all the info from that now defunct site plus more. I’m waiting for info on how to get on the notification list. Will let you know when I find out.)
  2. Pivot side seam bust dart into CF bust dart. Pivot additional 1cm from neckline to CF bust dart to ensure snug strapless fit (like the Stretch Pattern School instruction for ‘Palette Line Maillot/One-Piece’). CF bust dart will be gathered instead of sewn.
  3. Establish F&B neckline, hemline, & F underbust styleline.
  4. Separate F bust bandeau piece at underbust styleline, but extend CF up & down for additional CF gathering. (So both neckline & underbust styline become straight lines.) Remove additional 1/4″ width at CF to increase bustline tension & prevent saggy bust ruching.
  5. (During fitting, I had tweak the F bottom piece’s underbust styleline because I was getting excess fabric / bagging at CF underbust. I removed the pointy bit – what would be the bridge piece in a bra. The resulting underbust styleline is straight on the F pattern pieces, but curved when sewn up as intended by the design.)
  6. Drafted shelf-bra per Stretch Pattern School instruction forTankini shelf-bra:
    1. Using the same Tankini Bloc, pivot the side seam bust dart to waist seam bust dart.
    2. Establish neckline (this time CF curves down to busline) & hemline (underbust line).
  7. Rectangles for tab to cover the CF bust gathering / ruching, and for the detachable straps.

Fabric & Notions Used

  • Fabrics: All recycled from thebandeau tube + 1 & 2 above.
    • 4-way Stretch Viscose Cotton Lycra from Tia Knight/Tissu Fabrics.
    • Shelf-bra underlining: Lightweight Power Mesh from Tia Knight/Tissu Fabrics.
  • Clear elastic for neckline, shelf-bra bottom, and detachable straps.
  • Rigilene boning for shelf-bra side seams.
  • Strap notions: Bra hooks & sliders recycled from old VS bra. Hook loops at neckline: 3/8″ Satin Woven Elastic from Pacific Trimmings.

Construction Notes

  •  This is my first time using Rigilene boning. It’s not recommended for corsets with require sturdier construction to keep the soft bits tightly compressed. But for a stretchy top like this I just needed a little bit of shaping, so it seems good enough. Besides, I already had it in the stash.
  • To prevent the cut ends from poking I went overboard and used both options mentioned in Linda Sparks’ ‘The Basics of Corset Building’p21:
    • I slid the fabric portion down a bit to expose the plastic rods. Their tips are then melted using a tea light candle. The tips didn’t actually touch the flame – they started melting when they got near the flame. I flattened the melted tips a bit while they were still warm, then slid the fabric portion back up.
    • I also used scrap fabric to cover the ends after the boning has been sewn to the shelf-bra’s side seams.
  • To prevent the shelf-bra from flipping out, I had to tacked its bottom edge to the outer layer at the side seams and the bottom of the CF gathering / ruching tab. The loops for the straps to hook onto are sewn on before this is done so the stitches will be hidden from the outside.
  • I didn’t have bra straps in a matching color, so I had to make self-fabric straps. But as the fabric stretches in all direction, I added clear elastics inside to prevent them becoming too loose. I find this tricky as sometimes the elastic doesn’t lay flat & the strap gets a bit wavy. But once it’s on the body & slightly stretched this waviness isn’t so visible.

The Verdict

Was it worth all the trouble unpicking stretch stitches? I hope so. All three are more wearable now. Even the strapy top might be fine under a cardi or jacket for my relatively casual workplaces.

Yes, the fabrics are a bit ratty. But I like the color. And it makes the Environmentalist in me happier. We complain a bit about fast-fashion RTW being bad for the environment. But sometimes I wonder if we’re not just as bad since the process of learning to sew well may involve lots of failed projects and discarded fitting muslins. Plus the scraps from our projects might be harder to recycle especially if we sew with lots of different fibers. You don’t get the quantity of the same fabric that you’d get in RTW production waste. It makes me sad. So where possible I ‘upcycle’ my own makes despite having a huge fabric stash still waiting for their turn in the limelight.

