Nakkashi Euphoria 11042 slim trousers

Putting my new Slim Pants Block straight to work now. First up is Slim Capri in the pants fabric from the Nakkashi Euphoria 11042 Anarkali outfit I ordered from India a while ago.

Style Shots & Mug Shots

WORN WITH: 1-2 Self-drafted Nakkashi 5036 choli top + Agnès b. Hommes shirt; 3 Burda 2016-08-125 stripe front tie T; 4 Self-drafted Nakkashi 11042 anarkali tunic & dupatta shawl;

The Design & Pattern

Design Inspiration:

You can’t see much under the tunic in the photo. So apart from a slim silhouette & capri length I had to make up the rest. I decided on fly front with button closure for a more yin-yan look. Would have added pockets and belt loop as well, but the fabric doesn’t have much give and frays badly. So I omitted this to keep the silhoutte slim and avoid tears during construction.

Block Used: Slim Pants/Trouser Block

 

Changes Made

  • Design: Mid-rise, F side dart, B 2 darts, capri length, Fly front, no pocket.
  • Fitting: To accommodate lining bulk & my middle age spread, added ease by sewing approx 1/2″ SA instead of the 3/4″ SA added to the pattern for side seams & inseams. This gave me approx 7/8″ extra ease at the waist tapering to no extra ease at the bottom of the legs, almost 1/2″ extra crotch length.

Fabric & Notions Used

Construction Notes

  • Interfaced waistband, front fly extensions
  • The Jacquard & lining both fray badly, so had to overlock as soon as the pieces were cut.
  • Stretched bias edges – inseams, leg side seams, back crotch fork – as much as possible, which is not much in this fabric with no give.
  • Because of the angles of my crotch points, it’s easier to sew the inseams first, then crotch seam. This does mean it’s not possible to fit the inseam as I sew (like suggested by Pants for Real People).
  • Sewed side seams & inseams with 1/2″ seam allowance instead fo 3/4″ tapering back to 3/4″ at hem.

The Verdict

Not the most comfortable slim trousers thanks to the fabric. I reckon it’s synthetic. There’s also not much give. So despite being almost the same pattern as my Slim Pants Wearable Muslin 5 (apart from waistline), this pair feel more restrictive. Of course I would finish something a bit thicker & not so breathable just in time for a heat wave. I still have a fair bit of the fabric left. I think a skirt or dress with more ventilation may be a happier match.

On to the next pair!

Closet Case Ginger Jeans High- & Mid-rise

My RTW jeans are on their last legs. So it’s Ginger Jeans time again. The last couple of pairs – my first jeans-making ventures – are great success judging by how frequently I wear them. But this time I need black versions. Actually I would have preferred grey. But the stores just don’t seem to want to sell me grey. So black it is and I’m hoping they’ll fade fast.

The Pattern

Mug Shots

Size Used

Size 4, as recommended by the sizing chart.

Changes Made

Fitting changes

The last two pairs I made were pretty good. So the fitting changes I made last time were the starting point of this batch. I did tweak a couple of things:

  1. Crotch: There was slight pooling at the front crotch on last two pairs, though after washes the pooling disappeared temporarily. This time I tried taking a small wedge off at thigh level (1/4″ at inseam tapering to nothing at side seam). The tilting made the front crotch extend beyond the leg a little bit & I end up shaving this little bit (made Front  Crotch shorter). Shaved off similar amount from Back Crotch as well for my thinner thigh.
  2. Lower legs: The last two pairs twisted slightly & was very snug because of my big calf & how X are stacked. I widened Front Leg below the knee – a bit more on the inseam than the side seam.
Design changes
  • I didn’t like the constantly falling down feeling of the low-rise jeans, so this time both pair were based on high-rise View B. But for one pair, I lowered the waist by 1″ for a mid-rise version. Front Leg (A) was shortened at the waist. Back amount was split between the Yoke (C) and the Back Leg (B).
  • For the mid-rise version I also added flaps to the back pockets based on one of my soon-to-retire RTW jeans.

