From MMM to SPS by way of Nettie!

2015-04-27 update: I had to remove all the links in this post to the Web Archive version of Stretch Pattern School. Someone obviously bought the URL and is trying to make money from all the residual traffic for the site. It doesn’t seem right to let some greedy stranger profit from Mr Anderson’s benevolent effort.

As everyone know, it’s Me Made May. And I was tempted, but chickened out at the last minutes. If I were to wear every single me-made piece that I still own, then I might just about make it. But many are too summery for London at any time of the year, let alone this year’s unseasonably chilly May.

It did get me thinking about what I should make next / more of though. I have the woven top / dress & skirt blocks sorted, though I’m still missing sleeve block. But what I’ve been wearing more often are the knit Me Mades, especially the sleeved tops. And RTW jeans. Well there’s fat chance of me tackling the pants block any time soon. So I’m back to fiddling with my Fitted T-Shirt Block.

bs201209123mod1_4style_8Nope, the last version wasn’t perfect. The warts came out when I try to tinker with the design (from long to short sleeve). And that was like Take 5. (I obviously have infinite patience some things if not everything.) So at the moment I’m fiddling with Take 6. When I sort out Take 6 I’ll recap the attempts & hopefully include the result mug shots. (I find it quite frustrating to get fitting alteration advice that don’t come with photos of the results on real people. Drawings lie! Theories are not enough. I need proof that they work on at least some people if not every figure type out there.)

But in the meanwhile, Take 6 made me realize that I might have to live with the lower back puddle (also popularly known as ‘sway back’ wrinkles, though I’m not sure if I really have a sway back). Especially with a back that doesn’t have CB seam – which covers most T-shirt designs. Making the hip wider has no effect. Nor does shortening the CB in any fashion – the hem at CB just rides up. In fact, the only time the puddle temporarily goes away is if the hip is tighter and hem long enough to grab my hip / butt.

Nettie!

Nettie!

That got me thinking that maybe I should jump on the bodysuit craze started by Nettie.

(Actually, if my memory serves me, it was Donna Karan who first popularized bodysuit as normal wear in the 80s, and made them with crotch snaps so trips to the Ladies wasn’t a PITA. She also did hybrid blouson top with bodysuit bottom. How cool is that?)

Donna Karan 1980s bodysuitsDK Vogue Patterns 1961DK Vogue Pattern 2092

So, why bodysuit? The hypothesis being that adding the pants bit will pull the back down so it’s less likely to ride up and puddle. And this note on Stretch Pattern School kind of implies that, to me at least…

“…all tankinis will rise over time given the chance and there’s nothing you can do to stop it definitively…”

And speaking of Stretch Pattern School, I wonder if I should Nettie it or draft my own following the free instruction on Stretch Pattern School. I had initially dismissed the SPS patterns as they’re for swimwear & dancewear, neither of which I’d use often enough. Now I’m thinking maybe I should give it a go.

one-piece-patterns

Nettie would be more convenient – as I have relatively average figure, I think it might work without modification. But SPS would give me a Block + teach me how to make design & fitting changes properly. So I’m slightly more inclined towards SPS.

BTW, Stuart, the author / designer / patternmaker / teacher behind Stretch Pattern School seem to have retired & taken his website down. But you can still find a copy of most of the pages at Way Back Machine. The Lazy Person’s section probably doesn’t work anymore since the softwear generating the block for you probably is offline now. Also, Way Back Machine doesn’t seem to save complete version of the pages every time it checked the site. So if illustrations are missing (and Stuart does give step-by-step illustrated instruction for most patterns) use calendar back arrow at the top in the Way Back Machine box to go to an earlier version of the page. Usually you’ll eventually get to a version with the illustrations.

But the website was definitely worth a visit. There’s so much little gem of info there, some of which goes over my head at the moment – like all that jazz about tension lines! Other tidbits are fascinating, especially in light of complaints about ready-made stretch patterns not fitting. You’d think that they would be more forgiving. But Stuart points out that amount of horizontal negative ease in the pattern affects how many people the pattern will fit within each size. Also that as the size goes up, so does the variation in body shape. And that based on the data people entered into his website, he found more Australian size 6-10 B-cups getting breast implants than other sizes, which is an issue for pattern designers as implants affect the fit. And with C up and above, a dart, or at least some easing/gathering would be needed, even in stretch fabrics, because the fabric will try to stretch evenly / even out the tension. Otherwise you’d get ripples. There’s also a fascinating page on tweaking for larger sizes and/or different body shapes. Plus maternity block instruction for Mommies-In-Waiting!