Unravel-video-linkSpeaking of recycling…one of the sewing bloggers I follow (sorry, can’t find the post again for proper credit) shared a link to a fascinating documentary about an Indian community recycling our unwanted fast-fashions. It’s a short film by Meghna Gupta called Unravel. Some of these recycling ladies’ comments about the West are rather funny.

Watch it on a tablet or desktop as you’ll need to read the sub-title, but on a smartphone the timeline blocks the sub-title rather than disappear like on YouTube. Very silly.

TNT Trench Odyssey: PS fitting process round up

Let’s talk about that little fitting wobble I mentioned last time shall we?

Overall I think tissue & fit-as-you-sew worked OK for this semi-fitted garment. I didn’t have much problem with fitting the front. Once the FBA was done on the front during tissue fitting, there was hardly any changes during fabric fitting.

vs Pinned
vs Sewn

Sleeve attached

Shoulder narrowed,
sleeve head adjusted

The main problems I had were with the back above waist, shoulder & armhole areas, including the sleeve cap.

Part of it was due to my unfamiliarity with what to expect at different stages of fitting and how garment parts affect each other. As consumers we’re more used to judging the finished garments. It was difficult to know when to stop before I attached the sleeves for example. And I was surprised when new drag lines appear after the sleeves have been attached.

It was also a bit difficult to read excess tissue paper vs fabric. Paper being stiffer doesn’t show up drag lines as clearly as fabric.

Also, having tried sloper fitting before I probably should have tissue fitted on both sides rather than just one side. I could have cut wider seam allowance I suppose. But in curved areas & armsye for example, the extra SA might throw up false problems because it won’t lie flat or would make the armhole smaller or too high.

vs Pinned

Comparing the tissue with pinned trench, the pinned version shows up a lot more wrinkles. It would have been easy to panic at this stage. Basting might have been a little bit smoother. But pinning did at least show up the bigger problems like my lower left shoulder & the possible need to lower both armholes (for my sloping shoulders) even on a jacket / coat which would have been designed with bigger armholes anyway.

Pinned, extra left shoulder pad
vs Sewn, extra left shoulder pad

After first sewing I was surprised that the extra shoulder pad which seem to fix my uneven shoulder problem during the pinning stage wasn’t enough to fix my uneven back. I had to redo sections of the princess seams taking in and letting out where needed. So even pin-fitting with fashion fabric isn’t fool-proof. Maybe with experience I’ll get better at pin-fitting. For now, I’ll have to be prepared to redo seams. So no ploughing ahead with seam finishing without checking the fit first!

Left vs Right adjustments
Left side with adjustments

The next hurdle is the sleeve vs pre-sleeve confusion. Minus the sleeve the shoulder looked alright (at this stage I had widen the shoulder about 1/2″).

Sleeve attached
Shoulder narrowed,
sleeve head adjusted

Once the sleeves were attached, the shoulder felt too wide. The weight of the sleeves stretches the shoulder a bit I think. So I narrowed the shoulder by 3/8″ (leaving a 1/8″ widening compared to original shoulder width). But after the sleeve head has gone in & the whole thing lined, the shoulder now feels a tiny bit tight. I probably should have widen it the 1/4″ that my sloper fitting had implied I need. It goes to show though, when there are many bits involved (like in tailoring), it’s best not to panic too soon and over-fit! The result is still wearable, but probably would be more comfortable if I had not panicked.

The sleeves, especially the sleeve head areas, I had to attach twice. There was a bit too much ease after my bodice shoulder-armscye area adjustments. I had to lower the cap a little bit more, and when adjusting the sleeve head curve, made the back curve shallower and front fuller. I kept the original shoulder alignment point on the sleeve, but shifted the underarm seam alignment point backward to accommodate my Forward Shoulder Adjustment without making the front to full to ease into the front armscye.

So is tissue & pin-as-you-sew worth it?