Fabric & Notions Used

Construction Notes

  • Mostly same as last time. But I revised my construction order slightly as it wasn’t as efficient as it could be (see updated PDF Consolidated Jean Sewing Checklist). There was also extra steps for the back pocket flaps (not in the PDF checklist).
  • For back pocket designs I used the Reinforced Straight Stitch (triple stitch) on my Husqvarna Sapphire to make the black-on-black design stand out a bit more.
  • For button holes I went with keyhole shape this time. The thick stem of jeans buttons didn’t like the straight slits of the Heirloom Buttonhole stitch I used on my last two pairs. (That is the stitch on my sewing machine recommended for Jeans.) They wore the stitches out too quickly. The RTW jeans all seem to have a slender tear-drop shape. I don’t have anything similar on my machine. So this time I went with a keyhole shape using a combination of Heirloom Buttonhole stitch for the straight portion of the keyhole & hand buttonhole stitch for the round hole bit.
  • My button & rivet attachment skills are still a bit rubbish. The button tool kit that came with the buttons I used this time did help with the button setting. But I didn’t have any tool kit for the ring rivets, so wasted several pairs when the posts went in slanted. Thankfully I didn’t have the problem of the post poking through the ring rivets that I had last time. These posts are less pointy, and maybe using the button die base to support the rivets also helped a little. I did also added a couple of scrap denim layers to deal with problem of the posts being too long instead of trimming the posts. However for some reason I always seem to have problem with the left front rivets. It came off one of my last batch, and same thing happened again with this batch during the first wash. Come to think of it, all the wasted rivets were for the left front too! Next time I’m going to try donut buttons & nipple rivets I bought from Citron Jeans in Japan (also available on Etsy). They both come with hand tool kits. If that doesn’t work better I might try DM Button’s Jeans Button/Buttonhole & Rivets service. – it seems like London’s answer to NYC’s Jonathan Embroidery Plus that the NYC sewing circle raves about.

The Verdict

Not so great. These new pairs are too tight! Because I did gain a bit of waist flab recently, I made sure to try these on before top-stitching the inseams & side seams. They were fine then. But after I finished them, threw them in the wash at low temp & line dried them, they came out too small. I couldn’t even button up. And this was before I even worn them once! Arrghhhh. (Yes I did pre-wash & even tumble-dried the fabric at least a couple of times before making these Gingers.)

After a few days of torture attempting to wear them in, I was able to slowly zip further & further up, and eventually button up. But I’m definitely getting the muffin-top with these, unlike with my previous Gingers. And they’re also not as comfortable as those old pairs either. These sit much closer to the body at the crotch giving me that constant wedgie feeling. Not sure if it’s the slightly shorter crotch or the fact that the too tight waistband went seeking for a smaller circumference further up (the waistline on these are not at the smallest bit of my waist), thus pulling the crotch up with it. The front waistband also twist a bit.

I think my woes may partly be caused by interfacing the wrong part of the waistband. Unlike last time, I interfaced the quilting cotton facing instead of the stretch denim outer. The quilting cotton is probably already stable (ie not stretchy) enough. This may have left the facing too constrictive & the outer unstable enough to twist.

Unfortunately there’s no easy way to alter these pairs. Because the waistband is cut with no side nor back seams, there’s no place to let out. I would have to replace the whole waistband if I want more comfort. Or do more waist exercise to lose the flab!

Note to self for next time:

  • Use the stretch denim for both waistband facing & outer, and interface the outer with knit interfacing. Hopefully even with top-stitching the stretch denim will be more accommodating than interfaced quilting cotton.
  • Cut waistband with CB seam to allow alteration in case waist continue to spread.

 

Choli Blouse Block Odyssey part 1

Back in July 2017 before I gave in to the middle age slump…


With so many beautiful choli blouse fabric in the Stash I really need to get some pattern block for choli blouse sorted. And I have in fact been working on it for ages. So much so that I now have way too many pattern pieces, muslins (wearable & not), & mug shots to confuse me never mind you…argh! Long story short, no cigar yet. But I have a hypothesis with 2 more pattern drafting approaches to test. On to the nitty gritty…


My 3 requirements for Choli Block:

  1. Bust support lift & shaping: Depending on the back neckline design, I may not be able to wear a regular bra with my choli. So built-in bust shaping / support would be nice. But it needs to work for woven fabric & not constrict breathing.
  2. Stay-put neckline: Allow low / open front & back neckline without the top falling off the shoulders
  3. Fitted sleeve mobility: Allow arms up & forward without excessive sleeve width & winged effect on short sleeves


Experiments based on
K. King moulage > top block

Since I already had a top block that seems to fit alright I thought I’d get better results using that as the basis for my draft rather than follow the relatively less personalised authentic Indian instructions. (Typical Westerner!)

Well, it didn’t work out so well.