It’s a shame Stuart didn’t consolidate his website into an Ebook before taking the site down. I’m sure I’m not the only one who’d buy a copy!

Sewist Pride

While the new Ice Age hasn’t quite spread over to London from the US, my sewing has nonetheless slowed to a glacial pace thanks to going back to work full time. I am working on a snake print dress for Pretty Grievances‘ annual Jungle January party. In fact, I’ve been planning this since January last year. Fingers crossed it will be finished by end of January this year. More about this one another day.

What I did manage to finish (sort of) over the Xmas holidays are these muslins for my top and three skirt slopers. But I’m not going to go into details about the pattern-drafting and fitting this time. I’m feeling a bit fatigued with the nitty-gritty. In the depth of winter what one needs is some day-dreaming. And would you believe it, I’m actually rather inspired by these muslins.

I’m very tempted to turn these muslin into sewing-themed wearable garments. It sounds mad, but at least a couple of high fashion designers have already set the precedence…

Maison Martin Margiela Spring-Summer 1997 collection

0inspiration_martin-margiela-1997ss-60inspiration_martin-margiela-1997ss-4

(More from Dusty Burrito blog…) How cool is that? OK, maybe not everyone’s cup of tea. But for someone who came of fashion age during the first wave of fashion deconstructionist era, yeah I would wear that.

Moschino Cheap and Chic Spring-Summer 2004

0inspiration_moschino-cnc_2004ss-2

I love the idea of wearing my sewing proudly. In this age of ready made cheap fashion it feels a bit rebellious to proudly declare oneself a home-sewist/sewer/seamstress/whatever.

Most of the muslins were made from an old linen color bed skirt, so already looks a bit like the MM dress form top. The only problem is that when I was cutting out I didn’t notice that the two sides are slightly different shades (sun fading?). So some panels are slightly darker shades than others. Oops. Will have to stew this idea for a bit longer.

In the meanwhile, I’ve also started planning the skirts I’m going to make from these skirt slopers:

0plans-skirts

But these will have to wait a bit longer. I haven’t quite figured out all the construction details yet.

Plus I don’t want my snake print dress to miss another year of Jungle January!

TNT Knit Block…or is it?

So, while we’re on the Knit Block detour we might as well finish this conversation.

As you know, I’ve been using my adjusted Burdastyle 2012-09-123 T-shirt as my tentative Knit Block. And it’s been working OK. No major complaint apart from the sway-back type puddle in the lower back. So I thought I’d try designing with it.  Nothing fancy, just a simple U-neck T.

bs201209123mod1_0dsgn-1 I was going to make it with 3/4 sleeves. But the fabric I had in mind was a $1/yard remanent from FIDM’s Scholarship Store in LA, so not enough for long sleeve. No problem I thought. I’ll just make a short sleeve version.

Straightforward right? Sadly no.

See those pulls emanating from the neckline towards the shoulder? I had no such problem with the previous makes based on this Knit Block. It could be the fabric, though this one seem just as stretchy. My bet though is on the short sleeve. All my previous makes were long sleeves. I think maybe the weight of the long sleeves pulled the shoulder seams in place. So I hadn’t really noticed that the shoulders were really too short.

Here’s how it compare with my zero-ease Moulage pattern:

bs201209123block_1fit
Apology for the confusing extra lines – they’re for the blouse/dress, jacket, & coat slopers. I’m waiting to test them out with muslins before separating them into heavy paper Blocks. The heavier red lines show the Moulage.

The shoulder is about 3/8″ too short. Waist is zero ease, and Bust & Hip are both currently negative ease (even accounting for the bit taken out by the Moulage darts).

I think I need to redo the Knit Block, get back to basic principles. Specifically, where it’s OK to have negative ease and where it should be kept at zero ease. And maybe figure out a totally zero-ease Knit Block for those less stretchy knit fabrics.

And I thought I was saving time by starting with a commercial pattern for knit! Sometimes there’s no substitute for learning properly, especially if one intend to get creative with pattern making.

