Fix It July: from Grecian to My Cup of Fugly

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the Original dress

Throwing all caution to the wind I took on another less than stellar Make which did feature in MMM’15: My Fortuny Delphos Wannabe dress.

She’s such a Romantic, perfectly in her element on holiday in the Sun & Sea. But seriously, how will I ever afford to take her to such exotic places again with Uncle Sam & HRH dipping into my wallet whenever they want? 😉 Besides, I was never comfortable with her flashing my ribby chest.

So yeah another commitment-phobe city ensemble coming up! And one that MR considers F-U-G-L-Y. But I’m OK with that. What does he know about fashion right? 😉

The Design & Construction Odyssey

odyssey First off this fabric is a royal PITA to work with. Unlike Mario Fortuny’s Grecian Delphos which were made of silk, this is 70s Mary McFadden style polyester mushroom pleats. I don’t know if the Fortuny silk version drapes better, but my polyester version definitely balloons out in the most unflattering places, yet at the same time is highly shifty & unstable. An Utter Diva.

I was at a loss design-wise. Apart from Fortuny, McFadden & Issey Myake are the only designers I know who use this type of fabric as a signature. But neither are my cup of tea.

sari top + Gigli wannabe + Fortuney wannabeodyssey I did like the dress as a skirt in this style shot though. So comes what may out  the Reckless Scissor came!

TOP:

odyssey Designing by flat patterndrafting would be a nightmare. So again I turned to draping with Q. (The dress was originally draped on her mother Big Bertha.) I started out addressing what I didn’t like about the dress bodice: too much skin at the chest & side boobs…

  • Front neckline was pulled from the V into a square for more coverage.
  • The side seam was pulled closer to remove the underarm portion that had been cut down to the waist level.

odyssey The result however looked a bit twee. Too safe. Which draws attention to the extra volume added by this fabric. I threw on some elastic to see where/how I can control this extra volume, but ended up liking the combination enough to use it in the final design. It’s just my cup of tea – the edgy contrast between utilitarian black elastic vs the fluid femininity of the mushroom pleat. Exposed elastic as a decorative detail is certainly not new to my aesthetic. My former favorite designer Comme des Garçons did it in Spring/Summer ’94. And I have a Jean-Paul Gaultier men’s robe with elastic waist ties from the 90’s that I wear a lot too.

So that’s the Design settled. On Q anyway. It’s a totally different story on me. Because I don’t want pins stuck into me to keep the fabric in place. The temptation to rely on pins is such a pit-fall when one design by draping rather than patterndafting.

odyssey Thank goodness there’s Pattern Magic 2‘s Different Facing Different Looks technique. Too bad I chose a whimpy cotton batiste for the facing/lining. Gravity won. All the more reason to incorporate the elastic into the design. Now it serves both a decorative & a structural purpose.

odyssey The top ended up with the most ridiculously complicated underpinning. See the annotated photos below for all the glorious gory details. That’s what you get with a Band-Aid approach to design! Definitely not a repeatable make. And as if that wasn’t enough, this thing has ZERO hanger appeal. This is definitely an Once Is Enough top.

SKIRT/DRESS:

I could not for the life of me decide on a hem length. After the chop there was definitely no floor length option left, which is just as well since it’s so impractical for modern day life.

2-sew-Skirt-inside1

It’s Super Skress!!!???

odyssey As the matching top has already given way to exposed elastics, I spared myself the agony of committing to one length. So an exposed elastic waistband done the iCandy Handmade way it is then. One that’s post-feast waist circumference in length so it hangs lower exposing the waist, and can be pull down even lower for a saucier low-rise look, or worn above the bust as a dress.

odyssey Matching detachable elastic shoulder straps & famine waist elastic belt complete the dress look. At a pinch the belt also yield a normal rise skirt. And if I sail to the edge I can also eke out a knee length skirt by doubling over the belt and leaving the built in waistband to hug my behind – not the most comfortable way to wear it, but hey we all have to make sacrifices for fashion right? 😉

odysseyodysseyodyssey

And FINALLY…The Mug & Style Shots

gr-dancing-1

gr-dancing-2

😉

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Fix It July: Pregger Wench no more

As I’m on a roll with the Fix-It’s…Here’s one that I couldn’t even bring myself to wear during MMM’15:

This was originally a RTW from a Camden Market stall. I actually quite liked the original. But because the bodice is made of stretchy knit without much recovery power, the combination of long skirt + gravity made this indecent to wear.