Wearable Muslin 1 >
Gajiwara 7384 Wannabe Choli with home embroidery

  • I tried to raise my ageing bustline unsuccessfully. It was only like 1/2″ higher on my pattern. But I think my custom embroidery shrunk the pieces despite being stretch taut on a frame frame. And because I was worried about metallic embroidery thread being scratchy I didn’t extend the embroidery far enough into the seam allowance to allow me to let out at the shoulder seams. I ended up with some draglines in the upper bust area for my big day. (Did let out what I could afterwards. But there wasn’t much seam allowance to fix it entirely.)
  • Lowered neckline (aka unintentional off-the-shoulder look) wasn’t an issue in this version as I used the cross-back ties that one finds in many authentic Indian choli.
  • But limited sleeve mobility was an issue despite a moderately shallow cap. The bit that feels most restrictive was mid arm joint height, as if the cap area wasn’t wide enough.

Wearable Muslin 2 >
Nakkashi 5036 gold embroidered Choli

  • I had to tweak my personalised pattern to fit the ready-made embroidery, which is presumably shaped to work with standard Indian pattern-drafting. Eg the allowance for back waist dart is smaller than my back waist dart, so some of mine had to be pivoted to the back cut-out area. In other areas I had to twist the fabric slightly to fit my pattern, or even patch a bald area with embroidered scraps.
  • Bust & neckline not an issue here as I didn’t attempt to lift the bust & this design has a back cut-out rather than lowered neckline.
  • Sleeve mobility wasn’t too bad, but comfort was my main issue here. I made the cap even more shallow & wider to increase mobility & tapered the sleeve width more sharply to minimise the winged look. The result was the heavily embroidered underarm areas getting too close for comfort. I felt like I was holding something with my armpits! Again had to suffer through it for a friend’s wedding, but redid the sleeve increasing the cap height (by shortening the sleeve seam length) & removed as much embroidery from the area as I could. Wearable. But now the sleeve’s more restrictive. So I wouldn’t reach for it naturally.

After armscye alteration…

 

More muslins & research…

  • Stay-put lowered neckline:
    • Tried the instruction for lowered F&B neckline from K King’s Moulage book. It was a method devised by his Indian teacher. Didn’t work for me. Actually made the shoulders slip off even more easily. Maybe I didn’t follow the instruction correctly?
    • My patterns had the back neckline at shoulder blade width, but the muslin necklines all spread out more widely. Perhaps it was too much to ask the neckline to stay put at the shoulder blade peaks?
  • Sleeve mobility:
    • Tried cutting sleeve on the bias. Sleeve looked marginally less wrinkly, but made no noticeable difference to mobility nor decrease the winged look.
    • Tried on a me-made choli based on older bodice block for comparison & was surprised to find that it actually had better sleeve mobility without excess sleeve width & winged effect. I had thought the shoulder slope & sleeve cap fit was off on that version, causing excess fabric folds pointing to armpits & draglines from centres of neckline as if the sleeves were pulling the neckline outward. Comparing the latest sleeve draft to that choli (don’t have the pattern anymore) that earlier sleeve shape was actually closer to my immobile fitted sleeve – cap taller & narrower than my latest drafts…WTF!?!?!

Janus Post 2-for-1! (2016 & 2017)

First thing first:
Festive cheers to you all!
Hope you all enjoyed your year-end holidays
whatever festive occasion you were celebrating!

Now getting back to business…Oops. Don’t know what happened there. I tried. I really tried. But my blogging mojo went completely MIA. Sewing mojo wasn’t as bad, though I did run out of steam towards the end of the years. And I don’t know whether I was just feeling blah in general, but most of my makes these last two years feel like misses in one way or another judging by the fact that I haven’t been wearing most of them.

And now I might have to ditch some of them altogether because came my birthday this year Muffin Top / Swimming Ring move in. I was on the road at the time and all the skirts & pants I had with me suddenly became too tight at the waist. Not sure whether to admit defeat & start sewing for my new figure or fight it with better food habit & exercise. I’m pessimistic because I am approaching menopausal age and that’s when my Mom filled out too. Don’t get me wrong, it’s not the fuller figure that bothers me (as long as I still feel healthy & pain-free), it’s the change…and all the wasted effort to perfect the fit these past few years. I’m not good with changes. I’ll be crying over the favourite pieces that I can no longer wear.

Looking (Way) Back at 2016

2016 Total: 14 makes
Garment types
2 Accessories
1 Jackets
2 Pants
3 Skirts
1 Sweaters
5 Tops
Pattern brands
9 Self-drafted/-draped
3 Burda
1 Style Arc
1 Vogue

2016 was a year of endings and new beginnings as I paid tribute to my Mom in Jungle January and got married in India-inspired bling by end of the year. I also dip my toe into pants/trousers-making and made more of an effort to shop my Stash. Sadly I only managed to use up 2…out of my 375+ pieces.