Most definitely! For fitted and/or tailored garments anyway. Saves me wasting yards after yards making muslins after muslins. Documenting the process made it more tedious this time, but I think I will continue to try this method.

It probably won’t work as well for looser drapy styles. And obviously not for knits. For those, developing slopers & blocks to compare new designs to probably would work better. And if the final fabric is expensive or otherwise precious, I guess there will be no option but to make test garments in cheaper similar fabrics.

TNT Trench Odyssey: All done! Sorta

Hurrah it’s all done. Well, at least a very wearable muslin is.

Let’s first charm you with the pretty pictures before I start boring you with nearly two weeks’ construction (& fitting) details

The Inspiration & Pattern recap

Style Shots & Mug Shots





What do you think? Do I give Emma Watson & Cara Delevingne a run for their money?

No? Oh. OK, better keep the day job then 😉

Fabric & Notions Used

As you can see, the velvets have disappeared.

After reading all your suggestions, and rudely checking out every trench out there on the rack & moving about, I decided to save the velvets for another make. On closer inspection, the caption on the Louis Vuitton inspiration does say “glazed linen” after all. And almost every trench I saw was made with softer, thinner fabric, typically plain weave, not twill weave. (Poplins maybe?) Plus I came across some luscious coated linens & cottons at the Cloth House on Berwick Street (#47 branch, basement). Perfect excuse for fabric shopping, no?

As for the wrinkles…actually this chino doesn’t wrinkle any more than all the trenches out there. It’s probably just me not being used to cotton / linen, and/or being an overzealous sewing enthusiast who doesn’t know where to focus one’s perfectionism on.

0-inspire_07-burberry-aw2013-10-inspire_07-burberry-aw2013-20-inspire_07-burberry-aw2013-3There was much agony about whether to continue with this fabric after the velvets dropped out. Then I checked out the grandaddy of trenches, Burberry. They currently have chic designs in rubber forchrissake! That has as little drape as my stiff-as-cardboard chino if not less. So I’m fine.

Size Used

8 + FBA instead of the 12 the sizing chart would have me sew.

Now I’m not 100% sure about this approach for a trench. I mean I wear trenches open as much as buttoned. While FBA gives me a great skimming fit while buttoned, I do wonder if there’s a bit too much bust shaping for the front to hang well unbuttoned. Given that I’m not a true busty gal – I’m one of those weird B-cup with big rib cage I think – maybe a bigger size with less bust shaping would be a better choice for coats like this.

That’s one reason this is a wearable muslin – I need more time to stew on this issue.

Changes Made

There was no great changes needed on this pattern as the unaltered tissue fitting photos & numerous makes by others can attest to. But since I’m after a TNT pattern, I went the extra mile. So don’t let my review put you off making this pattern!

Fitting changes

There was a bit of fitting wobbles after the pin-fit as well. But let’s save that melodrama for a round-up of my thoughts on the FFRP/JFRP tissue & fit-as-you-sew. For now, here’s the summary of all the changes I eventually made…

  • Rounded Upper Back Adjustment: +3/8″ CB length above shoulder blades, -1/2″ width total at CB neck edge.
  • Sloping & Forward Shoulder Adjustments: front shoulder -1/2″ length at armscye edge, side seam -1/4″ length at underarm, sleeve cap height -3/4″ to match / reduce ease to manageable amount.
  • Forward Head Adjustment: back shoulder +1/2″ length at neck edge, shifted whole front neckline down 1/2″, collar band +1/2″ width at back neckline to match.
  • Wide Shoulder Adjustment: +1/8″ width at shoulder armscye edge.
  • Princess Full Bust + Short-Waist Adjustments: side front panel +7/8″ width at my bust, -1/2″ length from side front, side back, & back panels.
  • Sway Back Adjustment:1/2″ CB length at lower back.
  • Short Person Adjustment(!): -3/4″ length just below hip.
  • Lower left shoulder & smaller left back: +1/8″ height to left shoulder pad, left side back panel -1/4″ width at armscye.
  • Larger right bum: right back princess seam +3/8″ width total below waist.

