Fix It July: Pregger Wench no more

As I’m on a roll with the Fix-It’s…Here’s one that I couldn’t even bring myself to wear during MMM’15:

This was originally a RTW from a Camden Market stall. I actually quite liked the original. But because the bodice is made of stretchy knit without much recovery power, the combination of long skirt + gravity made this indecent to wear.

My first attempt at fixing this was an unmitigated failure. I wanted to keep the dress as a pull-on with no closure. But the China Silk/Habutai I used didn’t have the flattering clinging power of the original knit bodice. The resulting silhouette was F-U-G-L-Y, especially in the back.

My latest attempt at fixing this actually started January this year. I was hoping to finish it in time for a holiday in February. But when I tried it on for fit, the bodice felt too tight for a relaxing holiday. Plus there were too many new-to-me design features that I didn’t know how to sew up. So it went back onto the Fix-It Pile.

Fast forward to Fix-It June & July. I tried on the half-finished bodice again. I don’t know how, but the bodice now feels OK!!!??? Maybe recent stresses did what no diet can? 😉 Anyway, I felt ready to resume this Fix-It.

The Inspiration & Design

The funky A-line gore skirt has twill tapes inside on each gore seam which can be used to draw up the skirt into irregular bubble hem. It reminded me of this clipping of a Jean-Paul Gaultier dress from S/S ’91. So my initial design simply replaced the looser pull-on bodice with a corset style bodice.

But I clung to the original dress’ empire waistline, and this was a mistake. I looked like a pregger wench in the resulting dress. To avoid any well meaninged but awkward conversations about when I’m due, I separated the bodice from the skirt. I had just finished the Sari Top Fix-It, so was in a cropped top mood anyway. And you know how I feel about committing to a dress – I much prefer separates that give me more options.

In the same commitment-phobe vain, I made the skirt wearable at waist level and lower down when I’m in a saucy GoT mood! I suppose if I’m ever in a pregger wench mood I can always safety-pin the skirt to the top’s hem… 😉

The Mug & Style Shots

 

The Pattern

TOP:

  • BLOCK: Moulage Block (0-ease).
  • As this was meant to be underwired bustier style top, I started out with a skin-tight pattern. This is fine for the stretch lining, but then I got worried that having no ease at all in the outer non-stretch layer would mean another top that I’d never really wear. So I added some ease back in.
  • The cup was shifted towards CF slightly in the hope that it’ll give my wide-set girls the barest hint of a cleavage. (Not understanding how bra cups really work, I’m still holding out the hope that it’s possible to cajole the girls into gravity defying positions & shapes!)
  • The CF bust dart (which isn’t normally sew up) is pivoted to the princess line for closer fit at neckline. The bust point shifted up slightly and tinsy bit shaved off the cup princess seam below bust point all in the hope of helping my girls defy gravity.
  • Not shown: rectangular front closure modesty placket, bias binding for the hem, bias strips for the underwire channels.

SKIRT:

No patterns as this is just the RTW skirt with the top edge turned inside to create the casing for the elastic + existing draw-string.

Fabric & Notions Used

TOP:

SKIRT:

Construction Notes

TOP:

  • This is my first time attempting a bustier / long-line bra top. So many new-to-me details. I really should have tried a commercial patterns first. Doing it on my own meant brain freeze from juggling too many somewhat-relevant-but-not-entirely advices from scatter sources.
  • I roughly followed the instruction in “Create a Foam-Cup Bra” article from Threads 9/2014 (issue 174). The cup padding pattern was drafted without seam allowance, then the pieces butt jointed with zig-zag stitches. The cup assemblage instruction was particular helpful to get a clean finish at neckline and armholes.
  • After I decided to turn the dress into separates, I had to ditch the CF zipper idea. I went for hooks & eyes as it fits the bustier look. But I didn’t have any hooks & eyes tape in the right color. So they had to be sewn individually. And for modesty a placket had to be added beneath the CF opening.
  • Rigilene boning was added to the lining at side seams, underbust princess seams, & CF opening in the hope of further helping the girls defy gravity.
  • The hem was finished with bias binding and stretch stitching to aid breathability while preserving a tight fit. I’ve been using a hybrid of backstitch & slipstitch wherever I need a stretchy binding top-stitch that disappears into the ditch. It’s basically a one-step-backward (right side) -two-steps-forward (hem fold) slipstitch. I haven’t come across this in any of my sewing books, so it’s something I cobbled together for myself. Maybe I’ll do a tutorial on this. I also used it for the Mustard Many-Faced Skirt waistband.

