It must be Karma…dress

Plan B has veered off course as well. I’m feeling very run down and stressed out at work. So I’ve given myself permission to take the tortoise route to the Draft Along.

In the meanwhile, to keep you entertained, may I present…

my Karma Gingham Dress?

Karma because it keeps on coming back. I’m on version 3 now. Version 1 was about 2 decades ago. (I can’t believe I’m that old now!) I think I’ll probably still be remaking and revising this pattern until I’m pruny.

Today I’ll just showcase the dress, version 1 & 3. (I have no photos of version 2. It was during my Lost Years.) Please indulge me my pony show: If I keep on making this same dress, you know it must be LOVE…Then again, it can simply be Bad Fitting Skill karma.

Here’s the inspiration:

Another photo from NY Times Sunday fashion magazine
from long long time ago, in a land far far away.

Update: I stand corrected. It was actually a Frency magazine. Might have been Maire Claire bis. And probably S/S 87 or 88. The original dress is by Michel Klein.
Iconic isn’t it?

Version 1…

This must have been early 90’s. Youth and a pattern size 8 made it easier to carry off the shorter bodice and shorter hem without looking too street-walkerish.

About 13 years later, I attempted v2 with the same pattern, but in purple gingham. Maybe it’s the color, maybe it’s my body going south, something just wasn’t right. I felt stocky and exposed wearing v2.

So when it came to v3 I made some changes to the pattern and went back to good old B&W.

Version 3…



It’s as close as I’m going to get to the original inspiration without turning caucasian and taking up smoking and boat rowing. OK, maybe it’s more Bonnie & Clyde than Parisian Chic.

Anyway, I’m generally happy with the modified silhouette. The lowered waistline I think makes the waist look less thick. There isn’t a horizontal line  stretching the waist width-wise, which would have been further aggravated by puffy gathering. Instead this width emphasis is shifted down to my anemic hip, giving me more of a hour-glass shape than I normally have. The lowered hem also help lengthens the silhouette. Overall, more lady-like and befitting a woman of my age.

The Mug Shots

The fit still needs a bit of tweaking. Especially the back skirt silhouette. It makes my bum look droopy (which I’m sure it is, but there’s no need to shout about it).

It was even more twee originally when I had the skirt seams running straight from hip downward. It was bell-shaped and not slimming, I’ll tell you that. I tried narrowing the skirt below the bum. It now looks alright from the front. But the back is obviously still not  right. And now it’s also strangely constricting when I sit down despite the extra ease of the gathering.

So you can be sure there will be Karma Gingham Dress: The Next Generation. And when I finally get the fit right, I’ll be in Nirvana. That is if my shape doesn’t change so much that no amount of fitting will make the dress flattering anymore.

Stayed tuned for next installment: The Innards & The Oops.

I might even try to throw in some simple instructions on how you can draft your own version, that is if you already have a sloper and aren’t afraid of pencil, rulers, scissors, and a bit of cellotape.

Maybe one day I’ll figure out how to draft pattern on the computer and create downloadable patterns to save you the pattern-drafting hassle!

Draft Along Update: 2 steps back & 1 forward

I’ve had to go to Plan B for the Draft Along as well.

There must be something in the stars. A lot of us seem to be a bit behind schedule. I still haven’t finished Sloper Plan B. So little chance of finishing the patterns drafting for my modestly ambitious design by the weekend. Sewing was originally supposed to start this weekend I think.

What’s also not helping is that I’m finding my stash yardages generally to be on the mean side. (I curse my honorary Scottish ancestors.) I thought 5-1/2 yards would be over generous for a dress and a summer coat. It’s now looking like a very tight squeeze. So I need to plan more carefully. Which means having patterns for both dress and coat ready so I can figure out a more efficient layout and hopefully have enough fabric for both. Fat chance of that happening by Saturday.

So Plan A to the back burner. Step forward Plan B.

The inspiration is this Michael Kors dress from his Spring Summer 2011 collection, featured in American Vogue:

I love the moss-green and tan colour combination. The original is a lace dress. My fabric is raw silk. But it does have both colors and texture that from a distance sort of give the same impression. I’m also toying with the idea of scalloping the hem to mimic the original’s lace hem. (I wish I have an embroidery machine for fancier edging.)

The dress is rather simple. I’m feeling the itch to throw in some complicated details. It just doesn’t seem worthwhile making something that you can easily buy off the rack.

But it’s a bad habit. The pieces that I wear the most are in fact mostly plain pieces that play nice with other pieces. I must remind myself that getting the right fit and combination of color – fabric – texture – silhouette is more than enough to justify making my own clothing.

Speaking of naughty habits, I am thinking of cheating and doing this as a 2-piece dress. Just so that I can get more moss green-caramel outfits out of it. Maybe throw in a dash of orange or red occasionally.

So here’s the compromise:

Plain front and a bit of added interest in the back.

Front skirt will be A-line (instead of pencil skirt in Plan A design). Back is still a variation of my Plan A design with extra pleats in CB. But the skirt will be waist down rather than with high-waisted.

