top

Follow-up on 2015 Wadder no.1

Leave a comment

Thanks for all your compliments on the beach cover-up that didn’t quite work! It’s amazing how a beautiful fabric can make one fall in love with a garment warts and all isn’t it?

Although I haven’t fixed it yet I now have a plan.

  • As I hardly ever go on beachy holidays, I’m going to turn this beach cover-up into a dress/tunic that I can wear in London. I’ll have to add to the length. The pieces loped off the sleeves should come in handy now.
  • To make the dress/tunic more hardy I’m going to sew up the armpit-airing underarm – sleeve inner hem. The design worked for the sturdier fabric of the top that inspired this cover-up. But with more delicate fabrics the risk of sticking my head & arms into the wrong holes and tearing the fabric is too great. Once the holes are closed up there’ll be less chance of this happening.
  • As extra insurance, and to make this translucent fabric more city-friendly, I’ll underline it with a georgette, which might also make the dress more drapy and silhouette elongating.

I’m in no hurry though as it’s still chilly in London.

Instead I’m working on classy replacement Breton Ts that I can wear at home & work. The Burda 2010-02-112 I made a few years ago is well worn and grubby. Her sister Burda 2010-02-122 had already been donated because the neck opening was too big to stay on my shoulders. So I’ve been messing with Dartless T Block again and making a wearable muslin in a less prized stripy knit. I should finish the muslin today & hopefully be able share the experiment findings soon. I’m cautiously optimistic that this one will turn out well! 🙂

Designer Love Child Wannabe Python peplum top

4 Comments

With pretension to be the Love Child of Vivienne Westwood & COMME des GARÇONS it’s no wonder this last snake was a Diva from the very start. After the first few seams it all became a blur. So forgive me for just jutting down what I remember & not making much sense.

Style Shots & Mug Shots

Look Ma! No wardrobe malfunction!

WORN WITH: 1-3 Burda 2011-08-121 skirt; 4 Altered drindl skirt; 5 TopShop skirt.

The Design & Pattern

So here are the inspirations…

Vivienne Westwood S/S 88
Comme des Garcons S/S 87
Comme des Garcons S/S 87 Wannabe

I’ve always loved Vivienne Westwood’s adaptation of historical costumes & traditional tailoring with a twist of punk. I had this top bookmarked in a book on VW I own for ages. I thought the drape might be a great way to feature the New World Snake. Forgive my ignorance about the different types of corset…Is this 18th century corset style? Anyway, I was hoping it’ll give me some cleavage along with ever enticing cowl drape. Sleeveless wouldn’t be so practical for me since I’m a tropical baby. And waist length again would leave too much cold inducing belly airing. So I decided to add this side peplum detail from my early love – Comme des Garcons S/S 1987 collection. I had attempted a Wannabe before (shown by the sketch, the very wearable result long lost in the move across the Pond). I like how the peplum emphasizes the waist where it’s most visible – at the sides when viewed from the front/back. And I like the extra kinks of drape on either side of the center panels.

For the pattern, I adapted the instruction in Waisted Efforts: An Illustrated Guide to Corset Making for a 1690 style corset. The reviews for the book on Amazon weren’t great. But I bought the book in a bookshop way before Amazon. And I’m glad I did. I like the fact that it’s written for theatrical costume designer / patternmaker & focuses on pattern-drafting. I like that while it covers historical info it’s practical, taking into account that actors need to be comfortable enough to move & perform. And that actors come in different sizes & shapes. So creating a custom “French Block” (looks exactly the same as a Moulage!) is key. The patterns are derived from the “French Block” so again customized. I don’t think French Block is the same as sloper drafting taught in fashion schools as one reviewer said because most sloper instructions include wearing ease and seem to be drafted for standard (ie idealized) shapes. The French Block shown is skin tight and designed to fit all shapes & sizes – eg there was one showing rounded upper back adjustment. The inclusion of the French Block also makes these gridded patterns different from those found in other historical costume pattern books I’ve seen. Those give only one size. Here if you put in the effort you can figure out how to draft your own custom fit patterns based on your French Block rather than just scale up the gridded pattern. And the heavily punctuated, phrasy style of writing does not bother me at all. In fact, I find it much easier to understand than very very long sentences with no punctuation marks. Different strokes I guess.

Block Used:

My Kenneth King Moulage of couse!