Wrap Cardie: modified BS 2011-06-139

The dress form is still WIP. I’m no deft hands with the DIY, so the stand is taking a while to make. And I’m leaving the padding & cover till the last.
So how about a spot of Here’s One I Made Earlier?

The Pattern

Well this one has been stewing since March. I was going to franken-pattern this bodice & sleeve with the front neckline of Burdastyle 2011-11-114. In the end I went for a simple modified Blumarine pattern because I couldn’t my head around that weird grafting. And I’m glad I did…

Style Shots & Mug Shots

bs201106139_v1_4mug_fbs201106139_v1_4mug_sLbs201106139_v1_4mug_b
bs201106139_v1_4style1_4bs201106139_v1_4style1_1bs201106139_v1_4style1_3
bs201106139_v1_4style2_5bs201106139_v1_4style2_6bs201106139_v1_4style2_9
bs201106139_v1_4style3_11bs201106139_v1_4style3_10bs201106139_v1_4style3_8

That last set is my homage to the melodramatic Dolce & Gabbana 2013 ads 🙂 But you won’t catch me doing that in real life.

And last but not least, all the holiday snaps. Lucky top!

nyc-me-made-o4-1_
Columbus, OH, USA
nyc-me-made-o7-7_Coney Island, NYC, USA
bs201106139_v1_4style-taiwan-2-
My old elementary school in
Taipei, Taiwan
bs201106139_v1_4style-taiwan-1-
Jioufen Gold Mine Museum in
Taipei, Taiwan

As you can see, I end up wearing this open most of the time, with the ties looped around my neck. I really should add a thread loop to the CB neckline seam to keep the ties in place. They get a bit unwieldy with the constant taking off & putting back on (especially in Taiwan where outside it’s freaking hot and inside it’s effing freezing with A/C everywhere).

Fabric & Notions Used

Size Used

34 because it was closest to my tentative Knit Block.

Changes Made

bs201106139_v1_1fit

Fitting changes
  • Changed shoulder slopes to match my Knit Block.
  • Moved armholes & side seams down the same amount as the shoulder to match my Knit Block.
  • Moved waist up to match my Knit Block, plus other design element related to the waist: the hole for the tie bands & the position of the tie bands, the front wrap edge curve (which also improves bust coverage).
  • Shortened sleeves to match my Knit Block.
  • Moved shoulder matching mark on sleeves towards the front to match my Knit Block.
Design changes
  • Added armhole ease by lowering the underarm on all patterns.
  • Shortened bodice patterns to about 2″ below the hip.
  • Omit the collar.
  • Widen the front band pieces to 2″ finished width & cut as one continuous piece (ie without CB seam).

Verdict on the Instruction

Read & ignored as usual. Once I know how the pieces are suppose to fit together I prefer to follow my own batch work-flow and modifying where necessary to fit my design changes and fabric behavior.

  • Stabilized the back shoulder & tie band hole ares of the side seam with Vilene Bias Tape.
  • Overlocked shoulder seams & tie bands. Neatened tie band hole areas of side seams on the serger. Turn tie band inside out.
  • Overlocked armscye seam, one long edge of front band to neckline, and bottom edge of the front band folded back right sides together.
  • Overlocked the tie band sleeve – side seams, skipping the tie band hole areas. Top-stitched the seam allowances of the tie band holes in place.
  • Slip-stitched the narrow hems & front band / neckline seam by hand while on holiday in NYC!

Would I sew it again / Would I recommend it to others

This modified top is fast becoming a favorite. It’s great for layering & goes with almost everything. It’s classy with a little flare of drama in the bell-shaped sleeves. Considering that I have a moth problem I will no doubt be making more of the same in the future.

And the dress version too. I already have in mind a muted gold stretch jersey as well as the same turquoise leopard print I used for the pencil skirt & cowl top you see in the photos above.

Other people’s makes on Burda & Pattern Review all look great as well. So definitely would recommend. You can still buy the PDF version of the pattern online at Burda website. So what are you waiting for!

Knit Block experiment 2: BS 2010-02-122

Next up in the Knit Block experiment queue is the rusched bust variation on the raglan T, again previously made as an unintentionally off-the-shoulder marinière top.