The winners of 2016 …

Based purely on wear count I would have to say the winners were the Stripey Tops and the Orange Fluff Sweater & Jacket. Can’t beat the stretch comfort of knitwear with just enough design twists.

And the 2016 misses…

  • Burda Trousers. Because it’s too uptight & the fit is still not quite right. The front crotch bubble makes me blush. The waist had no breathing room even back then before I got my new midriff insulation. And it’s hemmed for heels – too dressy & torturous for these couple of comfort-seeking years.
  • Choli Blouses. Mostly because of limited sleeve mobility & comfort. What’s a choli blouse if I can’t dance (badly) in it right? It’s a real shame I didn’t perfect the fit before I made these two choli blouses with beautiful embellishments – one of which took me ages to embroider myself.

Looking Back at 2017

2017 Total: 19 makes
Garment types
2 Accessories
1 Jackets/Dresses
6 Pants
2 Skirts
8 Tops
Pattern brands
16 Self-drafted
1 Burda
2 Closet Case

2017 was a year of the pants/trousers blocks. And refinement of my knit and choli top blocks. There were more muslins than I can remember. Many weren’t so wearable because of design or fit failures. Hence the lack of motivation to finish the blog drafts I started about these.

Blogging UFOs

2017 was also the year of the wraps. I took my own medicine & tried out the wrap approach to moulage-making. It started with the leg wraps and eventually a torso wrap as well. Shame my body decided to change shape afterwards, so how useful they will be I do not know any more.

The winners of 2017 …

Again based on wear count the winners have to be the Ginger Jeans – this despite of hardware failures (buttons & rivet that came undone). I will most definitely have to make more as my RTW jeans are all suffering from too much love. But I may have to alter for my new bigger middle.

The Bag & Wallet trial run also got plenty of wear. But the construction needs much improvement and my experiment with fabric lamination didn’t quite hold up as well as I’d like.

The Shawl Neckline T actually turned out better than I initially thought when I finished it. It’s such a classic & flattering silhouette that it got plenty of wear despite the less-than-perfect fit. I kind of regret getting rid of the pattern now.

And the 2017 misses…

Most of the other tops felt like misses as I couldn’t find inspiring ways to style them. The Burda top was my foray into loose boxy clothing. I thought I better start planning for menopause-wears. You know, for when hot flashes attack and the paddings pile on! But this top wasn’t it. I couldn’t rock it despite sizing down. Even after pulling back a bit on the boxiness with pleats I’m still not feeling this top.

But my biggest misses in 2017 have to be the ‘wearable’ muslins for the Slim-Pants block because of imperfect fit. The gingham ones I wear at home where no one will see the rumpled back thighs. The dark brown ones I will have to alter somehow – I went overboard with back crotch adjustments, so they actually don’t feel comfortable at all.

Looking Forward to 2018

I think I have the Slim-Pants and Choli Blouse blocks sorted. Kind of. Or as good as they’re going to get if still not perfect. And that’s assuming my figure doesn’t change much more and it won’t be too difficult to accommodate my new midriff padding. I should really make another wearable muslin for both.

But I have more pressing clothing needs to sew for. A lot of my RTWs need replacing, like coats & jeans. And I should really also start sewing in earnest for menopause. So more volume and layering, preferably in cool & breathable fabrics. Shame I have way too few plant-based fabrics in my humongous Stash. I promised DH not to feed my Stash, but…

And I probably should also finish all those blogging UFOs. We shall see if I can even remember enough details to finish.

What about you? What sewing promises will you be making (and maybe not keeping) for the New Year? xxx 😛

A bunch of Ts

Not much interesting sewing happening here lately. I still feel exhausted & low from last two years’ craziness. To keep Meaning-Of-Life questions at bay, I tried to keep myself distracted by replacing boring basics in the wardrobe & made a bunch of easy-ish T-shirts that refine my stretch blocks.

Dartless 0-ease Knit Block designs:

Dartless 0-ease Knit Block (+Set-In Sleeve)

1. Envelope neckline T with set-in sleeves

This is a straight replacement for a couple of RTW Ts that I wore to death. The pattern is essentially my Camden Town Kids Wannabe top minus the puff over-sleeves & the funky hem. I also tighten up a bit at the side seams since the cotton (+lycra?) knit I used for this version moulds to the body better, so can take on a body-con shape without draglines – unlike the totally artificial fibre fabric I used for the previous top.