My first attempt at fixing this was an unmitigated failure. I wanted to keep the dress as a pull-on with no closure. But the China Silk/Habutai I used didn’t have the flattering clinging power of the original knit bodice. The resulting silhouette was F-U-G-L-Y, especially in the back.

My latest attempt at fixing this actually started January this year. I was hoping to finish it in time for a holiday in February. But when I tried it on for fit, the bodice felt too tight for a relaxing holiday. Plus there were too many new-to-me design features that I didn’t know how to sew up. So it went back onto the Fix-It Pile.

Fast forward to Fix-It June & July. I tried on the half-finished bodice again. I don’t know how, but the bodice now feels OK!!!??? Maybe recent stresses did what no diet can? 😉 Anyway, I felt ready to resume this Fix-It.

The Inspiration & Design

The funky A-line gore skirt has twill tapes inside on each gore seam which can be used to draw up the skirt into irregular bubble hem. It reminded me of this clipping of a Jean-Paul Gaultier dress from S/S ’91. So my initial design simply replaced the looser pull-on bodice with a corset style bodice.

But I clung to the original dress’ empire waistline, and this was a mistake. I looked like a pregger wench in the resulting dress. To avoid any well meaninged but awkward conversations about when I’m due, I separated the bodice from the skirt. I had just finished the Sari Top Fix-It, so was in a cropped top mood anyway. And you know how I feel about committing to a dress – I much prefer separates that give me more options.

In the same commitment-phobe vain, I made the skirt wearable at waist level and lower down when I’m in a saucy GoT mood! I suppose if I’m ever in a pregger wench mood I can always safety-pin the skirt to the top’s hem… 😉

The Mug & Style Shots

 

The Pattern

TOP:

  • BLOCK: Moulage Block (0-ease).
  • As this was meant to be underwired bustier style top, I started out with a skin-tight pattern. This is fine for the stretch lining, but then I got worried that having no ease at all in the outer non-stretch layer would mean another top that I’d never really wear. So I added some ease back in.
  • The cup was shifted towards CF slightly in the hope that it’ll give my wide-set girls the barest hint of a cleavage. (Not understanding how bra cups really work, I’m still holding out the hope that it’s possible to cajole the girls into gravity defying positions & shapes!)
  • The CF bust dart (which isn’t normally sew up) is pivoted to the princess line for closer fit at neckline. The bust point shifted up slightly and tinsy bit shaved off the cup princess seam below bust point all in the hope of helping my girls defy gravity.
  • Not shown: rectangular front closure modesty placket, bias binding for the hem, bias strips for the underwire channels.

SKIRT:

No patterns as this is just the RTW skirt with the top edge turned inside to create the casing for the elastic + existing draw-string.

Fabric & Notions Used

TOP:

SKIRT:

Construction Notes

TOP:

  • This is my first time attempting a bustier / long-line bra top. So many new-to-me details. I really should have tried a commercial patterns first. Doing it on my own meant brain freeze from juggling too many somewhat-relevant-but-not-entirely advices from scatter sources.
  • I roughly followed the instruction in “Create a Foam-Cup Bra” article from Threads 9/2014 (issue 174). The cup padding pattern was drafted without seam allowance, then the pieces butt jointed with zig-zag stitches. The cup assemblage instruction was particular helpful to get a clean finish at neckline and armholes.
  • After I decided to turn the dress into separates, I had to ditch the CF zipper idea. I went for hooks & eyes as it fits the bustier look. But I didn’t have any hooks & eyes tape in the right color. So they had to be sewn individually. And for modesty a placket had to be added beneath the CF opening.
  • Rigilene boning was added to the lining at side seams, underbust princess seams, & CF opening in the hope of further helping the girls defy gravity.
  • The hem was finished with bias binding and stretch stitching to aid breathability while preserving a tight fit. I’ve been using a hybrid of backstitch & slipstitch wherever I need a stretchy binding top-stitch that disappears into the ditch. It’s basically a one-step-backward (right side) -two-steps-forward (hem fold) slipstitch. I haven’t come across this in any of my sewing books, so it’s something I cobbled together for myself. Maybe I’ll do a tutorial on this. I also used it for the Mustard Many-Faced Skirt waistband.