SKIRT:

  • Although I could have just used the drawstring for the waistband, I added the elastic in the hope that it’ll help keep the skirt in place whether I wear it at the waist or lower down. I find that if my skirts aren’t fitted from waist to just below high-hip, then they have a tendency to spin around after a few hours’ wear. Since the skirt is A-line, so not fitted in this area, I’m hoping the elastic will grab on to my love-handles and keep the skirt in line.

The Verdict

My cups weren’t particularly successful. Or at least they didn’t do what I wanted them to do. The Fiberfill is too thin for modesty padding. My cup shaping probably isn’t right either as it leaves me with deflated pointy apexes & still droopy old boobs. But the ease I did add in does allow me to wear a proper bra under this tight top. So problem averted this time.

I’m not entirely convinced by my vertical seaming on the cups either. Most bustier tops seem to employ horizontal cup seaming. But this is good enough for now. If only I have a summery pedal pusher to match. And somewhere warmer to wear this in!

The skirt I think will be quite handy. I really should make more fuller skirt. Unless I’m working my day job, pencil skirts are a bit claustrophobic for my unladylike manners, cross-legged sitting style and all.

Fix It July: the Mustard lot

This lot was a bit of a bother. They required lots of unpicking. And lots of PITA unpicking at that (because of the stretch stitch used). Hence the continuation of my Fix it marathon into July. Let’s start with the least troublesome of the lot…

1. New & Improved!
McCall 6078 Cowl Neck T

This one just needed taking in at the side seams and shortening. It was a case of:

  • Picking the wrong pattern for my short-waisted torso. A loose but not flowy silhouette does nothing for my squarish upper-half. And I did have to wear this tucked in at the waist most of the time because of this second problem…
  • Thinking that I can fight gravity. I had to use the stretchiest grainline for the length of the top because I ran out of fabric. It was suppose to be hip length. But it grew & grew, but not enough to pass as a dress.

2. Emami / Bradbury Endless Dress
Many-Faced Skirt

This one needed the Shar-Pei waistband/tube-bodice circu… shortened because…

  • The yoga-style Shar-Pei waistband look better on a pooch than on me.
  • The Mighty Weighty Skirt threatened the Tube Bodice with wardrobe malfunctioning.

I may have shortened it a bit too much. Originally I was still hoping for a Shar-Pei-less yoga-waistband wearing option, as well as a decent cowl/turleneck poncho wearing option. Needless to say that didn’t work.

In the end I had to end the Endlessness of this dress & commit to a proper waistband with elastic inside. I had a hard look at my lifestyle and decided that I’m never going to wear it as a Caped Crusading Poncho, nor as a more impractical version of Hammer Pants – imagine going to the loo in that! It’s still has some shape-shifting ability, but all are variations of skirts & apron skirts.

3. Self-drafted Bandeau Tube
Ruched Bust Top + convertible straps

Original

the Original bandeau

This one is the diva of the batch. It demanded a piece of flesh from both 1 & 2 above. Even then, parts of it still had to be laid out on the wrong grain.

The Inspiration & Design

inspiration

the Inspiration

design

the Design

Yes, I seem to have a thing for ruched bust. Maybe it’s because despite my psuedo-D-cup, I still manage to look rather flat chested from the front. No push-up bra has ever managed to give me a cleavage. While the bandeau band reinforces my lack of curves, I do like this Victoria Secret ruched bust bandeau bikini top. The cinching at CF adds the illusion of a much needed curve. So I modeled my remake on this, but added a panel below to turn it into a more practical tummy covering top.

  • I also added a shelf-bra with clear elastic at top (neckline) & bottom (underbust) as insurance against wardrobe malfunction. I wanted a pull over top, but I don’t trust this fabric to recover from putting on/taking off the top.
  • To further prevent sagging I copied the VS inspiration & adding boning to the shelf-bra’s side seams.
  • The shelf-bra has vertical bust darts which are suppose to be more supportive, but unfortunately they’re kinda visible through the top layer.
  • I wanted to add bust padding for more modesty. But I couldn’t figure out figure out a way to do so without restricting the stretchability.
  • I also copied the VS inspiration’s option for detachable strap. But as usual I couldn’t decide and end up with two adjustable length straps to give me more options.