Design changes

  • Front princess seams: moved 1/2″ towards the front for hopefully a more slimming look.
  • Sleeves: -1/2″ length & converted into 2-piece sleeves for hopefully a better & more fashionable fit. Most of the fashion clippings I have tend to have the length just below the wrist bone. I guess that makes your arm look slimmer than if the sleeve ends at the wider palm area.
  • Collar: convert under-collar into 2-piece – the tailors do it & so should I!
  • Shoulder pads: used self-made 1/8″ pad to avoid a footballer look. (Had to add another 1/8″ to the left one though as I’m lopsided!)
  • Belt loops: moved up so they sit above my waist & moved / added extra so they’re just to the side of the princess seams. Again, hopefully more slimming than right at the side seams.
  • Buttons: added 2 more sets above existing ones. So I can button the front up on a cold day!
  • Pockets: replaced the pattern with much more sensible big self-drafted pocket pattern & moved these up a little bit so my hands can reach into them easily.
  • Modified patterns for turn-of-cloth: for that more professional finishing.

Verdict on the Instruction

The instruction looks V-E-R-Y long & complicated (143 steps!!!). But that’s because there are multiple variations covered. The steps themselves don’t look complicated. But if you’re following them, just double check you’re following the right steps for the version you’re making.

I of course ignored most of it! Instead I tried to cram advice from multiple sources all into one project. So highly NOT recommended. Perfect recipe for head scratching, delays, oops & redos. I got there in the end. Just. More reasons this is a wearable muslin.

  • First let’s talk stabilizers. I interfaced the whole front. But on the facing I only interfaced the lapel & buttonholes. This was to reduce overall stiffness. Following the example of my Topshop RTW trench, I also interface the hems on bodice & sleeves, stabilize the shoulders with Dritz Stay Tape, and the back neckline & bodice armscye with Vilene Bias Tape. I was going to interface the sleeve armscye as well, but I couldn’t figure out how to do it without impeding the sleeve cap easing process. I didn’t draft separate interfacing patterns this time. Instead I tried Jackets For Real People‘s interfacing cutting technique: Cut 2 sides, shift over a full seam allowance’s width (5/8″), cut the remaining 2 sides.
  • Neither did I manage to draft separate lining patterns this time: It was just getting too overwhelming by that point. So the ease are all added at the easiest points – at underarm, hems, vertical seams. As suggested by Classic Tailoring Techniques: Men’s Wear I also added a bit of width ease to multiple vertical seams in addition to CB. I reckoned that if it’s coming from the land of traditional tailoring, there must have been decades of experience backing it. All the lining seams were overlocked as suggested by Kathleen Fasanella to keep down the fraying.
  • Like the  jacket I made for my niece, the lining for this trench was also bagged. I was lucky this time in that I had to cut a hem facing since I thought I was going to add the velvets so didn’t add hem allowance. This meant I could finish the tricky front-facing, hem, lining joint neatly before the whole bagging process. Again, I left the gap for turning the garment right side out in the lining – hem seam.
  •  The back vent I had wanted to do like the RTW trench as the finish looked neat. But I hadn’t studied the RTW carefully enough, so missed the fact that the lining CB seam slant from CB at the neck to one side at the vent so that the seam lined up with the edge of the vent underside. I just saw one continuous straight seam.
    2-c-vent-12-c-vent-22-c-vent-3So I mistakenly cut my lining with standard CB seam allowance without vent extension and had to patch an extension on afterward. In the end I was able to finish the vent neatly all by machine.
  • I tried to batch sew as much as possible. But not having done the prep work (sorting out all the pattern alterations ahead of time), it wasn’t really efficient. It only added to my general confusion. So not recommended unless you have very little changes to make during the construction process.
  • I did manage to sew a lot of the seams pin-free! It was quite scary, and when it came to the slippery lining, there were stretches of redos here & there. But practice makes perfect right? 🙂
  • And another thing I practiced on was hand-sewn keyhole buttonholes. I was going to use my machine’s automated one, but I couldn’t get it to sew the keyhole symmetrically. Even with paper-thick stabilizer underneath it still wanted to do its spirally thing rather than a perfect O.
    2-c-buttonholes-12-c-buttonholes-2So in the end I resorted to hand-sewing. Yes, all 13+4 buttonhole of it. The +4 is for the top 2-set of front buttonholes which are visible from both sides depending on whether the front is buttoned up or not. How’s that for self-torture? The instruction I used is a combination of Claire Shaeffer’s Couture Sewing Techniques and this forum post on Cutter & Tailor website.