2. Shawl neckline T with set-in sleeves

This is a wearable muslin for a T that was planned for Fall-Winter 2014 SWAP. Yes, 2+ year late. But it’s a classic silhouette. So who cares right? I could have reused the altered Vogue 2980 which I made back in 2012. But I was hoping to improve the fit at the bust & the back neckline by using my own Blocks.

For the shawl collar I used V2980 as a guide to shaping the pattern using my own Blocks. I cut the collar as an extension to the back piece rather than a separate piece – my fabric stinginess won the day again! But I ended up having to stabilise (with bias tape) & stitch down the facing side of the collar extension along what would have been the shoulder-neckline seam. 6 vs half-dozen blah blah [roll eyes].

As for the shawl pleating at the side seams, I tried to minimise bulk by pleating only the top layer (ie not the facing layer).

Like my take on V2980 I again added a shelf bra (this time with double layer of stretch net), with elastics at both the bottom of the shelf bra &  its seam with the front neckline.

The initial result was a bit disappointing. The main problem was a gapping front neckline: I didn’t account for hollow at the chest that affects the fit of a lowered neckline. I also ended the shawl pleating too high up at the side seams. This resulted in the pleating being barely visible & the shawl not overlapping the front neckline enough, thus exacerbating the wide gapping neckline problem. To fix this I tried redoing the armscye – side seam: I narrowed the front neckline (cross-front width) slightly at the armhole, and reduced the depths of the pleats a bit so the shawl can end lower at the side seams (bustline now). It’s a bit better now. But I’m still not 100% sure I’ve cracked this silhouette.

3. Strappy T

This – along with a matching skirt – was actually an afterthought tagged on while making T #6 below. But as it’s based on the set-in sleeve block let’s talk about it first. It started with liking the fabric swatch combination. Unfortunately the result didn’t turn out like my doodle promised. The contrast band end up more wrinkly than planned. And my short straight figure just doesn’t do my doodle any justice. Last but not least, my attempt at built-in bust support with a darted shelf bra (as suggested by defunct Pattern School instruction for a Tankini) left an unsightly visible seaming bump. So a bit meh.

Raglan Dartless 0-ease Knit Block designs:

Raglan Dartless 0-ease Knit Block

4. Raglan short-sleeve T

This 2-bird 1-stone T attempted to use up the last scrap of cotton (+lycra?) knit from 1 above & retest my tweaked Raglan Dartless Knit Block at the same time (Test 3 in my previous Raglan Knit Block post). I had problem with the armholes feeling too tight – riding up against the armpit – despite the Block being derived from a set-in sleeve version which fitted fine. So I tried simply lowering the armpit a little bit. It’s been a while since I made the tweak, so I wanted to test the fit again in this forgiving cotton knit. No luck. Wearable, but the armpit is still a tad too close for comfort & the bodice still rides up slightly. The neckline is also a bit smaller – sit higher than I thought it would.

It’s good enough to wear, but not successful enough to make again.

5. Tweaked again Raglan T muslin 1

This time I tried adding length to both the raglan bodice & sleeve about mid-way up the armscye. This does seem to work better comfort-wise. But as the fabric I’ve used for this one – thin cotton jersey & lightweight power mesh – are both quite stretchy anyway, I won’t call this tweak a success just yet.

The design was inspired by Clio & Phineas’ cool cat V8670 Raglan T made with Alexander McQueen pima cotton jersey. I really lusted after one of my own. Then I was gifted the gothic looking black & red print by Giselle of London Dressmaker Meet-up Group. When shopping my stash for muslin victim I thought this might just about capture the spirit of Clio’s cool cat Raglan T. And I’m quite chaffed with the result, even though I haven’t got anything to wear it with.

6. Tweaked again Raglan T muslin 2

Exact same pattern as T #5 above. Wanted to test the pattern on a different knit. This time a less malleable artificial fibre knit. The very same fabric I’ve made a raglan T in before – Burda 2010-02-112. I got way too much of this fabric that was on sale, & that older raglan T is getting a bit tatty. Just the chance to replace & test my tweaked Raglan Block at the same time. Gosh I love my 2-4-1s!!!

To jazz this up I again turned to gold stamping/painting Queen B on the back, swarm of worker bees on the front, & barcodes at the wrists. Unfortunately my initial attempt resulted in a poorly positioned worker bee on the front bodice. For a moment I thought I’d just own it like a proper feminist should. But I chickened out & invited more bees to disguised the mistake. I don’t like the resulting mess of a print as much, but hopefully it’ll make the T more wearable.