SKIRT:

  • Although I could have just used the drawstring for the waistband, I added the elastic in the hope that it’ll help keep the skirt in place whether I wear it at the waist or lower down. I find that if my skirts aren’t fitted from waist to just below high-hip, then they have a tendency to spin around after a few hours’ wear. Since the skirt is A-line, so not fitted in this area, I’m hoping the elastic will grab on to my love-handles and keep the skirt in line.

The Verdict

My cups weren’t particularly successful. Or at least they didn’t do what I wanted them to do. The Fiberfill is too thin for modesty padding. My cup shaping probably isn’t right either as it leaves me with deflated pointy apexes & still droopy old boobs. But the ease I did add in does allow me to wear a proper bra under this tight top. So problem averted this time.

I’m not entirely convinced by my vertical seaming on the cups either. Most bustier tops seem to employ horizontal cup seaming. But this is good enough for now. If only I have a summery pedal pusher to match. And somewhere warmer to wear this in!

The skirt I think will be quite handy. I really should make more fuller skirt. Unless I’m working my day job, pencil skirts are a bit claustrophobic for my unladylike manners, cross-legged sitting style and all.

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Fix It July: the Mustard lot

This lot was a bit of a bother. They required lots of unpicking. And lots of PITA unpicking at that (because of the stretch stitch used). Hence the continuation of my Fix it marathon into July. Let’s start with the least troublesome of the lot…

1. New & Improved!
McCall 6078 Cowl Neck T

This one just needed taking in at the side seams and shortening. It was a case of:

  • Picking the wrong pattern for my short-waisted torso. A loose but not flowy silhouette does nothing for my squarish upper-half. And I did have to wear this tucked in at the waist most of the time because of this second problem…
  • Thinking that I can fight gravity. I had to use the stretchiest grainline for the length of the top because I ran out of fabric. It was suppose to be hip length. But it grew & grew, but not enough to pass as a dress.

2. Emami / Bradbury Endless Dress
Many-Faced Skirt

This one needed the Shar-Pei waistband/tube-bodice circu… shortened because…

  • The yoga-style Shar-Pei waistband look better on a pooch than on me.
  • The Mighty Weighty Skirt threatened the Tube Bodice with wardrobe malfunctioning.

I may have shortened it a bit too much. Originally I was still hoping for a Shar-Pei-less yoga-waistband wearing option, as well as a decent cowl/turleneck poncho wearing option. Needless to say that didn’t work.

In the end I had to end the Endlessness of this dress & commit to a proper waistband with elastic inside. I had a hard look at my lifestyle and decided that I’m never going to wear it as a Caped Crusading Poncho, nor as a more impractical version of Hammer Pants – imagine going to the loo in that! It’s still has some shape-shifting ability, but all are variations of skirts & apron skirts.

3. Self-drafted Bandeau Tube
Ruched Bust Top + convertible straps

Original

the Original bandeau

This one is the diva of the batch. It demanded a piece of flesh from both 1 & 2 above. Even then, parts of it still had to be laid out on the wrong grain.

The Inspiration & Design

inspiration

the Inspiration

design

the Design

Yes, I seem to have a thing for ruched bust. Maybe it’s because despite my psuedo-D-cup, I still manage to look rather flat chested from the front. No push-up bra has ever managed to give me a cleavage. While the bandeau band reinforces my lack of curves, I do like this Victoria Secret ruched bust bandeau bikini top. The cinching at CF adds the illusion of a much needed curve. So I modeled my remake on this, but added a panel below to turn it into a more practical tummy covering top.

  • I also added a shelf-bra with clear elastic at top (neckline) & bottom (underbust) as insurance against wardrobe malfunction. I wanted a pull over top, but I don’t trust this fabric to recover from putting on/taking off the top.
  • To further prevent sagging I copied the VS inspiration & adding boning to the shelf-bra’s side seams.
  • The shelf-bra has vertical bust darts which are suppose to be more supportive, but unfortunately they’re kinda visible through the top layer.
  • I wanted to add bust padding for more modesty. But I couldn’t figure out figure out a way to do so without restricting the stretchability.
  • I also copied the VS inspiration’s option for detachable strap. But as usual I couldn’t decide and end up with two adjustable length straps to give me more options.