Would I sew it again / Would I recommend it to others

I better! After all that effort.

I am however waiting for road testing results before finalizing my TNT trench pattern. It’s not just about the look you know. A garment like this must pass  rigorous practicality test! Is the pocket in the right place? Can I move in it? Is it easy to slouch in & still look chic the next day? Does it play well with other clothing? Is it easy to take care of? (On this last one I’ve already given up. Nil point. This fabric likes to get out of shape. No way am I going to try to steam everything back into place after laundering. Dreaded dry cleaning it will have to be.)

Once it pass the test, I’ll have to tidy up the pattern, maybe draft the separate lining pattern, & transfer onto longer lasting kraft paper.

I would definitely recommend the pattern to others though. So many people have had great looking results with it. Just make sure you at least substitute a larger pocket pattern if you are keeping the pockets.

As for this wearable muslin, I think it’ll be getting plenty of wear alright. While it’s not perfect, I think it looks good enough to fool the non-sewing folks. Now if only the weather here would only be a bit warmer…I don’t want to wait till spring to wear my new trench!

TNT Trench Odyssey: Part 3 Fabric Fitting

With any luck this will be the last fitting post you see before I sew!

Fabric Fitting:

So following FFRP instruction, I’ve interfaced the fabric & pin the main pieces together to check how the pattern fit in this particular fabric. While I don’t plan to wear this in the midst of winter, I do hope to wear this into mid-fall with a light sweater/jumper underneath. So that’s what I’m testing the fit with.


  • Front:
    Looks OK to my untrained eyes.
  • Sleeve:
    • Looks a bit long.
    • Width-wise I had add back the 1/2″ I tucked out. 3-1/2″ ease made the sleeve a bit tight over the sweater. So I’ve let out 1/4″ on the oversleeve at the both seams. That takes the bicep ease back to 4″, which is actually what most of my RTW coats have. Doesn’t look too dowdy does it?

  • Back:
    • My lower left shoulder seem to be causing havoc here. There’s a fold at my left underarm. The CB is swinging to the right. I’m wondering if that’s also partly caused by the lower left shoulder: The fabric is rather stiff, so may be swinging to the right rather than forming more folds the left side.
    • There’s also a little bit of drag lines at the right underarm. I think that might be me being naughty & not doing the 2nd part of Sloping Shoulder Adjustment – ie lower the armscye at the underarm as well. The unslashed seam allowance here exacerbate the problem I think, with the arm joint pushing the fabric downward forming those drag lines.

Fabric Fitting Tweaks:


  • Lower left shoulder:
    I’m taking the easy way out & doubling the shoulder pad height (from 1/8″ to 1/4″). That fold under the left arm is now gone & the CB now seem a bit straighter.
  • Underarm drag lines:
    I’ve slashed the underarm seam allowance 1/4″ deep on both sides. The drag lines now seem to be reduced. I’m debating whether to lower the armscye or not. Once sewn, the SA will be trimmed a further 1/8″ anyway. So maybe no change is necessary? I don’t want the underarm to be too low as it might make the sleeve seem fatter.
  • CB still swinging to the right:
    Maybe I have a slightly bigger right hip? Maybe pinning & not pressing make stiff fabric like this misbehave? I think I’ll sew up as is first and check again. If the problem is still there I might let out a little bit at the right  back princess seam.

Decisions decisions decisions!

Fitting headache sort of over, time for headache of a different kind.