Design Changes Made

I think this is a case of pictures worth a thousand words. So have a couple!

Drafting Prep
Final Pattern

Fabric & Notions Used

Construction Notes

Sorry, following are really just notes for myself & not intended as proper sewing instruction for you guys. The construction order for this was rather complicated to figure out.  So if I don’t write down what I do remember it’ll be a royal pain to recreate something like this again. If they happen to be useful to you too that’s great. The usual pressing, grading, neat seam finishing along the way applies if you want to try it yourself!

  1. Shell:
    1. Stabilize CB with interfacing. Sew CB invisible zipper, then CB seam above zipper.
    2. Sew & top-stitch Inner Front Princess seams, Back Princess seams.
    3. Sew Sleeve & Cuff Underarm seams, then Cuff right side to Sleeve wrong side. Turn cuff out & tack/stitch in the ditch at Underarm seam.
    4. Stabilize Front & Back necklines, Back shoulder seams with interfacing and/or Vilene bias tape.
  2. Lining: Overlock Inner Front Princess seams, Back Princess seams, CB seam above zipper.
  3. Back Neckline: Sew Back Neck Facing lower edge to Lining, then Facing-Lining neckline to Shell neckline right side together. Understitch SA to Facing-Lining.
  4. Front Neckline: Sew Feature Panel cowl facing edge right side to Lining right side to Shell wrong side, stretching cowl facing edge to match neckline especially at curves near bust. Understitch SA to Facing-Lining.
  5. Feature Panel: Turn Feature Panel out over the Shell Front. Baste Feature Panel shoulder pleats. Vertically ruch/gather Feature Panel between bust & waist on both princess seams. Baste Feature Panel to Shell at shoulder, armscye, outer front princess seams.
  6. Shoulder Seams: Sew continuous seam from Shell armscye edge to Lining armscye edge.
  7. Outer Front Princess Seams: Sew & top-stitch Shell Front to Side, overlock Lining Front to Side.
  8. Peplum: Baste Peplum to Shell right sides together, aligning Peplum upper edge corners with Front/Back Panels hemlines. The Peplum goes up the side of of Front Panel, then across the bottom of the Side Panel, then down the side of the Back Panel.
  9. Bagging Lining: Baste Lining to Shell right sides together from CB hemline, along the Peplum basting, across CF hemline, along the other Peplum basting, & finally the other half of the CB hemline – only CB zipper length is left open.
    Bagging the Wrong Way!
    Bagging the Right Way…Weird innit!

    Be careful not to baste the wrong way like I did initially! Test by turning the garment right side out. The wrong way looks enticingly tidy wrong side out, but is impossible to turn right side out! Go with the weirdly twisted right way. Sew along basting. Turn right side out. Top-stitch Side Panel waistline seam to CB hemline.

  10. Armscye: Overlock Sleeve to bodice armscye (Shell & Lining).
  11. Finishing up: Slip-stitch Lining CB to zipper tape. Understich CF & CB hem by hand (pick-stitch) to keep Lining from peaking out. All done!

The Verdict

What I like:

  • The cowl! I like the asymmetry. It looks more natural. I like that there’s a fair bit of drape, but from the side it doesn’t give me a middle heavy look, and the attachment to the fitted lining keeps it from exposing too much!
  • The peplum! Especially how it disguise my droopy bum by breaking up that long stretch of hollow small of the back.

What didn’t quite work:

  • The corset idea didn’t really work. The stretchy fabrics undid all the good work! (But makes the top much more comfortable to wear!) So no heaving bosom this time. Any cleavage will have to come from additional shapewear & chicken fillets beneath.
  • The top feels a bit too short. I can only wear it with high waisted skirts & pants if I don’t want to catch a cold. I think the negative ease might have caused the top to contract vertically while stretching side-ways. I still haven’t gotten my head around stretch fabric tension lines, hence this oversight. I think next time I will make it 0 ease (rather than negative ease) and/or add a tad more length.

Overall though I think it’s a good effort and a pretty top. So much more could have gone wrong! But taking the time to baste & try on saved my bacon even if it meant Ms Diva missed the Jungle January Party. I’ve been let off only after Photoshopping her into a lush Jungle with her her own pet snake. Phew.