The Mug & Style Shots

The Pattern

  1. BLOCK: Stretch Pattern School Tankini Block for Stretchy Knits (-12%/0% ease). Since I want this wearable strapless, I thought the -12% ease block based on Stretch Pattern School instruction would be safer. BTW, I just managed to tracked down the author of Stretch Pattern School (patternschool.com). He’s writing a book that will contain all the info from that now defunct site plus more. I’m waiting for info on how to get on the notification list. Will let you know when I find out.)
  2. Pivot side seam bust dart into CF bust dart. Pivot additional 1cm from neckline to CF bust dart to ensure snug strapless fit (like the Stretch Pattern School instruction for ‘Palette Line Maillot/One-Piece’). CF bust dart will be gathered instead of sewn.
  3. Establish F&B neckline, hemline, & F underbust styleline.
  4. Separate F bust bandeau piece at underbust styleline, but extend CF up & down for additional CF gathering. (So both neckline & underbust styline become straight lines.) Remove additional 1/4″ width at CF to increase bustline tension & prevent saggy bust ruching.
  5. (During fitting, I had tweak the F bottom piece’s underbust styleline because I was getting excess fabric / bagging at CF underbust. I removed the pointy bit – what would be the bridge piece in a bra. The resulting underbust styleline is straight on the F pattern pieces, but curved when sewn up as intended by the design.)
  6. Drafted shelf-bra per Stretch Pattern School instruction forTankini shelf-bra:
    1. Using the same Tankini Bloc, pivot the side seam bust dart to waist seam bust dart.
    2. Establish neckline (this time CF curves down to busline) & hemline (underbust line).
  7. Rectangles for tab to cover the CF bust gathering / ruching, and for the detachable straps.

Fabric & Notions Used

  • Fabrics: All recycled from thebandeau tube + 1 & 2 above.
    • 4-way Stretch Viscose Cotton Lycra from Tia Knight/Tissu Fabrics.
    • Shelf-bra underlining: Lightweight Power Mesh from Tia Knight/Tissu Fabrics.
  • Clear elastic for neckline, shelf-bra bottom, and detachable straps.
  • Rigilene boning for shelf-bra side seams.
  • Strap notions: Bra hooks & sliders recycled from old VS bra. Hook loops at neckline: 3/8″ Satin Woven Elastic from Pacific Trimmings.

Construction Notes

  •  This is my first time using Rigilene boning. It’s not recommended for corsets with require sturdier construction to keep the soft bits tightly compressed. But for a stretchy top like this I just needed a little bit of shaping, so it seems good enough. Besides, I already had it in the stash.
  • To prevent the cut ends from poking I went overboard and used both options mentioned in Linda Sparks’ ‘The Basics of Corset Building’p21:
    • I slid the fabric portion down a bit to expose the plastic rods. Their tips are then melted using a tea light candle. The tips didn’t actually touch the flame – they started melting when they got near the flame. I flattened the melted tips a bit while they were still warm, then slid the fabric portion back up.
    • I also used scrap fabric to cover the ends after the boning has been sewn to the shelf-bra’s side seams.
  • To prevent the shelf-bra from flipping out, I had to tacked its bottom edge to the outer layer at the side seams and the bottom of the CF gathering / ruching tab. The loops for the straps to hook onto are sewn on before this is done so the stitches will be hidden from the outside.
  • I didn’t have bra straps in a matching color, so I had to make self-fabric straps. But as the fabric stretches in all direction, I added clear elastics inside to prevent them becoming too loose. I find this tricky as sometimes the elastic doesn’t lay flat & the strap gets a bit wavy. But once it’s on the body & slightly stretched this waviness isn’t so visible.

The Verdict

Was it worth all the trouble unpicking stretch stitches? I hope so. All three are more wearable now. Even the strapy top might be fine under a cardi or jacket for my relatively casual workplaces.

Yes, the fabrics are a bit ratty. But I like the color. And it makes the Environmentalist in me happier. We complain a bit about fast-fashion RTW being bad for the environment. But sometimes I wonder if we’re not just as bad since the process of learning to sew well may involve lots of failed projects and discarded fitting muslins. Plus the scraps from our projects might be harder to recycle especially if we sew with lots of different fibers. You don’t get the quantity of the same fabric that you’d get in RTW production waste. It makes me sad. So where possible I ‘upcycle’ my own makes despite having a huge fabric stash still waiting for their turn in the limelight.

Unravel-video-linkSpeaking of recycling…one of the sewing bloggers I follow (sorry, can’t find the post again for proper credit) shared a link to a fascinating documentary about an Indian community recycling our unwanted fast-fashions. It’s a short film by Meghna Gupta called Unravel. Some of these recycling ladies’ comments about the West are rather funny.

Watch it on a tablet or desktop as you’ll need to read the sub-title, but on a smartphone the timeline blocks the sub-title rather than disappear like on YouTube. Very silly.

Needle Bulk-Pack sources

A couple of you asked where I bought my needle bulk-packs. I’m not particularly loyal I’m afraid. I’d Google & Amazon & Ebay for the best price & convenience for a particular order. The two shops I’ve used when buying in bulk are:

Both offers free shipping to continental US for order $20+. (Schmetzneedles.com has $20 minimum order policy.) Both takes international order on their website. Worldweidner.com currently has a 10% off first order offer using coupon/voucher code “firstorder“.