The top – assuming I have enough fabric – will have underbust seam details. I can’t decide on the back neckline though. Option 1 is to have a mock cowl neck – basically a bit of extra fabric draped and attached to the back neckline. Option 2 is an asymmetric collar a bit like Vogue 8408.

Stay tuned to find out which I end up making!

No straight walls for England & no straight lines for my sloper

Urgh. Sloper making is like DIY. Nothing’s ever straight!

I’ve been trying to even out the left-right bodices, and checking measurements against Big  Bertha every few minutes. But this is what I ended up with:

I mean how can it be that the bust line is not perpendicular to the CF? Everything seems to measure up alright. But this just doesn’t make sense.

And in the process Big Bertha has acquired a few more tattoos…

I tried drawing a few more guidelines to help me with the measurement. Problem is getting them level and straight. I tried using a DIY spirit level. But of course with all her curves it’s impossible to get a straight line going round her body. What looks straight from the front (the chest level lines) looked slanted from the side (higher at CF than at the side). Urgh.

So, tommorrow, Plan B:

I’m starting from scratch. I’m going to try Connie Crawford’s custom draping sloper making method. I got these really old pattern-making nonwoven interfacing I can use. It’s lined with 1″ squares. I’m hoping that will help keep my future bustline and CF squared.

Wish me luck!

Big Bertha: The Sloper Origin

So how did I ended up with that lopsided sloper? Well, Big Bertha is to blame. She’s my Saviour and Tormentor.

World, meet Big Bertha. Big Bertha, meet the World.

Big Bertha in her everyday muslin shift. This was based on a left-right average of the lopsided sloper I showed in the previous post. And that was based on muslin draped to follow her every curves (and also half-heartedly the instruction in Draping for Fashion Design).

I had previously tried a thin jersey cover. But that was no good as it stretches everywhere. And the whole reason why a sturdy stable cover is indispensable – apart from aesthetic reasons – is because Big Bertha’s thick duct tape skin gums up all my pins. Worse still, instead of stabbing her, the pins were pushing back into my much softer cushier finger pads. So I was getting absolutely no use out of her. I needed the fabric cover to pin onto.

As for the cover above, it looks reasonable enough. But I’ve since discovered that left-right average isn’t always the best way to solve lopsidedness problem. Especially when it comes to shoulders.

Big Bertha getting raunchy…

Big Bertha naked is white duct tape wrapped onto of some old fitted T-shirt, and stuffed with toy stuffing. Silver duct tape was just too industrial on the eyes. Looks like a mummy doesn’t she.

I got my BF to wrap me up. The whole process did take a few hours as you know men can’t follow instructions! So if you make one be sure you go to the loo first. Because you’ll be stuck: can’t sit, can’t walk, and of course can’t go to the toilet.

Mine’s obviously wrapped up only to the shoulder points and down below my bum. But I’ve seen somewhere pictures of others who made a whole body from head to toes!

OK, maybe not the head. Though Leah Crain, who I bought the Duct Tape Double  instructional booklet from, did have a picture of hers with a mad hatter’s display head stuck on. It was a bit creepy though. I worried I’ll frighten myself when I get up in the middle of the night to go to the loo. So headless Big Bertha shall remain. Though I do have a book on hatmaking (From the Neck Up: An Illustrated Guide to Hatmaking) and have been very tempted to get hatter’s blocks.

Big Bertha in pieces

I told her strip tease always ends in tears. But would she listen? Of course not!

So here’s Big Bertha dissected, showing the stand that is her spine.

It was the bottom part of a Rubber wood coat stand I got on E-Bay. But you can also buy it off Amazon.

I ditched the top parts and used the base which reminds me of old fashion dressmaker dummy stands.

Unfortunately it wasn’t sturdy enough. Big Bertha is denser than you can see! The joints cracked under her weight and I had to patch the joints with wood fillers. Hence the unsightly discolouration in places.

Keeping Big Bertha standing…

She has a cardboard tube running inside her for the pole to go into. But it was bigger than the coat stand pole.

So I had to wrap several layers of cardboards along the pole, kept in place with – you guessed it, more duct tape.

The screw eyes just below the torso are to control the height. Twist the eyes flat and Big Bertha’s down to my level in normal walking heels. Twist the eyes vertical, and I’d have to get out my highest stilettos to see her eyes to eyes. Except she’s got no eyes. Deliberate of course!

What the birds see…

On the top, the solid steel handle of the wooden hanger I used as her shoulder frame pokes out of her neck. It wasn’t intentional, but it actually looks rather fetching. And if you have a hang-man stand, you could hang Big Bertha  from the neck. I wouldn’t do that to her of course.

If you want to make yourself one, I do recommend checking out Leah’s Duct Tape Double website and her detailed instructional booklet. But do keep in mind the gumming up problem.

Next time I make one – and it’s only a matter of when not if,  given the imminent middle age spread – I think I’ll try Connie Crawford’s paper packing tape version detailed in her Patternmaking Made Easy textbook and see if that gums up less.

Big Bertha wants her vintage wannabe
dress dummy cover & she wants it now.

Although the muslin cover has worked better, it still shifts and stretches a bit. A sewer at a London Meet Up suggested using ticking fabric, more commonly used for  mattresses and corsets.