Crouching Batwing Hidden Python top (Burda 2013-12-119)

3 Comments

The Sun has finally decided to come out in London today. So I can finally finish this post. Sorry to keep you guys waiting.

Of all the s Jungle January 2015 snakes this one was the most laid back and agreeable thanks to the ready-made pattern with a loose fit. It was the last one conceived yet the first one finished.

The Pattern

Originally I was going to make Burda 2014-04/111 asymmetric funnel neck top. But even the talented ladies on Russian Burdastyle couldn’t make this look comfortable & chic, with the asymmetry frequently too subtle to look like a feature & more often look like a sewing Oops. So I gave up on that pattern.

Thank goodness I had mentally bookmarked Tia Dia’s fabulous party bronze version of this cowl-neck batwing top before. I drooled over hers, not Burda’s. I hadn’t even bought this issue. Anyway, it now came in handy. I wanted drape. The original Vivienne Westwood dress inspiration had drape. The fabric craved drape. So this is perfect, even if it lacks the asymmetry that I liked in the VW original.

Style Shots & Mug Shots

Pirate! (Nod to Vivienne Westwood Inspiration)
Pirate! (Nod to Vivienne Westwood Inspiration)
Pirate! (Nod to Vivienne Westwood Inspiration)
Office Ready (Nod to Tia Dia)
Office Ready

WORN WITH: 1 Self-drafted skirt; 2 Burda 2011-08-121 skirt; 3 Burda 2012-04-128a dress; 4 RTW pants; 5 Self-drafted skirt

Size Used

Mindful of the generous ease & off the shoulder tendency that Tia Dia mentioned I graded down to a 34 (my usual size selection for Burda stretch garments).

Changes Made

1-patAlt-1

Fitting changes
  1. Short-Waist Adjustment: Shortened Front & Back Bodices at the same level (in this case bust) & narrowed Sleeve same amount at corresponding points at cap tapering to nothing at wrist.
  2. Forward Shoulder / Neck Adjustment: Shortened Front Bodice at cross-front level & narrow Sleeve again the same way as 1.

Now my adjustments to the sleeve might be unorthodox. I get rather confused about how to alter sleeve when I’ve made changes to the armscye – eg raising under arm, decrease front length at chest/cross-front, increase width at side seam, drop shoulder. Do you adjust the cap height, extend the sleeve seam length, extend the sleeve width, etc.? In this case, since I was worried about the bat-wing swamping me, I chose the two birds one stone approach of reducing width. There’s not much of a cap height to reduce anyway. This also saves on fabric required, allowing me to get more for my money. Me like!

Design changes
  1. Like Tia Dia I also shortened the hip band to high hip length because I like her version.
  2. I also raised the underarm seam / narrowed the Sleeve at armscye. Too chicken to go full bat-wing at waist level, this change raised it so that the bat-wing starts at under-bust rather than waist level.
  3. Shortened sleeve. My arm is shorter than standard. But this top seem to have extra long sleeve anyway – maybe as part of the drape design. Again, to avoid being swamped I removed some of the extra length.
  4. Narrowed/ensured the Sleeve has no ease at wrist so that I can also wear this with the sleeve pushed up to 3/4 length. I did this on the Back only to cater for my inward rotating arm.
  5. Mindful of Tia Dia’s warning about off the shoulder tendency I double checked on the B bodice where the shoulder seam starts & bring it in another 1/4″ as insurance. I was also prepared to add bra stays if necessary. But seems like my grading down to size 34 + the 1/4″ adjustment were more than enough to keep the neck opening on my shoulders.

Fabric & Notions Used

Construction Notes

For a change I followed most of the instruction given. The only deviation was location of the gap for inserting the waist elastic – I left a gap in the casing’s side seam instead of the casing top-stitching. I also overlocked most of the seams.

2-sew-detailsSome people don’t like how Burda finishes the neck edges, preferring bindings that mimic RTW. But I don’t mind it. The instruction gives a clean finish. It only looks homemade if you’ve been brainwashed by RTW on how things should look.

With troubled birthing elsewhere I was happy to mindlessly follow this top’s instruction. Hence it’s the first one hatched.

The Verdict

Yeap, I can live with this python bat. I don’t feel swamped in this, both size-wise and pattern-wise. The drapy fabric helps.