The Mug & Style Shots

The Pattern

  1. BLOCK: Stretch Pattern School Tankini Block for Stretchy Knits (-12%/0% ease). Since I want this wearable strapless, I thought the -12% ease block based on Stretch Pattern School instruction would be safer. BTW, I just managed to tracked down the author of Stretch Pattern School (patternschool.com). He’s writing a book that will contain all the info from that now defunct site plus more. I’m waiting for info on how to get on the notification list. Will let you know when I find out.)
  2. Pivot side seam bust dart into CF bust dart. Pivot additional 1cm from neckline to CF bust dart to ensure snug strapless fit (like the Stretch Pattern School instruction for ‘Palette Line Maillot/One-Piece’). CF bust dart will be gathered instead of sewn.
  3. Establish F&B neckline, hemline, & F underbust styleline.
  4. Separate F bust bandeau piece at underbust styleline, but extend CF up & down for additional CF gathering. (So both neckline & underbust styline become straight lines.) Remove additional 1/4″ width at CF to increase bustline tension & prevent saggy bust ruching.
  5. (During fitting, I had tweak the F bottom piece’s underbust styleline because I was getting excess fabric / bagging at CF underbust. I removed the pointy bit – what would be the bridge piece in a bra. The resulting underbust styleline is straight on the F pattern pieces, but curved when sewn up as intended by the design.)
  6. Drafted shelf-bra per Stretch Pattern School instruction forTankini shelf-bra:
    1. Using the same Tankini Bloc, pivot the side seam bust dart to waist seam bust dart.
    2. Establish neckline (this time CF curves down to busline) & hemline (underbust line).
  7. Rectangles for tab to cover the CF bust gathering / ruching, and for the detachable straps.

Fabric & Notions Used

  • Fabrics: All recycled from thebandeau tube + 1 & 2 above.
    • 4-way Stretch Viscose Cotton Lycra from Tia Knight/Tissu Fabrics.
    • Shelf-bra underlining: Lightweight Power Mesh from Tia Knight/Tissu Fabrics.
  • Clear elastic for neckline, shelf-bra bottom, and detachable straps.
  • Rigilene boning for shelf-bra side seams.
  • Strap notions: Bra hooks & sliders recycled from old VS bra. Hook loops at neckline: 3/8″ Satin Woven Elastic from Pacific Trimmings.

Construction Notes

  •  This is my first time using Rigilene boning. It’s not recommended for corsets with require sturdier construction to keep the soft bits tightly compressed. But for a stretchy top like this I just needed a little bit of shaping, so it seems good enough. Besides, I already had it in the stash.
  • To prevent the cut ends from poking I went overboard and used both options mentioned in Linda Sparks’ ‘The Basics of Corset Building’p21:
    • I slid the fabric portion down a bit to expose the plastic rods. Their tips are then melted using a tea light candle. The tips didn’t actually touch the flame – they started melting when they got near the flame. I flattened the melted tips a bit while they were still warm, then slid the fabric portion back up.
    • I also used scrap fabric to cover the ends after the boning has been sewn to the shelf-bra’s side seams.
  • To prevent the shelf-bra from flipping out, I had to tacked its bottom edge to the outer layer at the side seams and the bottom of the CF gathering / ruching tab. The loops for the straps to hook onto are sewn on before this is done so the stitches will be hidden from the outside.
  • I didn’t have bra straps in a matching color, so I had to make self-fabric straps. But as the fabric stretches in all direction, I added clear elastics inside to prevent them becoming too loose. I find this tricky as sometimes the elastic doesn’t lay flat & the strap gets a bit wavy. But once it’s on the body & slightly stretched this waviness isn’t so visible.

The Verdict

Was it worth all the trouble unpicking stretch stitches? I hope so. All three are more wearable now. Even the strapy top might be fine under a cardi or jacket for my relatively casual workplaces.

Yes, the fabrics are a bit ratty. But I like the color. And it makes the Environmentalist in me happier. We complain a bit about fast-fashion RTW being bad for the environment. But sometimes I wonder if we’re not just as bad since the process of learning to sew well may involve lots of failed projects and discarded fitting muslins. Plus the scraps from our projects might be harder to recycle especially if we sew with lots of different fibers. You don’t get the quantity of the same fabric that you’d get in RTW production waste. It makes me sad. So where possible I ‘upcycle’ my own makes despite having a huge fabric stash still waiting for their turn in the limelight.

Unravel-video-linkSpeaking of recycling…one of the sewing bloggers I follow (sorry, can’t find the post again for proper credit) shared a link to a fascinating documentary about an Indian community recycling our unwanted fast-fashions. It’s a short film by Meghna Gupta called Unravel. Some of these recycling ladies’ comments about the West are rather funny.