For this particular order World Weidner worked out cheaper & more convenient because they had all the needles I wanted. It still was a big chunk of money, but cheaper than if I bought the 490 needles the usual way. My subtotal was $388.92, minus discount $38.89, plus international shipping $23.80. The final total was $373.83 (£237.85) or 76¢ (49p) per fancy needle. Yeah, I got lucky this time. I was expecting a hefty customs charge + 20% VAT (sales tax) + handling fee. But luckily the Post Office didn’t asked for any & I wasn’t about to argue with them! 😀

Xmas comes early!

Look what goodies came through the post yesterday!

IMG_20150625_181057
So far this year has been more productive than the last few. So I’m running low on a few favorite sizes of needles. I thought it’s about time I try bulk-buy boxes of 100. But what shapes & sizes?

It was really hard deciding. It’s just not practical to follow the sewing experts’ advice to choose the right needle & thread for each project. With a stash as big & varied as mine, I’d need a whole warehouse & lots of mullah to do that. Needle manufacturers & their rather generic descriptions & instructions don’t exactly help either. Like really, what is the practical difference between a Stretch needle and a Jersey/Ball-Point needle? What would happen if I use a Stretch needle on a jersey or sweater knit? Can you really spot the difference between the two? And if you can, can you explain why one would work better than the other for one fabric vs another? I sure can’t.

IMG_20150626_175731I do have a pack of Ball-Point needles, but I have not used a single one. Besides, various articles say to try Stretch needle if skipped stitches continues to be a problem even with a Ball-Point. So why not just use a Stretch needle in the first place?

Anyway, I checked my fabric stash for dominate types/weight of fabrics. I also made note of the needle types/sizes I used more often and those that languish unloved in my notion stash. Then I made the executive decision to only order in bulk the smaller sizes of Microtex (60/8, 70/10, 80/12) and Stretch needles (75/11).

Oh do not weep for the other types/sizes. I do have some in my stash. And as you can see I’ve added small packs of other types/sizes in this order as well. And yeap, I now have a spreadsheet to track this stash as well… 🙂

needle-inventory

Now the bulk-buys…For some reason the 75/11 Stretch needles came as 20 packs of 5/pack rather than a box of 100 like the Microtex needles. Which is a shame as I was trying to cut down on wasteful packaging. Of course Twin/Triple-Needles are the worst offenders, or at least the Schmetz ones are.

IMG_20150626_180726I mean come on, you can easily fit 3 such needles in a pack. So OK, they’re not cheap and maybe 3/pack will not sell well. But those of us who use twin needles in lieu of proper cover stitch will have to buy extras sooner or later anyway. In fact I splashed for 15 this time. You betcha I’m consolidating these 15 needles into 5 packs. Save precious sewing space at least even if it doesn’t help save the planet.

So what do you do with your empty needle packaging? I can’t think of a good way to recycle/upcycle them.

And do you think my 603 needles will be enough for my 865 yds of fabrics? (See, you’re not so bad after all! 😉

Now if only I have the right size threads in the right colors to go with these…

Fix It June: Tote the II Forever!

Next up on my Fix It list: My replacement tote that’s barely six months old.

Self-drafted Tote v2

Sadly poor construction quality is not limited to fast-fashion RTW. Tote I lasted me almost two years. So it was definitely a WTF moment when the handle tabs on Tote II started doing this:

5-broken

I thought the thicker faux leather would last longer. I was wrong. I’m not exactly sure what happened, but here are my suspects:

  1. 5-compareDifferent D-rings I used this time have rectangular wire profile where as Tote I had rounded wire profile. Combined with heavy grocery maybe the pointier edge acts like knife edge.
  2. Lack of tab reinforcement from woven interfacing. Can’t remember whether I reinforced Tote I, but Tote II definitely needed this. And it needed a stiff interfacing at that. For these softer tabs keep shifting to the extra pointy corners of the D-rings.

I decided changing 1 would be too much hassle, so 2 it was then. Apart from a layer of old woven interfacing, I stiffened the center bit that goes around the D-Ring with a double layer of Ban-Rol (precut interfacing for waistbands that won’t collapse heightwise). I bought these long before I discovered that standard waistbands don’t like  my short-waisted torso. Now it finally found a use!

The replacement tabs had to be hand stitched and the stitching shows on the inside of the bag. Not brilliant. But at least functional. And thanks to an old-fashion thimble and needle grabber, I managed to do it without spilling blood.

While I was at it I tried to enlarge the zipper pull too. Clio was right that Lampo zippers are some smooth operators. And Don Morin was right that a large ring pull is a plus for practical zipped bags. My Lampo’s pull was lamentably anemic. My stash & trash yielded no matching ring pull of any sort, not even a keyring. So I end up wrapping the existing pull with a scrap from the tab redo. Hopefully this tote will now last me a while longer.

5-fixed