I’m a bit unsure about this fabric from the 2 decade old stash. It’s cotton twill of some sort (khaki chino?). Seemed like the right color and texture for a classic trench. But the beast is stiff with hardly any drape! More so than my RTW trench.

When you throw in interfacing on both the front & the front facing, it might just look like armor rather than chic trench inspiration I had in mind. And I have to use fusible interfacing. I tested sew-ins & I like the dimpled folds at the hem even less. Fusible at least gives me a smooth curved fold.

The contrast with the velvet hem might be too great. Both velvet are quite limp. And I won’t be able to stiffen these up with fusible interfacing. One’s silk and the other I think is rayon velvet.


So dear readers. what would you do?

Does the main fabric look too stiff? Should I not waste the velvets on this one, make a short plain trench with this stiff chino & find a softer replacement for the version with the velvet border?

I’m already considering not interfacing the whole front facing. Maybe just the lapel area so it’ll look smooth. (Did I mention this fabric love to wrinkle too?) And the interfacing for the velvet I might double up – fusible on sew-in.

The other thing that I didn’t really think through is how to finish off the velvet part at the back vent and on the inside (front facing, hem). I could have used the main fabric on the inside. But it’s a bit too late now as I’ve already cut the fabric front facing the same length as the fabric front. Oops. Looking on the bright side at least the velvet will be nice to the touch against my knees!

TNT Trench Odyssey: Part 2e Tissue Fitting #4

Are you getting bored with the tissue fittings? Just one more post on tissue fitting I promise! In fact, the main fabric is now being prepped for cutting as I write.

Third alterations:

So of the outstanding issues, I decided to…

  • Ignore
    • Waistline that’s 3/8″ too low – I’ll deal with it if it still looks too low in fabric fitting.
    • CF that seems to swing out to the side – probably not an issue once buttoned up.
  • Adjust
    • 1-fitting_5princess-1Princess seam line – moved towards the front 1/2″. In the process of doing this, the side front panel princess seam line seem to have grown 1/4″, so reduced the front armhole gap a bit.
    • Front armhole gap – I decided after the final tissue fitting to widen the shoulder & reduce the front armhole gap a bit further. So final wide shoulder adjustment is 1/2″ & the gap area patched with 3/8″.
  • Now the bits I haven’t checked yet…
    • Pocket:
      There are already plenty of complaints on Pattern Reviews about the ridiculously small pocket. And you know from my previous post that a bigger pocket was one of the reason I wanted to make my own trench. So here it is…Self-drafted pocket that I’ve checked against my hand size and the bits & pieces I tend to keep in my pocket. So it’s all good. Big enough to keep my hands warm on cold days and nothing stored in it should go missing!
      I’ve had to move the pocket up a bit though. The original position was obviously designed for the Lilliputian pocket. With the pocket opening at the princess seam, the pocket can only be accessed with bent arm. So the bottom of the pocket needs to be high up enough to be reached with a bent arm.
    • Hip:
      This is a bit low. But I might ignore it as there seem to be enough ease anyway.
    • Sleeves:
      1-fitting_5sleeve-3There’s like 3-1/4″ – 4″ bicep ease, which is plenty for comfort. Both the width and the length looks perfect (with the under-sleeve aligned at underarm seam).
      So I proceeded to convert the 1-piece sleeve into 2-piece sleeve following the instruction in Connie Crawford’s Patternmaking Made Easy. But the result looks a bit puffier than the 1-piece sleeve, even though the width hasn’t changed at all! 1-fitting_56sleeve
      Maybe it’s jut paper being paper. But I’m now paranoid that the sleeves are going to come out dowdily wide. So I took a 1/2″ vertical tuck on the over-sleeve. I’m hoping that if it turns out too much I can just restore the amount with a narrower seam allowance.

So here are the final Patterns:


And here are the dart-based FBA front patterns which I won’t be using this time.

I still have to sort out lining & facing patterns. But I think I’ll do that after the fabric fitting to be sure there aren’t any more tweaks needed. But it’s looking good so far!