I got the fabric. I even stained it with tea to give it that antiqued look.

But I just haven’t found the courage to make a simple new cover for Big Bertha. Because perfectionism stands in the way. But I’m changing that. S…l…o…w….l………y!

So dream on Big Bertha!

Dress Form Quest: The Big Bertha Prequel

In keeping with latest cultural trends, next up is of course a prequel to a prequel. So, how about a survey of dress form options I considered before settling on Big Bertha?

Now, you must understand, I have two criteria for my selection:

Aesthetics   &   Intended Purpose

Having been artsy fartsy most of my life, and having a job that requires none, I simply couldn’t stoop down to an ugly dress form in my leisure time. But on the other hand, my job has drilled into me Function Function Function (over Form – those damn artsy fartsy creative w**ker types! ;-). So  I can’t settle for pretty but useless dress forms either.

Here are the Rejects:

Ready made rejects

1. Adjustable dress forms

Reject Reason: Aesthetic Atrocity.
And now I find out from a Did You Make That? blog post & Connie Crawford’s Pattern Making Made Easy book another defect: gaps in places when you adjust the form to your measurements. Pros: if you sew for others, it saves you having to make & keep multiple forms. But then I’m in the Cult of Elaine (sorry Selfish Seamstress, “Cult of the Selfish Seamstress” just doesn’t have the same ring to it), so this is no cup of tea for me.

2.Professional dress form + padding out

Reject Reason: Black Art. (+ expensive!)
These are of course very aesthetically pleasing. I drooled over…

  • The collapsible shoulder version.
  • The leggy version.
  • The Project Runway  version with bum cheeks.
    (Why do sewing patterns still pretend they don’t exist? Where I work there are lots of finance / City types, and a lot of the girls look curvy yet professional in their bootylicious skirts and pants. Come on pattern companies, move with the times!)
  • The Japanese real average body dress form. These are designed jointly by Bunka Fashion College and the Digital Human Laboratory. They’re based on actual measurements of the college’s students. So they reflect real figures (dress form on the left) rather than the idealised figures used in most professional dress form (dress form on the right). I like the scientificness of this, but it would still not match my real figure. The Fashion Incubator blog has a whole discussion about these forms.

Out of the box these are all utterly useless, not to mention expensive. And sculpting with wads of cotton batting seems like a Black Art. Fabulous Fit does have a fitting system that’s meant to speed this up somewhat. But even then it’ll take ages, if ever, to get it exactly right. So one for those genetically blessed with a standard figure & measurements. Not for me.

3. Uniquely You

Reject Reason: … actually I had one of these long time ago.
This one you get a form roughly your size plus. You fit the skin-tight cover on yourself (with a pair of extra hands of course). Then the cover reins in the extra bulk. So theoretically this should be perfectly you. But it does have ugly legs. And it’s not exactly cheap either.

And you really need a dress-maker friend whose hands you’ll be borrowing. BFs and hubbies probably won’t do. (Mine is long gone, abandoned across the pond. Which is just as well since I’ve gained a few pounds and a couple of pattern sizes crossing the pond.)

Update: I just found this blog post with great pictures and discussion about fitting Uniquely You. Check out her video of unpacking the form. Hilarious!

Custom made rejects

1. Molded papier mâché dress form

Reject Reason: My days of mucking about are over.

The process is just too messy, complicated, and time-consuming. I simply don’t have the patience to watch papier mâché dry!

You have to cast a mould first using plaster tape. I read in a Thread article some poor woman ended up overheating and fainted – plaster supposedly release heat when drying. So unless you’re quick with the moulding…keep the smelling salt at the ready.

And after all that you still have to build up your form in sections, then glue them together (see picture above)…See what I meant by mucking about?

2. My Twin molded polyurethane foam dress form

Reject Reason: My days of getting high on fume are also over.

The end result does look quite good. But again, the  process is messy, and presumably also fummy.

Again you have to cast a mould first using plaster tape. But then instead of using papier mâché, you pour this expanding liquid polyurethane foam into your cast. I can smell the toxic fume already!

3. Standard paper tape dress form

Reject Reason: Armadillo.

This is similar process to making a Duct Tape Double, but you’re using paper packing tape. The one shown is the type that you have to dampen to make it stick. I don’t know how strong that would be, so how form-fitting you can make it. But presumably there’ll be no sticky pins problem pinning into this.

But my main gripe is with the Armadillo look. Presumably the tape isn’t very flexible, so the edges sticks out where your body curves away. So No! on aesthetic ground.

Having said that…I just discovered a variation of the paper tape dress form that I might try next time, which is:

Not yet a Reject:

Connie Crawford’s hybrid paper tape dress form

Non-Reject Reason: I don’t want gummy pins.

This I found in my copy of her Pattern Making Made Easy book. The end results looks decent enough. I’m hoping paper tape won’t leave sticky residues on my pins, and will be easier to stick into than Big Bertha’s thick skin. Here’s a DVD sample on YouTube:

And some picture of the end result from the book…

But for now, Big Bertha will do.

 I’ve invested too much to give her up. She’s my girl, thick skin and all.