I don’t know if I would make more of these. How many bats do I need nesting in my closet at any one time? But it’s good to have alternatives to fitted tops. I would definitely make it again if this bat flies away.

I might need to fix that pooling of fabric at my hollow lower back though. It’s bad enough not having enough padding on my bum to counter balance that thickening boob / middle at the front. I don’t need no fabric puddle shouting about it.

Jungle Snake Pit The Origin

3 Comments

OK, this is what I would have brought to the Jungle January party if I had been more organized.

Jungle-January-2015

Yeah, it’s all fake. You would never find me near a real snake in this life time – too slimy looking. Damn you Pretty Grievances for enabling me to squander weeks on Jungle Makes & days on Photoshop Element Photomerge Compose instead of job hunting. I guess it’ll be pot noodles for the foreseeable future.

But I’m glad they’re all done now and The Stash is down 2 and a bit. I’m loving my Inner Scot and her mini-collection approach. I could never have squeezed 6 items out of these if I hadn’t done them as a batch to optimize cutting layout. I will go into more details about each later. But since they all use the same fabrics and the fabrics were the starting point for this lot let’s cover that off in one go shall we.

The Star: New World Python

cropped-2013-us-fabrics-93.jpgBefore I subscribed to Pretty Grievance’s blog I would not have had the courage for this mad print with a bit of everything: floral, damask, toile, paisley, and animal. But by her guiding light I now see how the craziest of prints can look great while having all the fun. So I took the plunge.

This mix reminds me of the Age of Discovery. All that heavy floral baroque prints, the conquistadors & their ladies. The Amazonian pythons sneaking up on them.

I got it thinking I’d make something like this Vivienne Westwood jersey dress I saw in the store.

c0e71f1a9d6c56c02259f36166b9709dI liked the asymmetric drape & sleeves (one side has drop shoulder with wider bodice). The fabric had similar drape & hand. But this catalog photo looks so unappealing that I was put off the idea. In any case I was too chicken to commit to a whole dress in this busy print. So I ended up using it mostly as feature panels. Plus one whole top as a compromise. Baby steps.

The fabric from NY Elegant is a wool / polyester / spandex mix according to my illegible notes (the NYC fabric stores aren’t so good with detailed descriptions). It has a really lovely hand similar to challis, and is warm & soft with not a bit of scratchiness. It stretches about 40% width- & length-wise, but sews easily with the aid of a walking foot. It does curl a little bit, so I also spray startched it before cutting & sewing. I bought this back in 9/2012, but it was still on display when I visited again in 10/2014.

Supporting Cast: Snake Bite Bandages

Now this light stone rayon/spandex “Morgan Crepe” from Tissu Fabrics was a bit of a disappointment when it arrived. I hadn’t intended to order yards of bandages. But that’s exactly what it looks & feels like. I was at a loss what to do with it.

So when I saw the Reiss bandage dress that Duchess of Cambridge wore to greet the Obamas I thought that was the answer. But being a more complicated pattern to draft it didn’t happen.

Then by chance it met the New World Python during one of my Get the Stash Out & Play Dress Up sessions. And it was opposites attract love at first sight.

vogue-floral-2 The cupid was this Dolce & Gabbana cardigan from a Vogue US clipping. Just the combination to tame the print while jazzing up the bandage. From there on the rest of the feature panel designs came tumbling out.

BTW, despite the humble look of the Snake Bite Bandages, like the New World Python it’s a pleasure to sew and wear. Equally soft, it’s heavier in weight, has the hand of ponte knit, and stretches about 30% width- & length-wise. And quite cheap too. I don’t think I will get any more, but I’m glad I managed to make something decent out of it.

So there you have it, the origin of this mini-collection of Jungle Snake Pit.

Wait! Wait for us Jungle January!

3 Comments
Jungle January 2015
Just as the gate is about to close on another year’s Jungle January,
my pet Snakes finally slither their way into the party…
This Year’s Snake & Last Year’s Snake
This Year’s Snake & The Year Before’s Leopard

Thank goodness the party’s held in the Americas, affording me a few extra hours to get them ready. This year’s Jungle Pets are actually quintuplets. Or maybe that should be sextuplets since I manage to squeeze a couple of scarfs in too. Unfortunately two of the batch didn’t hatch in time. So all you’re getting are these two + scarfs.

I really must start next year’s Jungle Beasts early…Like in Jungle June or July?