The Pattern

Judging by the tech drawings you’d think the fit of this one would be the same as BS 2010-02-112, the plain raglan T. But I discovered while altering both simultaneously this time that 122 is actually larger than 112. That might explain why many makes of 122 have the same fatal flaw – the persistent off-the-shoulder look, which makes an otherwise very wearable top unsuitable for office wear unless you got a jacket or cardie over it.

Style Shots

(Obviously not for the office…)

bs201002122-v2-4style-2bs201002122-v2-4style-6bs201002122-v2-4style-15bs201002122-v2-4style-13

Woohoo wind machine!

Fabric & Notions Used

Again, another one from the stash that was a bit meh because the color doesn’t match the online store photo & the fabric feels a bit scratchy.

Size Used

Size 34 again instead of the recommended 36.

Changes Made

Fitting changes

The process is similar to what I did for 112. But the bust rusching complicates things. It’s been a while now, so I’m a bit hazy about how I did it. I think this is what I did…

  1. Aligned Bodice Patterns with Bodice Blocks at underarm. Again I lowered the pattern slightly for a little bit more ease underarm. The top & bottom of the Front Top Pattern’s CF are roughly equal distance from Block’s CF. Front Bottom Pattern is butted against Front Top Pattern at the side seam with the overlap at CF.
  2. Because of the rusching which complicates the neckline, I checked the width & length first so I can establish how low the rusched CF neckline will be on my chest. Front Patterns were a bit too narrow and the Back Pattern too wide. I added / subtracted width-wise where needed to match my Block more closely. Interestingly the length is already the same as my adjusted 112 without any shortening!
  3. The under-bust seam is way too high. So I lowered it to make it closer to my under-bust line indicated on the Block. The adjusted Front Top Pattern bulges out from the new CF in the same way the original pattern bulges out from the old CF.
  4. I decided to keep the rusching 2″ in length. So I aligned the top of Front Top Pattern to 2″ above the Front Bottom Pattern at CF, keeping the underarm as close to the Block’s underarm as possible.
  5. Aligned Sleeve Pattern’s shoulder mark with Bodice Block’s shoulder seam, then Sleeve Pattern’s neckline with Bodice Pattern’s neckline – or as close as possible, in this case the front doesn’t match exactly. Again, there’s a bit of overlap between the sleeve & bodice.
  6. Removed the overlap at the neckline from the bodice.
  7. The front raglan seam at the neckline seems dangerously close to the armscye. So I reshaped the curve to add a bit more fabric here.
  8. Aligned Sleeve Pattern with Sleeve Block at underarm. Again, pattern lowered slightly for a bit more underarm ease.
  9. Checked the Sleeve widths & lengths. The width again I only narrow towards the wrist. The length, like the Bodice length is almost where it needs to be without much shortening!

The lengths, the extra width at the neckline, and the high under-bust seam make me suspect the top was drafted to hang lower & bigger than 112. No wonder my first make of 122 was way more risqué than my first make of 112, despite making very similar changes.

Design changes

  • Shorten the sleeve to 3/4 sleeve.

Here’s how the final pattern looks compared to the original size 34…

bs201002122-v2-2fit-5

And how it compares to my previous make of the same pattern…

bs201002122-v2-2fit-6

And the mug shot comparison…

Previous Make

This Make

You can see from the various comparison photos why my previous make was falling off my shoulder – the neckline of the first make’s raglan sleeve was almost at my shoulder edge! That’s why its useful to have a knit block, even if you’re not using it for designing your own patterns.

Verdict on the Instruction

Again, the process was a bit of a blur by now…Probably batching. And there was no armscye interfacing to omit as the instruction for this one interface the neckline only!!!???

For the bust rusching I decided to pleat rather than gather. Gathering such meager extra fabric just result in a puffy fattening look IMO. I prefer the more graceful drape of irregular pleats for creating the illusion of a shapely bust.

I also did the rusching after I attached the facing – makes it easier to attached the facing without getting the drape caught in the top-stitiching.

Would I sew it again / Would I recommend it to others

It’s a flattering wardrobe basic I think. And now that I’ve adjusted it so it’s more wearable for work, I most definitely will be making a few more in different fabrics, maybe different length.

And I’d recommend it if you can take the time to correct the fit.