Watch it on a tablet or desktop as you’ll need to read the sub-title, but on a smartphone the timeline blocks the sub-title rather than disappear like on YouTube. Very silly.

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Fix It June: Tote the II Forever!

Next up on my Fix It list: My replacement tote that’s barely six months old.

Self-drafted Tote v2

Sadly poor construction quality is not limited to fast-fashion RTW. Tote I lasted me almost two years. So it was definitely a WTF moment when the handle tabs on Tote II started doing this:

5-broken

I thought the thicker faux leather would last longer. I was wrong. I’m not exactly sure what happened, but here are my suspects:

  1. 5-compareDifferent D-rings I used this time have rectangular wire profile where as Tote I had rounded wire profile. Combined with heavy grocery maybe the pointier edge acts like knife edge.
  2. Lack of tab reinforcement from woven interfacing. Can’t remember whether I reinforced Tote I, but Tote II definitely needed this. And it needed a stiff interfacing at that. For these softer tabs keep shifting to the extra pointy corners of the D-rings.

I decided changing 1 would be too much hassle, so 2 it was then. Apart from a layer of old woven interfacing, I stiffened the center bit that goes around the D-Ring with a double layer of Ban-Rol (precut interfacing for waistbands that won’t collapse heightwise). I bought these long before I discovered that standard waistbands don’t like  my short-waisted torso. Now it finally found a use!

The replacement tabs had to be hand stitched and the stitching shows on the inside of the bag. Not brilliant. But at least functional. And thanks to an old-fashion thimble and needle grabber, I managed to do it without spilling blood.

While I was at it I tried to enlarge the zipper pull too. Clio was right that Lampo zippers are some smooth operators. And Don Morin was right that a large ring pull is a plus for practical zipped bags. My Lampo’s pull was lamentably anemic. My stash & trash yielded no matching ring pull of any sort, not even a keyring. So I end up wrapping the existing pull with a scrap from the tab redo. Hopefully this tote will now last me a while longer.

5-fixed

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Fix It June: Sari Top

Or more correctly a “choli“.

So Me-Made-May set me on the path to Fix-It-June.
First to be sorta fixed is this choli top.


The pattern was self-drafted based on an earlier sloper, and didn’t account for breathing ease nor my uneven sloping shoulders. As with most alterations there is a limit to how much improvement that can be made. Here are the before & after mug shots.

Before Mug Shots

After Mug Shots

  • The left back side is now better after a sloping shoulder adjustment.
  • I can now breath after letting out tiny bits on all princess & side seams.

But I can still see fitting problems…The armholes feel a bit tight and there are draglines along the neckline pointing toward the shoulder tips. It’s as if the sleeves are pulling the neckline outward. I wonder if perhaps the lack of sleeve cap ease / shallow cap is the culprit.

sleeve-cap-ease My theory is that there’s not enough room in my sleeve cap to accommodate the roundness of my shoulder joints, so the sleeves want to pull the shoulder tips outward to compensate, and without a smaller neckline to counter-act this tendency the sleeves win, resulting in the neckline being pulled apart / outward. So what this top wanted was more like the left side in the picture below, but what I’m getting is more like the right side. (More on my sleeve block experiment here.)

It’s a shame I experimented first on the nicer of my two choli fabrics and made it in a rush for an occasion. This red one is silk and I think it came with the matching silk sari that I wore in the mug shots above. The other red one is cotton and might also have been bought as a set with the matching sari. I have another green cotton sari, but no matching choli fabric for it.

 Saris: An Illustrated Guide To The Indian Art Of Draping by Chantal Boulanger Ja, I went through a sari-mad phase, but never mastered the art of sari-wearing. I even bought this fascinating book by anthropologist Chantal Boulanger called “Sari: An Illustrated Guide to the Indian Art of Draping“. It documents 100 different ways of sari draping worn by the various castes in different regions of the Indian subcontinent. Absolutely fascinating. And sad that some of these methods may soon be forgotten. Thankfully the book includes instructions & diagrams for these different drapes.

> You can sample few pages from the book here

In London you do see women wearing Saris on the street. And they always look so elegant regardless of their size, shape, or age. Even the impoverished ladies you see in documentaries about rural India look elegant in their sari. All that without complicated fancy sewing. Amazing.

Here are my not so brilliant attempts
at three of the drapes…

 

 

Maybe I should practice wearing saris more often.
It would certainly be a good justification for
my Sari & Not-So-Sari stashes! 😉

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